* 1921: Les Mariés de la tour Eiffel ( music by Georges Auric, Arthur Honegger, Darius Milhaud, Francis Poulenc and Germaine Tailleferre )

* Anthology, 4 CD containing numerous poems and texts read by the author, Anna la bonne, La Dame de Monte-Carlo and Mes sœurs, n ' aimez pas les marins by Marianne Oswald, Le Bel Indifférent by Edith Piaf, La Voix humaine by Berthe Bovy, Les Mariés de la Tour Eiffel with Jean Le Poulain, Jacques Charon and Jean Cocteau, discourse on the reception at the Académie française, with extracts from Les Parents terribles, La Machine infernale, pieces from Parade on piano with two hands by Georges Auric and Francis Poulenc, Frémeaux & Associés FA 064, 1997

* Hommage à Jean Cocteau, mélodies d ' Henri Sauguet, Arthur Honegger, Louis Durey, Darius Milhaud, Erik Satie, Jean Wiener, Max Jacob, Francis Poulenc, Maurice Delage, Georges Auric, Guy Sacre, by Jean-François Gardeil ( baryton ) and Billy Eidi ( piano ), CD Adda 581177, 1989

In 1927, Auric, Milhaud and Poulenc, along with seven other composers who were not part of Les Six, jointly composed the children's ballet L ' éventail de Jeanne.

In 1952, Auric, Honegger, Poulenc, Tailleferre and three other composers collaborated on La guirlande de Campra.

* Les mariés de la tour Eiffel was a 1921 joint project by Auric, Honegger, Milhaud, Poulenc and Tailleferre, on a scenario by Cocteau

* L ' éventail de Jeanne was a 1927 ballet written collaboratively by 10 composers, three of whom ( Auric, Milhaud and Poulenc ) were members of Les Six

** Contributing composers included Auric, Milhaud and Poulenc, along with Jean Françaix, Léo Preger and Henri Sauguet.

* La guirlande de Campra was a set of orchestral variations composed jointly in 1952 by Auric, Honegger, Poulenc, Tailleferre and three other composers.

She studied piano with her mother at home, composing short works of her own, after which she began studying at the Paris Conservatory where she met Louis Durey, Francis Poulenc, Darius Milhaud, Georges Auric and Arthur Honegger.

During World War II, Poulenc, Durey and Auric joined the " Comité de Front National des Musiciens " created at the instigation of the French Communist Party in May 1941, led by Elsa Barraine and Roger Désormière.

This included performances of work by ' Les Six ' ( Georges Auric, Louis Durey, Arthur Honegger, Germaine Tailleferre, Darius Milhaud and Francis Poulenc ), together with " Erik Satie et la jeune musique française ".

There were some similarities between Ernő and Auric: both were Jewish immigrants who came to Britain from Eastern Europe in the 1930s and both were Marxists, although they were physically very different.

As a result, Fernand Pouey, the director of dramatic and literary broadcasts for French radio, assembled a panel to consider the broadcast of Among the approximately 50 artists, writers, musicians, and journalists present for a private listening on 5 February 1948 were Jean Cocteau, Paul Éluard, Raymond Queneau, Jean-Louis Barrault, René Clair, Jean Paulhan, Maurice Nadeau, Georges Auric, Claude Mauriac, and René Char.

A number of cottages were demolished to allow for the construction, which was strongly opposed by a number of local residents including novelist Ian Fleming ( this was said to be his inspiration for the name of the James Bond villain Auric Goldfinger ) and the future Conservative Home Secretary Henry Brooke.

He then made his way to the United States from Naples, where he found employment as an enforcer for the Spangled Mob, an outfit that plays a role in two other Bond novels: Diamonds Are Forever ( where they were the main foe of Agent 007 ) and Goldfinger as an accomplice to Auric Goldfinger's Operation Grandslam.

Major French composers that worked on the Poetic Realism cinemas were Georges Auric, Arthur Honegger, Josef Kosma, and Maurice Jaubert.

It is depicted as being much more powerful than it was in any of the films or books, possessing a massive undersea black market known as The Octopus, resembling Karl Stromberg's lair from The Spy Who Loved Me, a large lair built into an extinct volcano akin to the films which is used as the main base of operations, and also the personal structures of its members such as Auric Goldfinger's Auric Enterprises and casino and Dr. No's Crab Key, also returning from the films.

Dr. No and Auric Goldfinger appear as SPECTRE members, with Dr. No "...( Doctor Julius No ) having broken ranks with our organisation.

Cocteau had originally proposed the project to Auric, but as Auric did not finish rapidly enough to fit into the rehearsal schedule, he then divided the work up among the other members of Les Six.

As a young student of at the Paris Conservatory in 1920, and, considered avant-garde, Auric became part of Satie and Cocteau's famous group Les Six, and was friends with the artist Jean Hugo.

* July 23 – Georges Auric, composer, member of Les Six, 84

Ladenson lists both his family name and his first name as being related to gold (" Auric " is an adjective pertaining to gold ); his clothes, hair, car and cat are all gold coloured, or a variant thereof ; his Korean servants are referred to by Bond as being " yellow ", or yellow-faced "; and he paints his women ( normally prostitutes ) gold before sex.

Argentine boxer Carlos Monzon, who didn't have a clear diction, had his voice dubbed by a professional actor when he played the lead in the drama La Mary, and Gert Frobe, who played Auric Goldfinger in the James Bond film of that name ( Goldfinger ) was because of his heavy German accent dubbed by Michael Collins.

* 1899 – Georges Auric, French composer ( d. 1983 )

The German actor Gert Fröbe, well known as the bad guy Auric Goldfinger in the James Bond film Goldfinger, was born in Zwickau.

Music by Erik Satie, Honegger, Auric and Durey was played.

Georges Auric ( 15 February 189923 July 1983 ) was a French composer, born in Lodève, Hérault.

When Jean Cocteau started making motion pictures, at the beginning of the 1930s Auric began writing film scores.

Auric continued to write classical chamber music, especially for winds, right up to his death.

Auric died in Paris and was interred at Montparnasse Cemetery.

Concertos for the instrument were written by Francis Poulenc ( the Concert champêtre, 1927 – 28 ), Manuel de Falla, Bertold Hummel, Henryk Mikołaj Górecki, Michael Nyman, Philip Glass, and Roberto Carnevale.

Imogen Holst introduced early choral music, and soon works by European composers rarely heard at that time in England were in the repertoire, such as Berg, Mahler, Schoenberg, Poulenc, Boulez, and Webern.

A great many of the chansons and melodies Poulenc wrote were composed for Bernac.

Poulenc went on composing light music like the Quatre chansons pour enfants ( 1934 ) on texts by ( 1934 ), but some of his works were more sombre and austere.

He gave the first of his many concerts in the United States in 1948 with Bernac, and met soprano Leontyne Price who sang his chansons, and composer Samuel Barber whose Mélodies passagères were created in Paris by their dedicatees, Bernac and Poulenc, in February 1952.

Among the composers whose concert works he premiered were Milhaud, Poulenc, Prokofiev and Ravel.

His first work composed expressly for the ballet was a waltz for L ' éventail de Jeanne ( 1929 ) to which he was one of ten contributors, others of whom were Ravel and Poulenc.

They were responsible for commissioning some of the greatest songs and chamber music works of Fauré, Debussy, Ravel and Poulenc.

Other works he played in harmonica arrangements were by Bartók, Beethoven ( Minuet in G ), Debussy, Falla, Gershwin ( Rhapsody in Blue ), Mozart ( slow movement from the Oboe Quartet, K. 470 ), Poulenc, Ravel ( Boléro ), Stravinsky and Walton.

Her last performances on stage were in March 1981 in the one-woman opera, La voix humaine by Poulenc.