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Bandem was also the Artistic Director for many Indonesian performances in numerous World Expos and other International Arts Festival.
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Bandem and was
Bandem studied Balinese dance from a very early age, and was performing Baris and other dances by the age of ten.
As a scholar in the field of world music, Bandem fathoms and advances a school of thought popularly termed as the “ bi-musicality ” that was initially promoted by Prof. Dr. Mantle Hood.
MMI hails from Surakarta, Central Java, and Bandem was the first chairman of the non-profit association.
In 1986, Bandem initiated The First International Gamelan Festival ; an evaluation on the advancement of gamelan in the global milieu that was conducted in conjunction with the 1986 Vancouver Expo in Canada.
In 2006, Bandem was awarded the Fumio Koizumi Prize for his dedication and long life achievement in the field of ethnomusicology.
After attaining his Ph. D, Bandem returned to Indonesia from the USA and was appointed as the Chancellor of the Indonesia Dance Academy ( ASTI ) Denpasar by the Ministry Department of National Education, Indonesia ( 1982 ).
As an educational administrator, Bandem was trusted by the Ministry Department of National Education Indonesia to lead ASTI Denpasar ( 1981-1989 ), STSI Denpasar ( 1989-1997 ) and ISI Jogjakarta ( 1997-2006 ).
In conjunction to his duties as Rector of art universities over the past 25 years, Bandem was also given responsibility by the National Government as Secretary and Consortium Member of Komisi Disiplin Ilmu Seni ( Commission for Art Discipline ) that is an integral aspect of Indonesia Academy of Sciences.
Bandem was also member of Badan Pertimbangan Pendidikan Nasional ( Advisory Board of National Education ), an organization pertaining national education under the direct supervision of the President of Republic Indonesia.
Soon after his return, Bandem was appointed as the Vice Chairmen of the major political party Golongan Karya in Bali from 1982-1998.
During his time as member of the Indonesian House Assembly ( MPR-RI ), Bandem was elected as the Secretary and Speaker for the Ad Hoc II Committee that is responsible for strategies and decisions of the national politics.
Furthermore, although unsuccessful, Bandem was supported by the Balinese public as candidate for the 1998-2003 Governor of Bali during the 1998 election.
Bandem and also
I Made Bandem ( also known as " the Joe Papp of Bali ") is a Balinese dancer, artist, author, and educator.
Aside from immersing himself in the studies of world music, Bandem also mastered the integral aspects of dance and theatre – all influencing his scientific approaches.
Aside from writings concerning performing arts, Bandem also possess great interest in fine arts, and many of his articles are closely related to historical and aesthetic studies of Indonesian fine arts.
As an artist, Bandem also learns and performs the dances and music of other cultures.
While Bandem is well known for his creative directing in monumental works in Balinese performing arts, he also masters the Gagaku and Bugaku, the classical Japanese music and dance that he learned from his teacher Matsaro Togi, a national treasure of classical Japanese dance.
Furthermore, Bandem is also a culture engineer.
In 1997, Bandem also accomplished the establishment of the Museum Gamelan ( The Museum for Musical Instruments of Indonesia ) within the dynamic compounds of the Indonesian Arts College ( STSI, now ISI ) Denpasar.
Bandem not only took charge of the senior high school level organization, but also became the Vice Chairmen of GSNI for Bali.
Bandem and for
Bandem ’ s formulation of art from the perspective of ontology, epistemology, and axiology became the groundwork for the Ministry Department of National Education Indonesia to permit Indonesian art universities to conduct S-1, S-2 ( Master of Art ), and S-3 ( Ph. D .) programs.
Bandem dedicated his ideas through this governing body to make education in Indonesia as education for unity in diversity and to influence the government to implement multimedia based education.
Bandem has been actively involved in outlining the annual theme of the Bali Arts Festival from 1980 to 1997, as well as being executive producer and creative directors of numerous performances for the festival.
Bandem became the consultant for the festival particularly outlining preservation and development strategies for the arts and culture of minority groups within.
This position permitted Bandem to become a member of the Indonesian House Assembly ( MPR-RI ) as state representative for the Province of Bali ( 1988-1998 ).
Through this committee, Bandem demonstrated his keenness for Indonesian character building from the viewpoint of arts and culture.
Taken as a whole, Bandem ’ s stance towards the significance of arts and culture as a vibrant counterpart to the pulsating dynamics of socio-culture, political, and technology represents a notion that arts and culture are imperative elements for peace, concord, and the betterment of the world.
" Sekar Anjar " for Balinese gamelan angklung, commissioned for solo choreography by I Made ' Bandem, premiered at Ojai Festival in California, 1972.
" Pandji Kesemaran " for Balinese gamelan angklung, commissioned by I Made ' Bandem for choreography for three dancers, premiered at Ojai Festival in California, 1972.
Bandem and many
Bandem played an important role in the progression of Indonesian arts and culture through teachings in many universities including the University of Hawaii, University of California, Los Angeles, Wesleyan University, University of Maryland, Baltimore County and Brown University.
Bandem and Indonesian
Dr. Bandem is succeeded by Prof. Soeprapto Soedjono, B. A., M. F. A., Ph. D as the current Rector ( President ) of The Indonesian Institute of the Art-Jogjakarta.
Bandem is the first Indonesian to accomplish the Ph. D title in ethnomusicology from Wesleyan University, Middletown, Connecticut ( 1980 ).
In return, such experience gave Bandem the capabilities and firmness to conduct in-depth research of various Nusantara ( Indonesian ) music including Kalimantan, Sulawesi, Java, and Bali.
Bandem ’ s commitment in ethnomusicology augmented with the establishment of an Indonesian music association namely Masyarakat Musicology Indonesia ( MMI ) by him and a group of friends in 1985.
Since then, Bandem exerted great effort to amplify the institution ’ s status to become Indonesian Arts College ( STSI ) Denpasar and now Indonesia Institute of Arts.
During his time in the USA particularly in Hawaii and California, Bandem actively lead PERMIAS ( Indonesian Student Association in United States of America ).
After completing his doctoral studies in USA, Bandem returned to Bali and continued his enthusiasm in Indonesian politics.
Bandem and other
Bandem ’ s effort with the collective support from other art scientists in Indonesia entitled Indonesia Institute of Arts ( ISI ) Jogjakarta to conduct and award Doctor of Philosophy ( Ph. D .) and Doctor of Creative Art ( DCA ) in the field of art.
Bandem and International
In 1994, UNESCO awarded the International UNESCO Music Council Award to Bandem as recognition upon his wholehearted attention and dedication upon the world of arts and culture as well as the implementation of his concepts.
Bandem and Arts
Together with Prof. Dr. Ida Bagus Mantra, the Governor of Bali ( 1978-1988 ), Bandem is among the founding fathers and driving force behind the Bali Arts Festival.
Bandem and .
One of the first Balinese dancers to study in the United States, Bandem earned his masters ' degree in dance from UCLA, and his PhD in ethnomusicology from Wesleyan University.
Dr. Bandem is currently a professor of Balinese dance and music at The College of the Holy Cross in Worcester, Massachusetts.
At Holy Cross, Bandem currently teaches both music and dance dealing with the Bali-Gamelan.
As an artist and as a visiting scholar, Bandem has taught and performed Balinese dance throughout the world.
Bandem ’ s accomplishment and contribution to arts and culture can be group into four major domains including achievements in ethnomusicology, educational administration, arts and culture management, and political career.
Bandem refers bi-musicality as a conception that music is a universal language and every ethnomusicologist must comprehend more than one genre of world music.
During his studies in the USA, Bandem learnt and came to terms with sounds and rhythms from around the world including music genre of Japan, Thailand, Korea, as well as China.
As an ethnomusicologist, Bandem has published plenty of books and scientific articles pertaining arts and culture, both nationally and internationally.
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