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Bloemaert is represented in the following collections: Detroit Institute of Arts, Michigan ; Fine Arts Museums of San Francisco ; Hermitage Museum, Saint Petersburg ; Indianapolis Museum of Art, Indiana ; J. Paul Getty Museum, Los Angeles ; Mauritshuis Royal Picture Gallery, The Hague ; Metropolitan Museum of Art, New York City ; Minneapolis Institute of Arts, Minnesota ; Musée des Beaux-Arts de Rouen ; Musée du Louvre, Paris ; Museum of Fine Arts, Boston ; Museum of Fine Arts of Nancy ; Museum of Grenoble ; National Gallery of Canada, Ottawa ; Rijksmuseum, Amsterdam ; Royal Academy of Arts, London ; University of Rochester, New York ; Bob Jones University, Greenville, South Carolina ; Centraal Museum, Utrecht, Netherlands ; Cleveland Museum of Art, Ohio ; Courtauld Institute of Art, London ; Harvard University Art Museums, Massachusetts ; Kunsthalle zu Kiel, Germany ; amongst others.
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Bloemaert and Museum
SlothParable of the Wheat and the Tares by Abraham Bloemaert, Walters Art Museum
* Exhibition The Bloemaert Effect in Utrecht, Centraal Museum, 2011-12
Bloemaert and .
In 1619 when he moved to Utrecht, his brother-in-law van der Ast entered the Utrecht Guild of St. Luke, where the renowned painter Abraham Bloemaert had just become dean.
Samuel Blommaert ( Bloemaert, Blommaerts, Blommaart, Blomert, etc.
An early appearance, " The Death of Niobe's Children " by Abraham Bloemaert, was painted in 1591 towards the start of the Dutch Golden Age.
Image: Apollon og Diana straffer Niobe ved at dræbe hendes børn. jpg | 1591 painting by Abraham Bloemaert
Parable of the Wheat and the Tares, 1624, by Abraham Bloemaert.
Historia della Compagnia di Giesu del R. P. Daniello Bartoli della medesima Compagnia Frontispiece engraving by Cornelis Bloemaert ( Roma: de Lazzeri ) 1659
File: Bloemaert-four-evangelists. jpg | Abraham Bloemaert, 1615
He then studied in Utrecht under Abraham Bloemaert, and later back in Amsterdam under Claes Cornelisz.
Abraham Bloemaert ( 1566-27 January 1651 ) was a Dutch painter and printmaker in etching and engraving.
Bloemaert was born in Gorinchem, the son of the architect Cornelis Bloemaert I, who moved his family to Utrecht in 1575, where Abraham was first a pupil of Gerrit Splinter ( pupil of Frans Floris ) and of Joos de Beer.
Many of Bloemaert paintings were commissioned by Utrecht's clandestine Catholic churches.
In the first decade of the seventeenth-century, Bloemaert began formulating his landscape paintings to include picturesque ruined cottages and other pastoral elements.
File: La prédication ... Bloemaert Nancy 3018. jpg | John the Baptist preaching, c. 1620
Image: Bloemaert Landscape with Peasants Resting. jpg | Landscape with Peasants Resting, 1650.
Honthorst was born in Utrecht, the son of a decorative painter, and trained under his father, and then under Abraham Bloemaert.
According to the RKD, his pupils were Joos de Beer ( later teacher of Abraham Bloemaert ), George Boba, Hendrick van den Broeck, Marten van Cleve, Ambrosius Francken, Frans Francken I, Frans Menton ( known for schutterstukken in Alkmaar ), and Isaac Claesz van Swanenburg.
He studied under Abraham Bloemaert.
Abraham Bloemaert, who had been a leading figure in this movement, and taught the Honthursts and many other artists, also was receptive to the influence of his pupils, and changed his style many times before his death in 1651.
Bloemaert and des
Among his illustrations are fifty-eight designs engraved by Cornelis Bloemaert for the Abbe de Marolles ' " Tableaux du Temple des Muses ".
Bloemaert and de
de: Abraham Bloemaert
As a young man the Utrecht-born artist Hendrick de Keyser was apprenticed to master Cornelis Bloemaert the elder.
The artists involved were Michel de Marolles, Bernard Picart, Jacques Favereau, Abraham van Diepenbeeck, and Cornelis Bloemaert.
Bloemaert and Amsterdam
At the age of 26 he followed Bloemaert to Amsterdam.
Bloemaert and Utrecht
Ferdinand Bol was first an apprentice of Jacob Cuyp in his hometown and / or of Abraham Bloemaert in Utrecht.
Bloemaert and Netherlands
* Abraham Bloemaert of the Netherlands ( 1566 – 1651 ), painter and printmaker
is and represented
The hero, who is himself, is represented as a pilgrim in the storied lands of the East, a sort of Faustus type, who, to quote from Professor Book again, `` even in the pleasure gardens of Sardanapalus can not cease from his painful search after the meaning of life.
With Rex Stout's Nero Wolfe, alienation is represented on a purely physical plane.
There is, of course, nothing new about dystopias, for they belong to a literary tradition which, including also the closely related satiric utopias, stretches from at least as far back as the eighteenth century and Swift's Gulliver's Travels to the twentieth century and Zamiatin's We, Capek's War With The Newts, Huxley's Brave New World, E. M. Forster's `` The Machine Stops '', C. S. Lewis's That Hideous Strength, and Orwell's Nineteen Eighty-Four, and which in science fiction is represented before the present deluge as early as Wells's trilogy, The Time Machine, `` A Story Of The Days To Come '', and When The Sleeper Wakes, and as recently as Jack Williamson's `` With Folded Hands '' ( 1947 ), the classic story of men replaced by their own robots.
The first capability is represented by a combination of manned bombers, carrier-based aircraft, and intercontinental and intermediate range missiles.
The second capability is represented by our deployed ground, naval, and air forces in essential forward areas, together with ready reserves capable of effecting early emergency reinforcement.
From the volume standpoint, the total market represented by the sign industry is impressive.
Hard-surface cleaning in household application is represented by two classes of alkaline products: ( 1 ) the formulations made expressly for machine dishwashers, and ( 2 ) the general-purpose cleaners used for walls and woodwork.
Type 1, is represented by the cow, sheep, and pig ; ;
The second situation is illustrated by the operator T on Af ( F any field ) represented in the standard basis by Af.
Each form represented by the dictionary is looked up in the text-form list.
The differentiation, however, is not very much greater, as shown by the fact that Athabascan shows 3.46 stems per meaning slot as against 2.75 for Yokuts, with a slightly greater number of languages represented in our sample: 24 as against 21.
Finally, the gyro-stabilized platform characteristic is represented by Af.
One way to do this is by `` proxy sittings '', wherein the person seeking a message does not himself meet with the medium but is represented by a substitute, the proxy sitter.
In another sense, it is represented in the arguments of the `` true believers '' who seek to disprove the validity of all other beliefs and ideas in order to retain confidence in theirs.
For we have said, in effect, that of the two alternatives to his position variously represented by the other participants in the demythologizing discussion, only one is really an alternative.
Whereas Bultmann's `` center '' position is structurally inconsistent and is therefore indefensible on formal grounds alone, the general position of the `` right '', as represented, say, by Karl Barth, involves the rejection or at least qualification of the demand for demythologization and so is invalidated on the material grounds we have just considered.
It follows, then, provided the possibilities have been exhausted, that the only real alternative is the general viewpoint of the `` left '', which has been represented on the Continent by Fritz Buri and, to some extent at least, is found in much that is significant in American and English theology.
It will be recalled from the discussion in Section 7 that the position of the `` right '', as represented by Barth, rests on the following thesis: The only tenable alternative to Bultmann's position is a theology that ( 1 ) rejects or at least qualifies his unconditioned demand for demythologization and existential interpretation ; ;
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