Bands like Flogging Molly, Black 47, Dropkick Murphys, The Young Dubliners, The Tossers introduced a hybrid of Celtic rock, punk, reggae, hardcore and other elements in the 1990s that has become popular with Irish-American youth.

Bands like Talking Heads and Duran Duran used the digitally made sounds on some of their most popular albums.

Bands like The Cure and Queen have used such models as the Korg M1.

Bands that fused punk with light-hearted pop melodies, such as The Queers and Screeching Weasel, began appearing around the country, in turn influencing bands like Green Day and The Offspring, who brought pop punk wide popularity and major record sales.

Bands like New Trolls, Osanna, Metamorfosi, Alphataurus, Semiramis and Biglietto per l ' Inferno had a harder edge, but still with traits of the symphonic tradition.

Bands like the Pixies, R. E. M., The Replacements, Sonic Youth, XTC, The Smiths, etc.

Bands such as Psychotic Waltz, Fates Warning, Queensrÿche, and Dream Theater took elements of progressive rock groups ( primarily the instrumentation and compositional structure of songs ) and merged them with heavy metal styles associated with bands like Judas Priest and Black Sabbath ( both of these bands had some progressive influences on their early albums ).

Bands such as Husker Du, Articles of Faith, and new bands formed by members of bands like Deep Wound and Minutemen experimented with other genres and were embraced by college radio, coining the term " College Rock ".

Bands that supplement a folk instrument like the violin with keyboards include Skyclad, Mägo de Oz, and Tuatha de Danann.

Bands like Crass and Dead Kennedys have written songs that attack corporate co-option of the punk subculture, people who are deemed to have sold out, and the violence between punks, skinheads, B-boys and other youth subcultures and within punk itself.

Bands like Test Dept, Clock DVA, Factrix, Autopsia, Nocturnal Emissions, Whitehouse, Severed Heads, Sutcliffe Jügend, and SPK soon followed.

Bands looked menacing and threatening, " like villains on The Sweeney ".

Bands like The Stranglers were shunned but they didn ’ t care.

Bands like Brave Old World, Hot Pstromi and the Klezmatics also emerged during this period.

Bands like Petra and Sacred Warrior never broke through to the mainstream for this very reason.

Bands like Sublime and No Doubt gained mainstream popularity as ska-punk with No Doubt's 1995 Tragic Kingdom, and Sublimes's 1996 self-titled album, which would both go Platinum multiple times with No Doubt going on to diamond certification, although Sublime is mostly associated with Ska and Reggae styles where as No Doubt used elements alternative Rock and dance music.

Bands like Crypta, Homicide, Morbid Death, Deathkross and the Christian act Deathless, among others, were the first metal releases to be available under Brutal Noise.

Bands like Morogoro Jazz and Tabora Jazz were formed ( despite the name, these bands did not play jazz ).

Bands like Gari Kubwa, Tokyo Ngma and Atomic Advantage are among the pioneers of this style, which uses four drums and a keyboard for a sparse sound.

Bands like Twanga Pepeta have managed to carve a new tune distinct from imported Zairean tunes, and are competing with Zairean bands in popularity and audience acceptance.

The society spearheads numerous rock related events like the Battle of the Bands and live rock club shows that has spurred constructive level of activity for bands.

Bands like Battery9, Terminatrix, NuL, K. O. B. U. S. and Thys Nywerheid continue to reinvent alternative Afrikaans music, while Jack Parow has continued the Cape's development of Afrikaans rap from pioneers Brasse vannie Kaap, finding success as far afield as Holland with his 2009 single " Cooler as Ekke ".

Bands like Korai Öröm and Másfél ( also check Myster Mobius ) started, playing ambient, psychedelic music.

Bands like La Vela Puerca, No Te Va Gustar, La Trampa or Buitres have a massive following.

Bands included Mother McCree's Uptown Jug Champions which later became The Grateful Dead, and, the Jim Kweskin Jug Band featuring Fritz Richmond on bass.

*" My Only Fan " and " Shotgun Wedding " on Another Pyrrhic Victory: The Only Compilation Of Dead Seattle God Bands ( C / Z Records, 1989 ).

Bands appearing at The Other Masque included, among others, Red Hot Chili Peppers, The Dead Boys ( with local musicians backing Stiv Bators including Nicky Beat ), The Cramps ( probably their first show in LA after moving from NY ), The Red Army, The Simpletones, The Flyboys, Mutants and others.

* Dead Bands Party: A Tribute to Oingo Boingo-Track 10, " On the Outside " ( 2005 )

*" Jim Robinson Is Dead at 86 ; Trombonist With Jazz Bands ".

Dead Bands Party: A Tribute to Oingo Boingo is a tribute album by various artists to the band Oingo Boingo.

# REDIRECT Dead Bands Party: A Tribute to Oingo Boingo

Big Bands also began to appear in movies in the 1930s right on through to the 1960s.

White teenagers and young adults were the principal fans of the Big Bands in the late 1930s and early 1940s.

Big Bands played a major role in lifting morale during World War II.

* George T. Simon, The Big Bands, The Macmillan Company, New York, 1967, Library of Congress no.

He was one of the best-selling recording artists from 1939 to 1943, leading one of the best known Big Bands.

Clooney sang a duet with Wild Man Fischer on " It's a Hard Business " in 1986, and in 1994 she sang a duet of Green Eyes with Barry Manilow in his 1994 album, Singin ' with the Big Bands.

* Maurice Purtill ( 1916 – 94 ), drummer in the Big Bands, most notably the Glenn Miller Orchestra.

In its heyday, it attracted numerous entertainers, including most of the famous Big Bands.

The top floor of the pavilion included a dance floor, where many notable Big Bands played though the 1930s and 1940s and attracted big names such as Benny Goodman, Louis Armstrong, and Frank Sinatra.

* The Best of Big Bands: Les Brown and His Great Vocalists ( 1941 )

Big Bands continued to flourish in the 1950s, touring, selling records, and appearing on radio and the new medium of television.

Bands such as Figgy Duff, Wonderful Grand Band and Spirit of the West were early pioneers in the Canadian tradition of Celtic-influenced rock, and were later followed by acts such as Crash Test Dummies, Great Big Sea, The Mahones, The Dukhs, Jimmy George, Rawlins Cross, Captain Tractor, Mudmen, and Michou.

* The Best of the Big Bands Goodman's name ( 1933-1946 / 1989 ) ( Columbia )

Bands including the Beach Boys featuring John Stamos, Blue Rodeo, Great Big Sea, Paul Brandt, Flock of Seagulls, Sloan, and Collective Soul as well as various others have all had shows in Kenora, most of them underneath Kenora's New Permanent Tent.

* 1966: Shirley Scott: Roll ' Em: Shirley Scott Plays the Big Bands ( Impulse!

He later switched to jazz on moving to Washington, D. C. and by nineteen was working in the Big Bands.

In March 1974, Lord and Paice had collaborated with friend Tony Ashton on First of the Big Bands, credited to ' Ashton & Lord ' and featuring a rich array of session talent, including Carmine Appice, Ian Paice, Peter Frampton and Pink Floyd saxophonist / sessioner, Dick Parry.

* 1974 First of the Big Bands ( with Tony Ashton )

As the Big Bands fell out of vogue toward the end of World War II, small combos playing boogie-woogie, rhythm and blues, western swing, and honky-tonk formed throughout the United States.

* Tony Ashton and Jon Lord – First of the Big Bands ( 1974 )

He starred in The History of the Big Bands tour during 2010, a show which takes the audience on a musical journey through the Big Band and Swing era.

In 2010 he starred in The History of the Big Bands tour – a show which takes the audience on a musical journey through the times of the Big Band and Swing Era.