* Bogart-Bacall Syndrome, a vocal misuse disorder named after Humphrey Bogart and Lauren Bacall

Regular attendees at his famed soirées included Katharine Hepburn and Spencer Tracy, Joan Crawford and Douglas Fairbanks, Jr., Lauren Bacall and Humphrey Bogart, Claudette Colbert, Marlene Dietrich, Laurence Olivier and Vivien Leigh, actor Richard Cromwell, Stanley Holloway, Judy Garland, Gene Tierney, Noël Coward, Cole Porter, director James Whale, costume designer Edith Head, and Norma Shearer, especially after the death of her first husband, Irving Thalberg.

After making the World War II film Air Force in 1943 starring John Garfield, Hawks made two films with Hollywood and real life lovers Humphrey Bogart and Lauren Bacall.

To Have and Have Not, made in 1944, stars Bogart, Bacall and Walter Brennan and is based on a short story by Ernest Hemingway.

Bogart and Bacall fell in love on the set of the film and married soon afterwards.

Lauren Bacall, co-star married to Bogart from 1945 until his death

Bogart met Lauren Bacall while filming To Have and Have Not ( 1944 ), a loose adaptation of the Ernest Hemingway novel.

When they met, Bacall was nineteen and Bogart was forty-four.

Bogart was still miserably married and his early meetings with Bacall were discreet and brief, their separations bridged by ardent love letters.

Just months after wrapping the film, Bogart and Bacall were reunited for their second movie together, the film noir The Big Sleep, based on the novel by Raymond Chandler, again with script help from William Faulkner.

Key Largo was directed by John Huston and, in addition to the presence of Bogart and Bacall, features Edward G. Robinson as " Johnny Rocco ," a seething older synthesis of many of his past vicious gangster roles.

Bogart and Bacall then married in a small ceremony at the country home of Bogart's close friend, Pulitzer Prize-winning author Louis Bromfield at Malabar Farm near Lucas, Ohio on May 21, 1945.

Bogart and Bacall moved into a $ 160, 000 ( equal to $ today ) white brick mansion in an exclusive neighborhood in Holmby Hills.

Bacall allowed Bogart lots of weekend time on his boat as she got seasick.

Lauren Bacall gave birth to Stephen Humphrey Bogart on January 6, 1949.

During the filming, while Bacall was home, Bogart resumed his discreet affair with Verita Peterson, his long-time studio assistant whom he took sailing and enjoyed drinking with.

Bogart and Bacall also worked together on an early color telecast, in 1955, an NBC adaptation of The Petrified Forest for Producers ' Showcase ; only a black and white kinescope of the live telecast has survived.

Bogart had formed a new production company and had plans for a new film Melville Goodwin, U. S. A., in which he would play a general and Bacall a press magnate.

Lauren Bacall, Humphrey Bogart, and Fonda in a live 1955 TV version of The Petrified Forest

Bogart commented about this to his wife, Lauren Bacall: " This never happens to Cooper or Grant or Gable, but always to me.

Howard and Bogart had previously appeared in the play together on Broadway and became lifelong friends ; Bogart and Lauren Bacall later named their daughter " Leslie Howard Bogart " after him.

As one biographer observed, Warner " was furious when Humphrey Bogart, Lauren Bacall, Paul Henreid and John Huston joined other members of the stellar Committee for the First Amendment in a flight to Washington to preach against the threat to free expression ".

In the film noir Dark Passage, the protagonist has plastic surgery, and when his bandages are removed, he is revealed to be Humphrey Bogart.

Dark Victory is a 1939 American drama film directed by Edmund Goulding and starring Bette Davis, George Brent, Humphrey Bogart, Geraldine Fitzgerald, and Ronald Reagan.

* " Benton, Arizona " is the fictitious Arizona town that Humphrey Bogart's character, Vincent Parry, transits by bus on his way to Peru through Mexico in the 1947 Bogart & Bacall film Dark Passage.

Ash Fork's convenient location along the railway and later famous U. S. Route 66 made it recognizable to many cross-country travelers, as evidenced by its fleeting mention in several films from the era of Classical Hollywood cinema, such as 1947's Dark Passage starring Humphrey Bogart and Lauren Bacall.

* Michael O ' Leary, a character played by Humphrey Bogart in the 1939 film Dark Victory

* Humphrey Bogart played a character in the 1947 film Dark Passage who escapes from San Quentin.

Prime examples include Ella Raines in Phantom Lady ( 1944 ), Lucille Ball in both The Dark Corner ( 1946 ) and Lured ( 1947 ), Alan Ladd in the aforementioned The Blue Dahlia, George Raft in Johnny Angel ( 1945 ), June Vincent and Dan Duryea in Black Angel ( 1946 ), Humphrey Bogart in Dead Reckoning ( 1947 ), and Dick Powell in Cry Danger ( 1951 ).

An undistinguished period followed with Paramount Pictures from 1935 to 1939, but Walsh's career rose to new heights soon after moving to Warner Brothers, with The Roaring Twenties ( 1939 ) featuring James Cagney and Humphrey Bogart ; Dark Command ( 1940 ) with John Wayne and Roy Rogers ; They Drive By Night ( 1940 ) with George Raft, Ann Sheridan, Ida Lupino, and Bogart ; High Sierra ( 1941 ) with Lupino and Bogart again ; They Died with Their Boots On ( 1941 ) with Errol Flynn as Custer ; The Strawberry Blonde ( 1941 ) with James Cagney and Olivia de Havilland ; Manpower ( 1941 ) with Edward G. Robinson, Marlene Dietrich, and George Raft ; and White Heat ( 1949 ) with Cagney.

Burnett worked with many of the greats in acting and directing, including Raoul Walsh, John Huston, John Ford, Howard Hawks, Nicholas Ray, Douglas Sirk, and Michael Cimino, John Wayne ( The Dark Command ), Humphrey Bogart, Ida Lupino, Paul Muni, Frank Sinatra, Marilyn Monroe, Steve McQueen and Clint Eastwood.

Dark Passage ( 1947 ) is a Warner Bros. film noir directed by Delmer Daves and starring Humphrey Bogart and Lauren Bacall.

At the time that Dark Passage was shot, Bogart was the best-paid actor in Hollywood, averaging $ 450, 000 a year.

The first Hollywood film to employ an Arriflex was in 1947 for Dark Passage, starring Humphrey Bogart and Lauren Bacall.

Lorre made nine movies altogether with Sydney Greenstreet counting The Maltese Falcon and Casablanca, most of them variations on the latter film, including Background to Danger ( 1943, with George Raft ); Passage to Marseille ( 1944, reteaming them with Casablanca stars Humphrey Bogart and Claude Rains ); The Mask of Dimitrios ( 1944, with character actor Greenstreet receiving top billing ); The Conspirators ( 1944, with Hedy Lamarr and Paul Henreid ); Hollywood Canteen ( 1944 ); Three Strangers ( 1946 ), a suspense film about three people who are joint partners on a winning lottery ticket starring top-billed Greenstreet, Geraldine Fitzgerald, and third-billed Lorre cast against type by director Jean Negulesco as the romantic lead ; and Greenstreet and Lorre's final film together, suspense thriller The Verdict ( 1946 ), director Don Siegel's first movie, with Greenstreet and Lorre finally billed first and second, respectively.

The two men appeared in nine films together, including Casablanca ( 1942 ) as crooked club owner Signor Ferrari ( for which he received a salary of $ 3, 750 per week for seven weeks ), as well as Background to Danger ( 1943, with George Raft ), Passage to Marseille ( 1944 ), reteaming him with Casablanca stars Humphrey Bogart and Claude Rains, The Mask of Dimitrios ( 1944, receiving top billing ), The Conspirators ( 1944, with Hedy Lamarr and Paul Henreid ), Hollywood Canteen ( 1944 ), Three Strangers ( 1946, receiving top billing ) and The Verdict ( 1946, with top billing ).

Morgan did work for Warners in Passage to Marseille opposite Humphrey Bogart in 1944.

The top actors of the era are now thought of as the classic film stars, such as Clark Gable, Katharine Hepburn, Humphrey Bogart, Greta Garbo, and the greatest box office draw of the 1930s, child performer Shirley Temple.

Bogart would star in 36 films between 1934 and 1942 including John Huston's The Maltese Falcon ( 1941 ), one of the first films now considered a classic film noir.

Two of noir's defining actors, Gloria Grahame and Humphrey Bogart, portray star-crossed lovers in the film.

The 1982 Steve Martin comedy Dead Men Don't Wear Plaid was shot in black-and-white as a parody of a 1940s film noir and included footage of actors from the film-noir era such as Humphrey Bogart, Burt Lancaster, and others spliced in with the modern actors.

When the stock market crash of 1929 reduced the demand for plays, Bogart turned to film.

) Tracy and Bogart appeared in their only film together in John Ford's early sound film Up the River ( 1930 ), with both playing inmates.

In those " B movie " years, Bogart started developing his lasting film persona – the wounded, stoical, cynical, charming, vulnerable, self-mocking loner with a core of honor.

Bogart was gunned down on film repeatedly by Cagney and Edward G. Robinson, among others.

In 1938, Warner Bros. put Bogart in a " hillbilly musical " called Swing Your Lady as a wrestling promoter ; he later apparently considered this his worst film performance.

The film cemented a strong personal and professional connection between Bogart and Huston.

From the trailer, Bogart as Sam Spade in Dashiell Hammett's The Maltese Falcon ( 1941 film ) | The Maltese Falcon

The relationship made it much easier for the newcomer to make her first film, and Bogart did his best to put her at ease by joking with her and quietly coaching her.

She wrote that the film " gave him a role that he could play with complexity, because the film character's pride in his art, his selfishness, drunkenness, lack of energy stabbed with lightning strokes of violence were shared by the real Bogart ".

Bogart starred with Katharine Hepburn in the film The African Queen in 1951, again directed by his friend John Huston.

Despite the discomfort of jumping from the boat into swamps, rivers and marshes the film apparently rekindled in Bogart his early love of boats and on his return to California from the Congo he bought a classic mahogany Hacker-Craft runabout which he kept until his death.

The African Queen was the first Technicolor film in which Bogart appeared.

Bogart considered his performance to be the best of his film career.

Three months before the film's release, Bogart as Queeg appeared on the cover of TIME magazine, while on Broadway Henry Fonda was starring in the stage version ( in a different role ), both of which generated strong publicity for the film.