The novelist Raymond Chandler criticised her in his essay, " The Simple Art of Murder ", and the American literary critic Edmund Wilson was dismissive of Christie and the detective fiction genre generally in his New Yorker essay, " Who Cares Who Killed Roger Ackroyd?

Art critic Emily Genauer stated that Alston " refused to be pigeonholed ", regarding his varied exploration in his artwork.

Art critic Donald Kuspit, explains, " examining Quinn's many expressions of creativity together — his art and acting — we can see that he was a creative genius ..."

Art critic Robert Hughes referred to Chagall as " the quintessential Jewish artist of the twentieth century ".

Art critic Henry McBride wrote about this exhibit for the New York Sun:

Art critic Edwin Denby wrote of the opening for the New York Herald Tribune that Chagall's work:

What the final intrusion of Pop into the citadels of High Art provides, therefore, for the critic is the exhilarating new possibility of making judgments about the ' goodness ' and ' badness ' of art quite separated from distinctions between ' high ' and ' low ' with their concealed class bias.

The postmodern outlook of the film (" a field of urns in a dismal swamp, a gnarled, blasted oak in the background, a lowering, Chernobyl sky ") was however criticized by The Guardians Art critic Adrian Searle as " adolescent, and worse, clichéd and illustrational ," adding: " Any minute, expect a dragon ".

His art studies also probably led him to appreciate the new art form of silent film, on which he wrote a book in 1915: The Art of the Moving Picture, generally considered the first book of film criticism, according to critic Stanley Kauffmann, discussing Lindsay in For the Love of Movies: The Story of American Film Criticism.

After parting with Epstein, Buñuel worked as film critic for La Gaceta Literaria ( 1927 ) and Les Cahiers d ' Art ( 1928 ).

The film was adapted by William Boyd, Bryan Forbes and William Goldman from the books My Autobiography by Chaplin and Chaplin: His Life and Art by film critic David Robinson.

Site specific environmental art was first described as a movement by architectural critic Catherine Howett (“ New Directions in Environmental Art ,” Landscape Architecture, Jan. 1977 ) and art critic Lucy Lippard (“ Art Outdoors, In and Out of the Public Domain ,” Studio International, March – April 1977 ).

* Art critic

New York Press film critic Armond White praised Gibson's work, comparing him to Dreyer, for transforming Art into spirituality.

Arthur Clive Heward Bell ( 16 September 1881 – 18 September 1964 ) was an English Art critic, associated with formalism and the Bloomsbury Group.

The judging panel of the 2002 Turner Prize, which awarded the £ 20, 000 prize to Tyson, consisted of the critic Michael Archer, then Director of the Hayward Gallery, Susan Ferleger Brades, director of the Musée National d ' Art Moderne, at the Centre Georges Pompidou Alfred Pacquement, and collector Greville Worthington.

" Ironically Pollock's large repetitious expanses of linear fields are characteristic of Color Field painting as well, as art critic Michael Fried wrote in his essay for the catalog of Three American painters: Kenneth Noland, Jules Olitski, Frank Stella at the Fogg Art Museum in 1965.

William Howe Downs, art critic for the Boston Evening Transcript, summed up this position in 1900 by saying " Art is not so much a matter of methods and processes as it is an affair of temperament, of taste and of sentiment … In the hands of the artist, the photograph becomes a work of art … In a word, photography is what the photographer makes it ‒ an art or a trade.

After the screening, a party was held at the Baltimore Museum of Art, where Frances Milstead granted an impromptu interview to the English film critic Jonathan Ross, a friend and fan of Divine's.

In a negative appraisal of the exhibition art critic Jerry Saltz wrote, " A quarter century ago, Art & Language forged an important link in the genealogy of conceptual art, but subsequent efforts have been so self-engrandizing and arcane that their work is now virtually irrelevant.

When these works were exhibited at the Art Council's Centenary exhibition at the Barbican in 1988, art critic Richard Dorment wrote in the Daily Telegraph that these works " reveal a sexual anxiety which is never so much as hinted at in the work of the previous 60 years.

As well as showing at Marlborough Fine Art in London in 2010, the art critic Marco Livingstone organised a retrospective of her work at the Museum of Contemporary Art, Monterrey, Mexico, which was later shown at the Pinacoteca de São Paulo, Brazil.

He invites art students to protest against the values of Clement Greenberg's Art and Culture ( much praised and taught in London's St. Martin's School of Art where Latham taught ).

In 2000, the Portland Art Museum ( PAM ) acquired the Clement Greenberg Collection of 159 paintings, prints, drawings, and sculpture by 59 important artists of the late-20th century and early-21st century.

* Clement Greenberg: A Critic's Collection by Bruce Guenther, Karen Wilkin ( Editor ), Portland: Portland Art Museum, 2001.

Clement Greenberg: Art Critic.

Art Czar: The Rise and Fall of Clement Greenberg.

* Clement Greenberg-Art Critic on The Art Story Foundation website

Hans Hofmann, with essays by Irving Sandler, and Clement Greenberg ; Exhibition Catalog, Whitney Museum of American Art, New York in association with Prestel-Verlag, Munich, ISBN 0-87427-070-7

The London exhibition at the Whitechapel Art Gallery included preparatory studies and was organized by Roland Penrose with Clement Attlee addressing a public meeting.

The Trinity College chapter endows a St. Anthony Professorship in Art History, several annual prizes for Trinity students, and an annual public lecture, named for Martin W. Clement ( Class of 1901 ).

In " Art after Philosophy ," Kosuth provoked a confrontation with the formal criticism of Clement Greenberg and Michael Fried.

In 2001, the Portland Art Museum announced the largest single acquisition in its history when it purchased the private collection of renowned New York art critic Clement Greenberg.

On the opposite wall appear the frescos " The Baptism of St. Clement " by Italian painters Cherubino Alberti and Baldassare Croce, and an " Allegory of Art and Science " by Giovanni and Cherubino Alberti.

He owned cassone panels formerly in the collections of Otto H. Kahn and Lord Crawford, as well as Fungai's predella panel of the Martyrdom of Saint Clement, now reunited with an erstwhile companion in the City Art Gallery, York.

Adolf Hitler is portrayed as a cat ( possibly in homage to Art Spiegelman's Maus ), Senator Joseph McCarthy as Senator Gallo ( a cockerel ), Mark Rothko as Sergei Litvak ( a bear ), and Allen Ginsberg as Greenberg ( a bison ), while Otto Liebber ( an owl ) bears a strong resemblance to many of the scientists involved in the Manhattan Project at Los Alamos.

* Another Girl, Another Planet ( Lawrence Rubin Greenberg / Van Doren Fine Art, 2001 )

* Best Art Direction -- Yair Greenberg

In protest of Washington's perceived " deification " by the city and citizens of Chicago, and because it was widely reported by local media that Washington was found by paramedics wearing women's underclothes, Art Institute of Chicago student David Nelson painted Mirth & Girth, a caricature that depicted Washington wearing women's lingerie and holding a pencil.

After prodding by their daughter Ida, who " perceived the need to act fast ", and with help from Alfred Barr of the New York Museum of Modern Art, Chagall was saved by having his name added to the list of prominent artists whose lives were at risk and who the United States should try to extricate.

" This significant event and the subsequent struggle of African-American migrants to adapt to Northern cities was the subject of Jacob Lawrence's Migration Series, created when he was a young man in New York. Exhibited in 1941 at the Museum of Modern Art, Lawrence's Series featured the young artist and he was quickly perceived as one of the most important African-American artists of the time.

Art worlds can exist at the local and regional levels, as hidden or obscured subcultures, via primary and secondary art markets, through gallery circuits, around design movements, and more esoterically as shared or perceived experiences.