In Colorado, they were originally named The Ravers, and their roadie, Eric Boucher, later became known as Jello Biafra of the Dead Kennedys.

Naming him Nathan after his youngest son, Boucher had originally written Spring as a much younger character, a high-flyer in his early thirties who had risen rapidly through the ranks of the police.

This would be the first of many difficulties Boucher would have with how Star Cops was eventually realised for the screen.

Boucher, who at this time was working as script editor on the crime series Bergerac, was also told by Powell he could work on Star Cops or on Bergerac but not on both and so chose to leave Bergerac.

Meanwhile, Evgeny Gridneff and Chris Boucher's professional relationship continued to be stormy with Gridneff deciding to introduce a new Star Cop, Anna Shoun, without consulting Boucher.

When recording was completed, Gridneff asked Boucher if he had any ideas for a further season of Star Cops.

Following Star Cops, Boucher went on to work as script editor on the long-running ITV police drama The Bill before returning to freelance writing while Gridneff moved on to work on the BBC drama series The House of Eliott.

David Maloney, an experienced BBC director, was assigned to produce the series and Chris Boucher was engaged as script editor.

Chris Boucher has blamed the poor ratings on the timeslot the show was given, stating: " There is nothing that has ever gone out on BBC 2 at half-past eight until twenty-past nine ; it's a grotesque period.

Interleaf was founded by David Boucher and Harry George in 1981.

Boucher served as chief executive officer from 1981 until 1992 ; George served as chief financial officer.

Boucher was also Canadian Superstars champion in 1981.

After Heiden's retirement aged 22, Boucher was among the favourites for the 1981 World Sprint Championship, but after the first day's events he was third.

Boucher also scripted for radio and was involved in many other activities, as described by William F. Nolan in his essay, " Who Was Anthony Boucher?

With respect to his scripting of the Sherlock Holmes radio dramas, Nigel Bruce, who played Dr. Watson, said that Boucher " had a sound knowledge of Conan Doyle and a great affection for the two characters of Holmes and Watson.

* The Casebook of Gregory Hood, Radio Plays by Anthony Boucher and Denis Green, edited by Joe R. Christopher ( 2009 ) ( scripts from a radio program )

Boucher was writing radio scripts in the late 1940s, but he left dramatic radio in 1948, as he explained to William F. Nolan, " mainly because I was putting in a lot of hours working with J. Francis McComas in creating what soon became The Magazine of Fantasy and Science Fiction.

In the genre of police dramas, between working on Doctor Who and Blake's 7, Boucher was the script editor on the second season of the drama Shoestring, which followed the investigations of private detective and radio show host Eddie Shoestring.

During two decades ' involvement with the Beauvais tapestry workshops Boucher produced designs for six series of hangings in all.

Script editor Chris Boucher, whose influence on the series grew as it progressed, was inspired by Central American and South American revolutionaries, especially Zapata, in exploring Blake and his followers ' motives and the consequences of their actions.

Stevens also produced a series of audio dramas called Kaldor City, created by Chris Boucher, which link the Blake's 7 universe into Boucher's Doctor Who serial The Robots of Death through the character Carnell ( Scott Fredericks ), whom Boucher created for the Blake's 7 episode Weapon.

Boucher and McComas found the first installments of the series " a most misguided venture, well below juvenile TV or comic book average in crudity of prose, construction, character and ideas.

Boucher also edited the long-running Best from Fantasy and Science Fiction anthology series, 1952-1959.

In 1952, Boucher and McComas began their annual hardcover anthology series, The Best from Fantasy and Science Fiction.

After the first three in the series, McComas dropped out, leaving Boucher as the sole editor.

The Flyers defeated the Boston Bruins in the second round by overcoming an 0-3 game deficit, but Boucher was injured in Game 5 of that series with knee injuries.

After relieving Leighton in game 6 of the same series against Buffalo, Boucher became the only goaltender in NHL history to record two wins in a playoff series when coming in relief.

Boucher was commissioned for the programme by Robert Holmes, who would suggest that Boucher be appointed as script editor of new science fiction series Blake's 7.

In 2010, fans saw the Bulldogs under coach Guy Boucher advance to the Western Conference finals against the Texas Stars only to lose a hard fought series in game seven.

The series featured numerous performances and cameos by notable guest stars including: Dean Martin, Kim Basinger, Melanie Griffith, Kim Cattrall, Abe Vigoda, Morey Amsterdam, Shelley Fabares, Shelley Berman, Savannah Smith Boucher, Alex Trebek, Sid Caesar, Slim Pickens, Isabel Sanford, Maureen McCormick, Cesar Romero, Doc Severinsen, Mamie Van Doren, Muhammad Ali, Robert Loggia, Kurt Krakowian, Leslie Nielsen, Lola Falana, Rudolph " Minnesota Fats " Wanderone, Heather Menzies ( Urich's real-life wife ), Eve Arden, Barbi Benton, Lisa Hartman, Shelley Winters, Wayne Newton, Captain & Tennille, Wolfman Jack, Tanya Roberts, Lorne Greene, Erin Gray, Gary Lockwood, William Garbacz, June Lockhart, Michael Cole, and Dick Butkus.

Some of the plays in the series also feature the Fendahl, a race of creatures also created by Boucher for the Doctor Who story Image of the Fendahl.

Death's Head by Chris Boucher is the second play in the series, and features an investigation into the attempted murder of Chairholder Uvanov.

Reviewing the 1950 edition of The Castle of Iron, Boucher and McComas described the series as " a high point in the application of sternest intellectual logic to screwball fantasy .".

Reviewing the 1950 edition, Boucher and McComas faulted the novel for weakness in plotting, but described the series as " a high point in the application of sternest intellectual logic to screwball fantasy .".

It was devised by Chris Boucher, a writer who had previously worked on the science fiction television series Doctor Who and Blake's 7 as well as crime dramas such as Juliet Bravo and Bergerac.

A combination of factors, including conflict between Boucher and producer Evgeny Gridneff and poor scheduling, meant that the series never found a satisfactory audience and the series was cancelled after one season.

Chris Boucher began his television writing career in comedy, working on such programmes as Dave Allen at Large and Romany Jones, before moving on to write for drama series, including Shoestring, Juliet Bravo and Bergerac.

Trained by his father who was a lace designer, Boucher won fame with his sensuous and light-hearted mythological paintings and landscapes.

He sang in a duet of his 1972 song " Changes " with Butterfly Boucher for the 2004 animated film Shrek 2.

" Boucher and McComas, however, were less enthusiastic, faulting the book for being " simply padded, occasionally with startlingly ingenious gimmickry,.

Born in Paris, the son of a lace designer Nicolas Boucher, François Boucher was perhaps the most celebrated decorative artist of the 18th century, with most of his work reflecting the Rococo style.

Along with his painting, Boucher also designed theatre costumes and sets, and the ardent intrigues of the comic operas of Favart ( 1710 – 1792 ) closely parallel his own style of painting.

His name, along with that of his patron Madame de Pompadour, had become synonymous with the French Rococo style, leading the Goncourt brothers to write: " Boucher is one of those men who represent the taste of a century, who express, personify and embody it.

Continuation Bond author Raymond Benson described Boucher's critique as " true to form " and " a tirade " as Boucher concluded his review by saying: " it is 80, 000 words long, with enough plot for 8, 000 and enough originality for 800.

As a critic of art, his recommendation of a young artist named François Boucher appeared in a design memorandum Bachaumont presented the duc de Bouillon, who was occupied with renovating interiors at the Château de Navarre in Normandy, in 1730: " he is very quick, works fast and is not expensive ".

" Boucher and McComas, however, described the collection as " mpressive in its time, and important in the development of modern science fiction ," but found it highly uneven, " with pages worthy of the mature 1954 Heinlein.

* Modern Science Fiction: Its Meaning and Its Future ( 1953, second edition 1979, with John W. Campbell, Jr., Anthony Boucher, Fletcher Pratt, L. Sprague de Camp, Isaac Asimov, Arthur C. Clarke, Philip Wylie, Gerald Heard )

Boucher and McComas, however, were more sceptical, finding fault with the novel's " curious imbalance between its large-scale history and a number of episodic small-scale stories.

Boucher and McComas praised it, saying " rarely have the details of collapse been treated with such detailed plausibility and human immediacy, and never has the collapse been attributed to such an unusual and terrifying source .".

Writing in The New York Times, Anthony Boucher – described by a Fleming biographer, John Pearson, as " throughout an avid anti-Bond and an anti-Fleming man " – was damning in his review, saying that From Russia, with Love was Fleming's " longest and poorest book ".

Boucher went on to write that the novel contained " as usual, sex-cum-sadism with a veneer of literacy but without the occasional brilliant setpieces ".

Robert R Kirsch, writing in the Los Angeles Times, also disagreed with Boucher, saying that " the espionage novel has been brought up to date by a superb practitioner of that nearly lost art: Ian Fleming.

Fascinated with stone and soil as a child, as a young woman she studied at the Académie Colarossi with sculptor Alfred Boucher.

), begins with the sight of Venus crossing the water, as in François Boucher ' sTriumph of Venus, but when she disembarks, Bellman quickly transforms her into a lustful Ulla Winblad.

The first permanent settlers to the area, the William Boucher family, came from Mackinac Island to trade furs with the Ojibway Indians.

Originally a temporary building designed by Gustave Eiffel for use as a wine rotunda at the Great Exposition of 1900, the structure was dismantled and re-erected as low-cost studios for artists by Alfred Boucher ( 1850 – 1934 ), a fireman and sculptor, who wanted to help young artists by providing them with shared models and with an exhibition space open to all residents.

In contrast to the Rococo whimsicality and licentiousness cultivated by Boucher and Fragonard in the later part of Louis XV's reign, Watteau's theatrical panache is usually tinged with a note of sympathy, wistfulness, and sadness at the transience of love and other earthly delights.