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Essanay and contract
Linder was offered a new contract from Charles Pathé, but accepted Spoor's offer and moved to the United States to work for Essanay later that year.
Chaplin's contract with Essanay ended at the beginning of 1916 when he went to Mutual ; Police ( 1916 film ), released on May 27, was his last authorized title with the company.

Essanay and end
The next step, in which two actors facing each other are shown in successive close shots from taken opposite directions towards each of them, is first to be seen at the end of 1911 in The Loafer, made by Arthur Mackley for Essanay.

Essanay and Chaplin
The Essanay Film Manufacturing Company sent Chaplin an offer of $ 1, 250 a week with a signing bonus of $ 10, 000.
Chaplin made 14 films for Essanay, the last of which was a parody of Carmen named Burlesque on Carmen ( 1916 ).
In late 1914 Essanay succeeded in hiring Charlie Chaplin away from Mack Sennett's Keystone Studios, offering Chaplin a higher salary and his own production unit.
Chaplin made 14 short comedies for Essanay in 1915, at both the Chicago and Niles studios, plus a cameo appearance in one of the Broncho Billy westerns.
Chaplin's stock company at Essanay included Ben Turpin, who disliked working with the meticulous Chaplin and only appeared with him in a couple of films ; ingenue Edna Purviance, who became his off-screen sweetheart as well ; Leo White, almost always playing a fussy continental villain ; and all-purpose authority figures Bud Jamison and John Rand.
Chaplin was the studio's biggest moneymaker, and Essanay resorted to creating " new " Chaplin comedies from file footage and out-takes.
Finally, with Chaplin off the Essanay scene for good, Essanay signed French comedian Max Linder, whose clever pantomime was often compared to Chaplin's.
Today the Essanay lot is the home of St. Augustine's College, and its main meeting hall has been named the Charlie Chaplin Auditorium.
In 1915 Edna Purviance was working as a secretary in San Francisco, when Chaplin was working on his second film with Essanay Studios, working out of Niles, California, one hour southeast of San Francisco.
Chaplin and Purviance were romantically involved during the making of his Essanay, Mutual, and First National films of 1915 – 1917.
In 1912, she had her first taste of the movie industry by selling a script for $ 25 to the Essanay Company, once the home of Charlie Chaplin.
Earlier that year Charlie Chaplin, then the most popular comedian in the world, had left Essanay for more money and independence at Mutual Film and Spoor wanted to replace Chaplin with Max Linder.
At the canyon's western mouth, Essanay Film Company had a studio located in Niles from 1912 – 1916, where Charlie Chaplin made The Tramp and a few other films in early 1915.
This film was not an official Chaplin film, even though it has many Chaplin directed scenes ; it was edited together out of outtakes and newly shot footage by the Essanay Film Manufacturing Company, with Leo White as director for the new scenes.
Since Chaplin did not have legal control over the films made during his time with Essanay, he could not prevent its release.
Chaplin filed to sue on May 6, but to no avail — on July 8, the court determined that Essanay had the right to reinvent the client work Chaplin had done for them in any way that they saw fit.
Essanay created Triple Trouble, their last " new " Chaplin comedy, by taking at least one — and perhaps two — sequences that had been intended for the unfinished Life, bridging them with outtakes from Police, and through borrowing the ending from Work ( 1915 film ).
Work is a 1915 silent film starring Charlie Chaplin ( his eighth film for Essanay Films ), and co-starring Edna Purviance, Marta Golden and Charles Insley.

Essanay and $
In 1916, Linder was approach by American film producer George K. Spoor, the president of the Essanay Film Manufacturing Company, to make twelve short films for him in the US at a salary of $ 5, 000 a week.

Essanay and from
In 1916, Anderson sold his ownership in Essanay and retired from acting.
A Chicago Park District park, not far from the site of the Chicago Essanay Studio lot, was named Broncho Billy Park in his honor.
Police was Charlie Chaplin's 14th released film from Essanay released in 1916.
Burdened by the fallout from the loss of final appeals relating to the U. S. Government's anti-trust suit against former Motion Picture Patents Trust companies and an inability to compete in a market dominated by features, Triple Trouble was practically the last new film that Essanay produced.
The Images DVD version on Chaplin's Essanay Comedies Volume 3 has been adjudged the best available in that — for the most part — it is derived from a 35mm print, and includes one shot that does not appear in other versions.
The Essanay description of Police filed with the Library of Congress at the time of copyright on May 12, 1916 indicates a deleted scene similar to the content in Triple Trouble: " goes to a lodging house and in order to save his dollar from thieves puts it in his mouth, swallowing it while he sleeps.

Essanay and next
Anderson (" Broncho Billy "), directing his own Western dramas for Essanay, but in 1911 Tom Mix brought the kind of costumes and stunt action used in live Wild West shows to Selig film productions, and became the biggest cowboy star for the next two decades.

Essanay and studio
The Essanay Film Manufacturing Company was an American motion picture studio.
The Chicago studio, as well as the new Niles studio, continued to produce films for another five years, reaching a total of well over 1, 400 Essanay titles during its ten-year history.
In a last-ditch effort to save the studio, Essanay joined in a four-way merger orchestrated by Chicago distributor George Kleine in 1918.
The film is arguably one of his best for the studio, and a precursor to a key Essanay Studios short, The Bank.

Essanay and .
However, he had a strong interest in the fledgling motion picture industry and when Essanay Studios offered him the opportunity to become a scriptwriter, he took the job.
The companies concerned were Pathé, Edison, Biograph, Vitagraph, Lubin, Selig, Essanay, Kalem, and the Kleine Optical Company, a major importer of European films.
Essanay specialized in Westerns featuring " Broncho Billy " Anderson, and Kalem sent Sidney Olcott off with a film crew and a troupe of actors to various places in America and abroad to make film stories in the actual places they were supposed to have happened.
The Motion Picture Patents Company ( MPPC, also known as the Edison Trust ), founded in December 1908, was a trust of all the major American film companies ( Edison, Biograph, Vitagraph, Essanay, Selig, Lubin, Kalem, American Star, American Pathé ), the leading film distributor ( George Kleine ) and the biggest supplier of raw film stock, Eastman Kodak.
Exhausted by the lawsuits, Edison's competitors — Essanay, Kalem, Pathé Frères, Selig, and Vitagraph — approached him in 1907 to negotiate a licensing agreement, which Lubin was also invited to join.
Edison, Biograph, Essanay, and Vitagraph did not release their first features until 1914, after dozens, if not hundreds, of feature films had been released by independents.
The " Edison Trust ", as it was nicknamed, was made up of Edison, Biograph, Essanay Studios, Kalem Company, George Kleine Productions, Lubin Studios, Georges Méliès, Pathé, Selig Studios, and Vitagraph Studios, and dominated distribution through the General Film Company.
In 1913, he moved to Chicago to work for Essanay Studios, cast as Sweedie, The Swedish Maid, a masculine character in drag.
Later, he worked for the Essanay Studios location in Niles, California.
* December 14 – ( b. June 20, 1870 ), comedy producer and actor for the Chicago based Essanay company
Lawrence and Solter began to look elsewhere for work, writing to the Essanay Company to offer their services as leading lady and director.
Rather than accepting this offer, however, Essanay reported the offer to Biograph's head office, and they were promptly fired.
The Essanay Film Manufacturing Company building, at 1345 W. Argyle St, is a Chicago landmark in Uptown, Chicago | Uptown.
Essanay was originally located at 496 Wells Street ( modern numbering: 1300 N. Wells ).
Essanay produced silent films with such stars ( and stars of the future ) as George Periolat, Ben Turpin, Wallace Beery, Thomas Meighan, Colleen Moore, Francis X. Bushman, Gloria Swanson, Bebe Daniels, Tom Mix, Ann Little, Helen Dunbar, Harold Lloyd, Lester Cuneo, Eugene Pallette, Florence Oberle, Virginia Valli, Edward Arnold, and Rod La Rocque.
Allan Dwan was hired by Essanay Studios as a screenwriter and developed into a famous Hollywood director.
Both George K. Spoor ( in 1948 ) and Broncho Billy Anderson ( in 1958 ) received Oscars, specifically Academy Honorary Awards, for their pioneering efforts with Essanay.

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