Although he drew inspiration from the work of these designers, needed above all from Didot, no doubt Bodoni found his own style for his typefaces, which deservedly gained worldwide acceptance among printers.

This work proved a best seller in Europe, for instance in Italy went through at least a dozen different editions, but the best remains that by Giambattista Bodoni in 1801.

Bodoni got to work publicizing the house with the creation of specimen books, which were very well received amongst the upper classes of European capitals.

His work influenced John Baskerville and are thus the progenitors of the typeface classifications Transitional ( which includes Baskerville, Bulmer, and Fairfield ), and Modern ( which includes Bell, Bodoni, Didot, and Walbaum ).

Bodoni influenced Licko ’ s work on Filosofia, one of her typefaces.

To create Filosofia, Licko studied different styles of Bodoni, including the original print work and recent revivals, such as ITC Bodoni.

Although the samples of Bodoni did have an influence on her work, Licko instead recreated Bodoni with her mind, judging by eye to keep the original measurements.

Bodoni followed the ideas of John Baskerville, as found in the printing type Baskerville, that of increased stroke contrast and a more vertical, slightly condensed, upper case, but taking them to a more extreme conclusion.

With Baskerville in England and the Didot family in France, Bodoni was a leader in originating pseudoclassical typefaces.

The main line, built by the Great North Bodoni Railway Company, had its own golf club, at Port Baskerville.

In the mid-1990s, Licko worked on two notable revivals: Mrs Eaves, based on Baskerville, and Filosofia, based on Bodoni.

To a great degree, the critics were wrong ; it did not prevent Baskerville from becoming assimilated as a highly legible text face, and in fact, the high contrast between stems and hairlines became quite desirable, as is apparent in typefaces such as Bodoni, which followed in the lineage.

Baskerville is classified as a transitional typeface, positioned between the old style typefaces of William Caslon, and the modern styles of Giambattista Bodoni and Firmin Didot.

Popular roman typefaces include Bembo, Baskerville, Caslon, Bodoni, Times Roman and Garamond.

The Mac OS X supplies the following fonts containing distinct cifrão signs: regular-weight Baskerville, Big Caslon, Bodoni MT, Brush Script MT, Garamond, STFangsong, STKaiti, and STSong.

Bodoni had a long career and his designs evolved and differed, ending with a typeface of narrower underlying structure with flat, unbracketed serifs, extreme contrast between thick and thin strokes, and an overall geometric construction.

Benton was America's most prolific type designer, having completed 221 typefaces, ranging from revivals of historical models like ATF Bodoni, to adding new weights to existing faces such as Goudy Old Style and Cheltenham, and to designing original designs such as Hobo, Bank Gothic, and Broadway.

Benton, though he did not invent either idea, was the most successful designer of revivals of historical type designs ( such as his re-cutting of Bodoni and Garamond ) and he perfected the creation of “ type families ” ( such as Century or most successfully Cheltenham ) were a basic face would be offered in italic, light, bold, extended and condensed variations.

As it had been a standard type for many years, Bodoni was widely available in cold type.

Because of her admiration for Bodoni, she designed and came up with several variations of Bodoni, in the form of digital font for computer type and some forms were also used for text.

The credit font was now in a thinner variant of the Bodoni type used on Step by Step.

Along with Giambattista Bodoni of Italy, Firmin Didot is credited with designing and establishing the use of the " Modern " classification of typefaces.

Along with Giambattista Bodoni of Italy, Firmin Didot is credited with establishing the use of the " Modern " classification of typefaces.

Unflagged by his famous rivalry with Didot, in his life Bodoni designed and personally engraved 298 typefaces, and the various printing houses he managed produced roughly 1, 200 fine editions.

He wanted to imbue the face with a considerable amount of “ old-timey ” flavor in order to impart a sense of originality to the face and have it sell across both Modern and Bodoni / Didot market segments.

* 1740 – Giambattista Bodoni, Italian publisher and engraver ( d. 1813 )

The city lived a period of particular splendour: the Biblioteca Palatina ( Palatine Library ), the Archaeological Museum, the Picture Gallery and the Botanical Garden were founded, together with the Royal Printing Works directed by Giambattista Bodoni.

It houses the Academy of Fine Arts with artists of the School of Parma, the Palatine Library, the National Gallery, the Archaeological Museum, the Bodoni Museum and the Farnese Theatre.

* February 16 – Giambattista Bodoni, Italian publisher and engraver ( d. 1813 )

; " The Rocket ": Fiorello Bodoni, a poor junkyard owner, has managed to save $ 3, 000 to fulfill his lifelong dream of sending one member of his family on a trip to outer space.

Bodoni instead uses the money to build a replica rocket from an old mock-up, and sets up a 3D theater inside the cabin and convinces the children they are actually going through space.

Titlepage for Typographische Gestaltung written and designed by Jan Tschichold using City ( typeface ) | City Medium and Bodoni.

In 1988, the ident changed to a computer-generated ident featuring an animation of the streamlined S4C logo, the colours of the logo were blue, green and red and the new font was based on Bodoni MT.

Facsimile of lines from Dante Alighieri | Dante's " La Vita Nuova " first published with Bodoni types by the Officina Bodoni in 1925.

Actual font is the digital Bodoni Monotype published in 1999.

Bodoni is a series of serif typefaces first designed by Giambattista Bodoni ( 1740 – 1813 ) in 1798.

Some digital versions of Bodoni are said to suffer from a particular kind of legibility degradation known as " dazzle " caused by the alternating thick and thin strokes, particularly from the thin strokes being very thin at small point sizes.

There have been many revivals of the Bodoni typeface ; ATF Bodoni and Bauer Bodoni are two of the more successful.

* ATF's Bodoni series, was the first American revival of the face.

All variants were designed by Morris Fuller Benton who captured the flavor of Bodoni ’ s original while emphasizing legibility rather than trying to push against the limits of printing technology.

* Damon Type Foundry offered a Bodoni under the name Bartlet.