Différences is a composition by the Italian composer Luciano Berio for flute, clarinet, viola, cello, harp and magnetic tape, dating 1958-59.

Berio began the composition for Différences a year before the premiere by recording in Paris the same musicians who were to give the first performance.

fr: Différences ( Berio )

Luciano Berio wrote his postmodern symphony Sinfonia for eight voices and orchestra in 1968 with the Swingle Singers in mind ( appearing on the original premier recording with the New York Philharmonic ).

Conversely, Sequenza IX had grown out of a piece for clarinet and electronics which Berio later withdrew ( this original piece was known as Chemins V ; it is a different piece to the one now known by that name ).

* Ô Berio, for soprano and 13 instruments ( 2006 )

Sequenza is the name borne by fourteen compositions for solo instruments or voice by Luciano Berio.

Alex Ross, in an article in The New Yorker, 27 February 2006, pp. 84 – 85 notes a new ending composed by Luciano Berio premiered in 2002 -- this is preferred by some critics, for making a more satisfactory resolution of Turandot's change of heart, and of being more in keeping with Puccini's evolving technique.

In a retrospective review, Allmusic gave it 4. 5 stars out of 5, calling it a " fascinating collection ", and stating that " Zappa's anything-goes approach and the distance between his extremes are what make Weasels Ripped My Flesh ultimately invigorating " In his book Viva Zappa !, Dominique Chevalier wrote that the album is " one of Zappa's most aggressively bizarre works, full of cross-references to free jazz and modern classical musicians such as Luciano Berio.

Otello is an opera in three acts by Gioachino Rossini to an Italian libretto by Francesco Maria Berio di Salsi, based on Shakespeare's play Othello.

Sequenza XII is a composition for solo bassoon, written by Luciano Berio in 1995 ( Osmond-Smith 2001 ), and part of a series of fourteen Sequenze composed between 1958 and 2002.

Sequenza I is a composition written in 1958 by Luciano Berio for the flutist Severino Gazzelloni.

Epifanie is a musical composition in twelve movements by the Italian composer Luciano Berio.

Folk Songs is a song cycle by the Italian composer Luciano Berio composed in 1964.

Due pezzi, literally meaning " two pieces ", is a composition for violin and piano, written by the Italian composer Luciano Berio in 1951.

Chamber Music is a composition in three sections for female voice, clarinet, cello and harp by the Italian composer Luciano Berio.

It is a setting of three poems from the collection of poetry Chamber Music by James Joyce, whose work was to be a frequent source for Berio.

Of great interest is the setting for soprano and orchestra by Luciano Berio ( 1925 – 2003 ), from Folk Songs, 1964, no.

This conference drew composers from 30 different countries, including Krenek, Varèse and Berio.

In Sequenza XII Berio makes deliberate use of the different registers and explores the physical limits of performance through extended techniques, for example, through different uses of the tongue to modify airflow, by writing notes and phrases that are so long they require the performer to use circular breathing, the use of glissando, and multiple sounds producing by singing through the instrument while playing ( Osmond-Smith 2001 ; Pedone 1997 ).

Berio stipulates the possibility of performing these in ten different sequences.

* Berio Saal was added during the latest renovations and seats up to 400 people

In 2001 Luciano Berio made a new sanctioned completion, using Puccini's sketches but also expanding the musical language, but this has received a mixed reception.

It has disseminated music of post World War II modernist musicians such as that of Luciano Berio or Pierre Boulez, as well as younger performers and composers.

She has collaborated with such composers as Luciano Berio, Pierre Boulez, Vinko Globokar, Pauline Oliveros, Lukas Foss, Betsy Jolas, Will Ogdon, Bernard Rands, Frederic Rzewski, and Robert Erickson.

He has commissioned and performed works by Luciano Berio, Donald Erb, Robert Erickson, Andrew Imbrie, Ernst Krenek, and Robert Suderburg.

As a pianist in the contemporary repertoire, he has played the music of Pierre Boulez, Karlheinz Stockhausen, Helmut Lachenmann, Giacinto Scelsi, Arvo Pärt, Luciano Berio, Sati, Karkoschka, Blume, etc.

His work has inspired contemporary composers such as Luciano Berio, György Ligeti, Steve Reich, Fabien Levy and Fabian Panisello.

He has become one of the world's most celebrated oboists, and many composers ( including Olivier Messiaen, Luciano Berio, Elliott Carter, Frank Martin, Hans Werner Henze, Witold Lutosławski, Karlheinz Stockhausen, and Isang Yun ) have written works for him.

Multiphonics in wind music are primarily a 20th century technique, first explicitly called for in the Sequenza for solo flute by Luciano Berio and Proporzioni for solo flute by Franco Evangelisti, though the brass technique of singing while playing has been known since the 18th century and used by composers such as Carl Maria von Weber.

It has always embraced contemporary composers, working with Copland, Walton and Berio amongst others.

Over the years, the festival has hosted such luminaries as Louis Armstrong, Joan Baez, Anita Baker, The Ballet Russe, The Beach Boys, Tony Bennett, George Benson, Luciano Berio, Leonard Bernstein, Lucrezia Bori, Dave Brubeck, Sandip Burman, Montserrat Caballé, Glen Campbell, Pablo Casals, Chicago, Van Cliburn, Joe Cocker, Judy Collins, Barbara Cook, Aaron Copland, Bill Cosby, Elvis Costello, Deep Purple, Placido Domingo, Doobie Brothers, Jackie Evancho, Horacio Gutierrez, Crosby, Stills, & Nash, Dorothy Dandridge, Duran Duran, Bob Dylan, Duke Ellington, Roberta Flack, Ella Fitzgerald, Renée Fleming, Aretha Franklin, George Gershwin, Jose Greco, Buddy Guy, Hall & Oates, Marvin Hamlisch, Herbie Hancock, Isaac Hayes, Jascha Heifetz, John Houseman, Jennifer Hudson, Janis Joplin, The Judds, Gladys Knight, Diana Krall, Chaka Khan, Lyle Lovett, Patti LuPone, Lynyrd Skynyrd, Yo-Yo Ma, Maroon 5, Sarah McLachlan, Idina Menzel, Joni Mitchell, Moody Blues, Willie Nelson, Aaron Neville, Mandy Patinkin, Luciano Pavarotti, Itzhak Perlman, Peter, Paul & Mary, Robert Plant, Bernadette Peters, Oscar Peterson, Bonnie Raitt, David Sanborn, Beverly Sills, Stephen Sondheim, Isaac Stern, Sting, Elaine Stritch, Donna Summer, James Taylor, Carrie Underwood, Sarah Vaughan, Rufus Wainwright, Clara Ward, Orson Welles, Frank Zappa and Denis Matsuev.

He has expanded the repertoire for the guitar through transcriptions of works by Bach, Scarlatti, Haydn, Mozart, Paganini, and others, as well as through commissions from various composers including Luciano Berio, Leonardo Balada, Robert Beaser, Wiliam Bolcom, Xavier Montsalvatge, Nicholas Maw, George Rochberg and Kurt Schwertsik.

In addition to the Sandström, his repertoire includes Luciano Berio ’ s Sequenza V, Fredrik Högberg ’ s The Ballad of Kit Bones and Su ba do be.

While there he was a member of the Juilliard Ensemble under the direction of Luciano Berio, performing with them not only in New York but also the University of Hawaii and Dartmouth College.

Andriessen originally studied with his father and Kees van Baaren at the Royal Conservatory of The Hague, before embarking upon two years of study with Italian composer Luciano Berio in Milan and Berlin.

Later Italian composers, such as Berio and Nono, have experimented with modernism.

Some of those associated with the Hyperion School ( which included Corrado Simioni, Vanni Mulinaris and Duccio Berio ) were accused by the Italian authorities of being the " masterminds " of the BR, although they were all cleared afterwards.

* The Dreyfus Trilogy by George Whyte ( in collaboration with Luciano Berio, Jost Meier and Alfred Schnittke ) comprising the opera Dreyfus-Die Affäre ( Deutsche Oper Berlin, 8 May 1994 ; Theater Basle, 16 October 1004 ; The Dreyfus Affair New York City Opera, April 1996 ); the dance drama Dreyfus-J ' accuse ( Oper der Stadt Bonn, 4 September 1994 ) and the musical satire Rage et Outrage ( Arte, April 1994 ; Zorn und Schande, Arte 1994 ; Rage and Outrage Channel 4, May 1994.

* October 20 – October 21 – The Donaueschinger Musiktage new-music festival takes place with a memorial concert featuring the music of Arthur Honegger, and also concerts with compositions of ( amongst others ) Luciano Berio, Pierre Boulez, Claude Debussy, Gottfried von Einem, Hans Werner Henze, Roman Haubenstock-Ramati, Maurice Jarre, Olivier Messiaen, and Igor Stravinsky

Barraqué's music was published starting in 1963 by the Florentine businessman Aldo Bruzzichelli, who provided much-needed material assistance for the composer, but whose promotion could not perhaps compete with that of the better known Universal Edition in Vienna who published Boulez, Berio, and Stockhausen.

That same year, he studied with Luciano Berio and gained a scholarship to the Tanglewood Music Festival.

After studying at the Conservatory in Milan, and subsequently with Berio, he spent several years composing in traditional forms.

Following a successful debut at the Wigmore Hall, he was invited to work with the London Sinfonietta and Pierre Boulez, Luciano Berio, the Nash Ensemble, the BBC Symphony Orchestra and many others.

A native of Denver, Moran studied twelve-tone music privately with Hans Apostel in Vienna and completed his Masters Degree in 1963 at Mills College in Oakland, California, where he studied with Darius Milhaud and Luciano Berio ( Ruppenthal and Patterson 2001 ).

There he encountered the Italian composer Luciano Berio and the conductor Dennis Russell Davies, with whom he formed the Juilliard Ensemble.

As a staff producer at BMG Classics ( RCA Red Seal ) for nearly a decade, he collaborated with many of their most important artists such as André Previn, Sir Colin Davis, Leonard Slatkin, The Tokyo String Quartet, János Starker, Luciano Berio and the pianists Alicia de Larrocha, Evgeny Kissin, Rudolf Firkusny and Van Cliburn.

He conducted recordings of music of Luciano Berio, Marc-André Dalbavie, and Albert Roussel with the orchestra.

1 of Paganini, and his recordings of contemporary works by Berio and Rochberg or his recording with Paula Robison of Robert Beaser ’ s Mountain Songs, which was nominated for a Grammy.

As with the other works in the series, it reflects Berio ’ s fascination with virtuosity, " understood not merely as technical dexterity, but as a manifestation of an agile musical intelligence that relishes the challenge of complexity " ( Osmond-Smith 2001 ).