# REDIRECT Der Blaue Reiter

This influence culminated with the addition of Der Blaue Reiter founding member Wassily Kandinsky to the faculty and ended when Itten resigned in late 1922.

Later Prince Regent Luitpold's years as regent were marked by tremendous artistic and cultural activity in Munich ( see Franz von Stuck and Der Blaue Reiter ).

Kandinsky then formed a new group, the Blue Rider ( Der Blaue Reiter ) with like-minded artists such as August Macke and Franz Marc.

* December 18 – Opening of first exhibition by Der Blaue Reiter group of painters, in Munich.

Richter's first contacts with modern art were in 1912 through the " Blaue Reiter " and in 1913 through the " Erster Deutsche Herbstsalon " gallery " Der Sturm ", in Berlin.

He had achieved some fame by this time and exhibited with Kandinsky ’ s Der Blaue Reiter group in 1912, supporting himself through his art.

Dietrich did not sing in the film, but did so the following year in Der Blaue Engel, which made her an international star.

A few years later, in 1911, a like-minded group of young artists formed Der Blaue Reiter ( The Blue Rider ) in Munich.

The name came from Wassily Kandinsky's Der Blaue Reiter painting of 1903.

There were a number of groups of Expressionist painters, including Der Blaue Reiter and Die Brücke.

Der Blaue Reiter ( The Blue Rider, named for a magazine ) was based in Munich and Die Brücke was based originally in Dresden ( although some members later relocated to Berlin ).

Die Brücke was active for a longer period than Der Blaue Reiter, which was only together for a year ( 1912 ).

Kandinsky, the main artist of Der Blaue Reiter group, believed that with simple colours and shapes the spectator could perceive the moods and feelings in the paintings, a theory that encouraged him towards increased abstraction.

He collected works by French and German Expressionist artists, from groups including Die Brücke and Der Blaue Reiter, such as Ernst Ludwig Kirchner, Max Pechstein, Emil Nolde, Wassily Kandinsky, Paul Klee, Franz Marc, Gabriele Münter, Alexej von Jawlensky, and Max Beckmann.

He was a key member of the New Munich Artist's Association ( Neue Künstlervereinigung München ), Der Blaue Reiter ( The Blue Rider ) group and later the Die Blaue Vier ( The Blue Four ).

Eventually, his book Professor Unrat was freely adapted into the legendary movie Der Blaue Engel ( The Blue Angel ).

He was a founding member of Der Blaue Reiter ( The Blue Rider ), a journal whose name later became synonymous with the circle of artists collaborating in it.

In 1911 Marc founded the Der Blaue Reiter journal, which became the center of an artist circle with Macke, Wassily Kandinsky, and others who decided to split off from the Neue Künstlervereinigung ( New Artist's Association ) movement.

Marc showed several of his works in the first Der Blaue Reiter exhibition at the Thannhauser Galleries in Munich between December 1911 and January 1912.

Kasimir Malevich originated Suprematism when he was an established painter having exhibited in the Donkey's Tail and the Der Blaue Reiter ( The Blue Rider ) exhibitions of 1912 with cubo-futurist works.

* Creation of Der Blaue Reiter Group ( first exhibition opens December 18 in Munich )

Cover of Der Blaue Reiter # Almanac | Der Blaue Reiter Almanac

Der Sturm published poetry and prose from contributors such as Peter Altenberg, Max Brod, Richard Dehmel, Alfred Döblin, Anatole France, Knut Hamsun, Arno Holz, Karl Kraus, Selma Lagerlöf, Adolf Loos, Heinrich Mann, Paul Scheerbart, and René Schickele, and writings, drawings, and prints by such artists as Kokoschka, Kandinsky, and members of Der blaue Reiter.

de: Pale Rider – Der namenlose Reiter

Conceived in June 1911, Der Blaue Reiter Almanach ( The Blue Rider Almanac ) was published in early 1912, by Piper, Munich, in an edition of 1100 copies ; on 11 May, Franz Marc received a first print.

Although his essays were published in the Neue Freie Presse, whose literary editor was the Zionist leader Theodor Herzl, Zweig was not attracted to Herzl's Jewish nationalism, nor did the publication review Herzl's Der Judenstaat.

Der Philosoph und sein Bild 54-55, 70-72, introduction, critical edition, commentary, translation, and essays by E. Amato et al., Tübingen 2009.

Among his other publications is a collection of essays on New Austrian Film edited with Oliver C. Speck ( 2011 ), edited collections on Hugo von Hofmannsthal's play Der Schwierige ( Iudicium 2011 ), Quentin Tarantino's Inglourious Basterds: Manipulations of Metafilm ( Continuum 2012 ), and on World Film Locations: Vienna ( Intellect 2012 ).

During this time Döblin wrote a number of satirical and polemical political essays under the pseudonym " Linke Poot ," a dialectical variation of " Linke Pfote " ( Left Paw ), eleven of which were published in 1921 in a volume called Der deutsche Maskenball ( The German Masked Ball ).

* Der deutsche Maskenball ( The German Masked Ball, as Linke Poot ) ( essays, 1921 )

At Kinsey ’ s specific request he also kept highly detailed journals and diaries of his daily sexual activities, and chronicled them in a secret card catalogue he referred to as his “ Stud File .” Starting in 1957, he began contributing short stories based on his many sexual encounters to the Zurich-based homophile magazine Der Kreis (“ The Circle ”), to which he also contributed essays, reviews, and homophile journalism.

There is much keen analysis and original investigation in his two essays Der jüdische Stamm ( 1869 ) and Der jüdische Stamm in nicht-jüdischen Sprichwörtern ( 1881 – 1882 ).

A few of her essays were published in Das Morgenblatt, Das Schweizerische Museum, and Der Gesellschafter ; in 1830, her Denkblätter einer Berlinerin was published in Berlin.

It was Diabelli who first recognized the composer's potential, become the very first to publish Schubert's work with Der Erlkönig in 1821.

The sound can be heard, for example, when Spike Jones sings " Der Fuehrer's Face " ( from the 1942 Disney animated film of the same name ), repeatedly lambasting Adolf Hitler with: " We'll Heil!

Sanskrit priyā " beloved ") and was known among many northern European cultures with slight name variations over time: e. g. Friggja in Sweden, Frīg ( genitive Frīge ) in Old English, and Fricka in Richard Wagner's operatic cycle Der Ring des Nibelungen.

In this first phase of his career, Lang alternated between art films such as Der Müde Tod (" The Weary Death ") and popular thrillers such as Die Spinnen (" The Spiders "), combining popular genres with Expressionist techniques to create an unprecedented synthesis of popular entertainment with art cinema.

The other early authors and works included Christian Heinrich Spiess, with his works Das Petermännchen ( 1793 ), Der alte Überall and Nirgends ( 1792 ), Die Löwenritter ( 1794 ), and Hans Heiling, vierter und letzter Regent der Erd-Luft-Feuer-und Wasser-Geister ( 1798 ), Heinrich von Kleist's short story Das Bettelweib von Locarno ( 1797 ) and Ludwig Tieck's Der blonde Eckbert ( 1797 ), Der Runenberg ( 1804 ).

First incunable with illustrations, Ulrich Boner's Der Edelstein, printed by Albrecht Pfister, Bamberg, 1461.

In October 1962, a scandal erupted when police arrested five Der Spiegel journalists, charging them with high treason for publishing a memo detailing weaknesses in the West German armed forces.

He showed two Abstraktionen ( semi-abstract expressionist landscapes ) at Walden's gallery Der Sturm, Berlin, June 1918, which led directly to meetings with members of the Berlin Avant-garde, including Raoul Hausmann, Hannah Höch and Hans Arp in the autumn of 1918.

According to Raoul Hausmann, Richard Huelsenbeck rejected the application because of Schwitters ' links to Der Sturm and to Expressionism in general, which was seen by the Dadaists as hopelessly romantic and obsessed with aesthetics.

Ridiculed by Huelsenbeck as ‘ the Caspar David Friedrich of the Dadaist Revolution ’, he would reply with an absurdist short story Franz Mullers Drahtfrühling, Ersters Kapitel: Ursachen und Beginn der grossen glorreichen Revolution in Revon published in Der Sturm ( xiii / 11, 1922 ), which featured an innocent bystander who started a revolution ' merely by being there '.

In August 2012, Der Spiegel reported that following the massacre, Germany began secret meetings with Black September, at the behest of the West German government, due to the fear that Black September would carry out other terrorist attacks in Germany.

at this time the first Orthodox Jewish periodical was launched " Der Treue Zions Waechter " with the Hebrew supplement " Shomer Zion HaNe ' eman "-1855.

" The invitation was brutally attacked by leading intellectuals and organizations in German media, with an article in Der Spiegel comparing Singer's positions to Nazism.

The classic video in this genre was done by the artist duo Peter Fischli & David Weiss in 1987 with their 30 minute video " Der Lauf der Dinge " or " The Way Things Go ".

In the Prose Edda, and a single poem in the Poetic Edda, the event is referred to as Ragnarök or Ragnarøkkr ( Old Norse " Fate of the Gods " or " Twilight of the Gods " respectively ), a usage popularized by 19th century composer Richard Wagner with the title of the last of his Der Ring des Nibelungen operas, Götterdämmerung ( 1876 ).

Edmund Bergler ’ s first contribution to the psychoanalytic theory of homosexuality was “ Der Mammakomplex des Mannes “, an article co-authored with L. Eidelberg and published in the Internationale Zeitschrift fuer Psychoanalyse in 1933.

He ended his career with a six-hour, two-part toga and chariot epic, Der Kampf um Rom ( 1968 ), oddly more campy ( perhaps intentionally, one hopes ) than Cobra Woman had been.

Both soaps are still aired today, along with other foreign soaps such as " Days Of Our Lives ", Australian " Home And Away " and German soap opera " Sturm Der Liebe ".

In an interview with Der Tagesspiegel, he described the action as a protest against then President George W. Bush, and in an earlier interview with The Onion AV Club, he also indicated that it was related to concerns about future tax liability for his wife and children.

The project was based on a German folktale called Der Freischütz, with Wilson responsible for the design and direction, Burroughs for writing the book, and Waits for music and lyrics, which were heavily influenced by the works of Bertolt Brecht and Kurt Weill.