Bogart liked the late hours actors kept, and enjoyed the attention an actor got on stage.

Bogart had been raised to believe acting was beneath a gentleman, but he enjoyed stage acting.

During the filming, while Bacall was home, Bogart resumed his discreet affair with Verita Peterson, his long-time studio assistant whom he took sailing and enjoyed drinking with.

His good looks quickly got him supporting roles, most notably as the son of Willie Stark played by Broderick Crawford in All the King's Men ( 1949 ), but he also enjoyed leads such as " Nick Romano " in Knock on Any Door ( 1949 ) opposite Humphrey Bogart ( who told him, " You look great, but kid, that's not enough "), " Brock Mitchell " in Fury at Showdown, and as Robin Hood in Rogues of Sherwood Forest ( 1950 ) with Alan Hale.

To incarnate the role ’ s “ intense, tragic face ”, Fellini ’ s first choice had been Humphrey Bogart but after learning of the actor ’ s lung cancer, chose Crawford after seeing his face on the theatrical poster of All the King ’ s Men ( 1949 ).

John Huston was reported to be easily bored during production, and admired Bogart ( who also got bored easily off camera ) not just for his acting talent but for his intense concentration on the set.

" Robinson is dismissive but " Bogart pours her a stiff drink, walks it over ... under gunpoint ... and gives it to her and says ' You deserve this '— it's just a great dramatic scene, it's a wonderful use of a song in a non-musical picture.

Bogart was raised in the Episcopalian faith, but did not have a strong belief in God.

In one account, during a shelling of his ship the, his lip was cut by a piece of shrapnel, although some claim Bogart did not make it to sea until after the Armistice with Germany was signed.

The relationship made it much easier for the newcomer to make her first film, and Bogart did his best to put her at ease by joking with her and quietly coaching her.

Howard Hawks, for his part, also did his best to boost her performance and her role, and found Bogart easy to direct.

He was familiar with mental illness ( his sister had bouts of depression ), and Bogart encouraged Tierney to seek treatment, which she did.

Warner, however, did not think Bogart was star material, and decided to only cast Bogart in infrequent roles as a villain opposite either James Cagney or Edward Robinson over the next five years.

The play, starring Henry Fonda as defense attorney Barney Greenwald, opened the same year as the film starring Humphrey Bogart as Captain Queeg and José Ferrer as Greenwald based on the original novel, but did not affect that film's box-office performance.

He appeared for director John Huston as gangster Johnny Rocco in Key Largo ( 1948 ), the last of five films he made with Humphrey Bogart and the only one in which Bogart did not play a supporting role.

Francis did have a lead role in the Bogart gangster film King of the Underworld, released in 1939.

In the early ' 80s, with Bogart no longer heading the label, Casablanca had hits with acts Lipps Inc and Irene Cara, but it did not have the same level of success it had in the ' 70s.

Bogart was thrilled at the opportunity to own his own record company outright and being able to make all the decisions, but he did insist on paying Warner Bros. in installment payments for the Casablanca label as opposed to taking it for free.

Morgan did work for Warners in Passage to Marseille opposite Humphrey Bogart in 1944.

All of the school children knew about Badger but Mrs Trout, Mrs Bogart and Miss Moon did not.

It was produced by Casablanca Records president Neil Bogart, as the financial situation of the label at the time did not allow the hiring of a professional producer.

Soon after the show, Warner Bros. Records contacted Neil Bogart and threatened to end their deal with Casablanca if Kiss did not remove their makeup.

The film cemented a strong personal and professional connection between Bogart and Huston.

Bogart admired and somewhat envied Huston for his skill as a writer.

Key Largo was directed by John Huston and, in addition to the presence of Bogart and Bacall, features Edward G. Robinson as " Johnny Rocco ," a seething older synthesis of many of his past vicious gangster roles.

Riding high in 1947 with a new contract which provided some script refusal rights and the right to form his own separate production company, Bogart reunited with John Huston for The Treasure of the Sierra Madre, a stark tale of greed involving three gold prospectors played out in the dusty back country of Mexico.

Bogart later said of co-star ( and John Huston's father ) Walter Huston, " He's probably the only performer in Hollywood to whom I'd gladly lost a scene ".

Bogart starred with Katharine Hepburn in the film The African Queen in 1951, again directed by his friend John Huston.

Huston's love of adventure, a chance to work with Hepburn, and Bogart's earlier successes with Huston convinced Bogart to leave the comfortable confines of Hollywood for a difficult shoot on location in the Belgian Congo in Africa.

Just about everyone in the cast came down with dysentery except Bogart and John Huston, who subsisted on canned food and alcohol.

As early as 1954, Humphrey Bogart expressed the desire to star in " The Man Who Would Be King " and was in talks with director John Huston.

As one biographer observed, Warner " was furious when Humphrey Bogart, Lauren Bacall, Paul Henreid and John Huston joined other members of the stellar Committee for the First Amendment in a flight to Washington to preach against the threat to free expression ".

She made her first American film, Beat the Devil, in 1953 with Humphrey Bogart and Jennifer Jones, directed by John Huston.

The film cemented a strong personal and professional connection between Bogart and Huston.

The performance was so bad and embarrassing that Huston and Bogart remembered it years later and based a scene in Key Largo on the incident.

On October 27, 1947, she flew with a group of about 30 actors, directors, writers, and filmmakers ( including John Huston, Humphrey Bogart, Lauren Bacall and Danny Kaye ), to Washington D. C. to protest the actions of Congress.

Burnett worked with many of the greats in acting and directing, including Raoul Walsh, John Huston, John Ford, Howard Hawks, Nicholas Ray, Douglas Sirk, and Michael Cimino, John Wayne ( The Dark Command ), Humphrey Bogart, Ida Lupino, Paul Muni, Frank Sinatra, Marilyn Monroe, Steve McQueen and Clint Eastwood.

The film, starring Humphrey Bogart and Walter Huston, was a great commercial success, and in 1949 it also won three Academy Awards.

Wada and Sanada's relationship may be similar to that of John Huston and Humphrey Bogart.

Around this time, unable to escape the stresses in his life, Morse would regularly pay trips to the movie theater, seeing the new movies of the day and quickly developing idols like Humphrey Bogart, James Cagney, Bette Davis, Leslie Howard, Orson Welles, Spencer Tracy and Katharine Hepburn, while Alfred Hitchcock, John Huston and Billy Wilder were his favorite directors.

After that he had roles that included playing a sergeant in the Western Stagecoach ( 1939 ) starring Claire Trevor and John Wayne ; an intern in The Return of Dr. X, starring Humphrey Bogart ; a New York reporter in Knute Rockne, All American ( 1940 ) starring Pat O ' Brien, Gale Page, Ronald Reagan, and Donald Crisp ; a reporter in the post-Hollywood Production Code version of The Maltese Falcon ( 1941 ) starring Humphrey Bogart and Mary Astor ; and a reporter in Yankee Doodle Dandy ( 1942 ) starring James Cagney and Walter Huston.

Key Largo is a 1948 film noir directed by John Huston and starring Humphrey Bogart, Edward G. Robinson a and Lauren Bacall and featuring Lionel Barrymore and Claire Trevor.