# REDIRECT L ' Arianna

# Deontological ethics, notions based on ' rules ' i. e. that there is an obligation to perform the ' right ' action, regardless of actual consequences ( epitomized by Kant's notion of the Categorical Imperative )

# The form of the Gaussian type orbital ( Gaussians ) has no radial nodes and decays as e < sup >(- distance squared )</ sup >.

# The unlawful act must be committed on board of an aircraft ( that is, by a person being on board of an aircraft, e. g. a passenger or crew member.

# General Devises -- i. e., cash gifts

# Demonstrative Devises -- i. e., cash gifts from a specific account, stocks, bonds, securities, etc ...

# Specific Devises -- i. e., specified items of personal property, real property, etc ...

# At the third stage there are physical and social consequences, i. e., hangovers, family problems, work problems, etc.

# Lento assai, cantante e tranquillo

# Adagio molto e cantabile – Andante moderato – Tempo primo – Andante moderato – Adagio – Lo stesso tempo

# for each line, the number of products ( i. e. the sum of the coefficients ) is equal to.

# Measures, numbers, money, days, months, years, clock time, and international words are in English forms, e. g. Date / Time: 20 May 1972 at 21: 00

# Find the site of the brain that may be causing coma ( i. e. brain stem, back of brain …) and assess the severity of the coma with the Glasgow coma scale

# Motio (" removal ") or ejectio e senatu (" ejection from the Senate "), or the exclusion of a man from the ranks of senators.

# The motio e tribu, or the exclusion of a person from his tribe.

# associated performance issues, e. g., software context switching can be selective and store only those registers that need storing, whereas hardware context switching stores nearly all registers whether they're required or not.

# Application's end-users ( e. g., accountants, insurance people, medical doctors, etc.

# Realistic competition is driven by self-interest and is aimed at obtaining material resources ( e. g., food, territory, customers ) for the in-group ( e. g., favouring an in-group in order to obtain more resources for its members, including the self ).

# Social competition is driven by the need for self-esteem and is aimed at achieving a positive social status for the in-group relative to comparable out-groups ( e. g., favouring an in-group in order to make it better than an out-group ).

# Consensual discrimination is driven by the need for accuracy and reflects stable and legitimate intergroup status hierarchies ( e. g., favouring a high-status in-group because it is high status ).

# Epithet: Heavy use of repetition or stock phrases: e. g., Homer's " rosy-fingered dawn " and " wine-dark sea.

# REDIRECT e ( mathematical constant )

The primary benefit promised by ECC is a smaller key size, reducing storage and transmission requirements — i. e., that an elliptic curve group could provide the same level of security afforded by an RSA-based system with a large modulus and correspondingly larger key — e. g., a 256bit ECC public key should provide comparable security to a 3072bit RSA public key ( see # Key sizes ).

# Otherwise, write separate lists of even and odd numbers ( i. e. 2, 4, 6, 8-1, 3, 5, 7 )

# a form in which the chorale appeared in some of the movements, perhaps only two, and the other parts of the cantata used other texts ; and

# Choeur d ' ombres ( Chorus of Shades ) An evocation of the ghostly atmosphere of Shakespeare's Hamlet, this piece reuses music from Berlioz's cantata La mort de Cléopâtre.

# La harpe éolienne ( The Aeolian Harp ) For orchestra alone, this is another reworking of music from the cantata La mort d ’ Orphée.

# Missa cantata sine Ministris ( Sung / Chanted Mass without the Ministers ) – documents of the Holy See such as the Decree of the Congregation of Sacred Rites of 14 March 1906

# Festa teatrale ( 1739 )

* R 1. 05 La mascherata delle nozze di Bacco e d ' Arianna ( 11. 2. 1765, Modena )

* Claudio Monteverdi, Combattimento di Tancredi e Clorinda, Lamento d ’ Arianna, Anna Caterina Antonacci, mezzosoprano, Federico Maria Sardelli, conductor, Naïve, February 2006

Cignani Bacco e Arianna. jpg | Bacchus and Ariadne

* Richard Strauss's standard repertory opera Ariadne auf Naxos was preceded by a L ' Arianna each by Claudio Monteverdi and Carlo Agostino Badia, by an opera Ariadne ( 1691 ) by German composer Johann Georg Conradi, and by non-operatic Ariadne auf Naxos works including a cantata based on the Heinrich Wilhelm von Gerstenberg poem and Jiri Antonin Benda's melodrama Ariadne auf Naxos ( Benda ), and by Joseph Haydn's cantata Arianna a Naxos.

Goehr will return time and again to the idea of carrying out a synthesis of fragments or unfinished projects left by other artists, albeit in a metaphorical way: the cantata The Death of Moses resonates with Schoenberg's unfinished Moses und Aron ; the opera Arianna ( 1995 ) is the setting of the libretto of a lost opera by Monteverdi ; and the posthumously published prose fragments by Franz Kafka lurk behind Das Gesetz der Quadrille ( 1979 ), Sur terre en l ’ air ( 1997 ) and Schlussgesang ( 1990 ).

* Le nozze d ' Arianna ( festa teatrale per musica, libretto by Verazi, 1756, Schwetzingen )

COMSUBIN ( Comando Raggruppamento Subacquei e Incursori Teseo Tesei ) is the elite combat frogman force and one of the Italian special forces.

For example, in Il Barbiere there is an aria for the Count ( often omitted ) " Cessa di più resistere ", which Rossini used ( with minor changes ) in the cantata Le Nozze di Teti e di Peleo and in La Cenerentola ( the cabaletta for Angelina's rondo is almost unchanged ).

* Georg Friedrich Handel's 1707 solo cantata in Italian, Ero e Leandro ( HWV 150 ), is based on the tale.

Rameau's reworkings of his own material are numerous ; e. g., in Les Fêtes d ' Hébé, we find L ' Entretien des Muses, the Musette, and the Tambourin, taken from the 1724 book of harpsichord pieces, as well as an aria from the cantata Le Berger Fidèle.

* La cantata e disfida di Don Trastullo ( Rome, 1749 )

Works from this period include Dixit Dominus, and the dramatic cantata Aci, Galatea e Polifemo, written in Naples.

Agrippina's aria " Non hò cor che per amarti " was taken, almost entirely unadapted, from " Se la morte non vorrà " in Handel's earlier dramatic cantata Qual ti reveggio, oh Dio ( 1707 ); Narcissus's " Spererò " is an adaptation of " Sai perchè " from another 1707 cantata, Clori, Tirsi e Fileno ; and parts of Nero's Act 3 aria " Come nube che fugge dal vento " are borrowed Handel's oratorio Il trionfo del tempo ( all from 1707 ).

Other non-operatic works include the symphonic poem Paolo e Virginia ( after Paul et Virginie ) and the cantata The Song of Songs.

* Medora e Corrado, cantata ( 1829 – 30 )