Maria Tallchief and Erik Bruhn, who danced the `` Nutcracker '' pas de deux, were also seen in the Petipa-Minkus pas de deux from `` Don Quixote '', another brilliant showpiece that displayed their technical prowess handsomely.

He also trained many prominent international dancers, including Erik Bruhn.

Fox also used her formidable persuasive powers on artists other than singers: she was able to bring Rudolph Nureyev to make his debut on an American opera stage at the Lyric ; Vera Zorina, Alicia Markova, Erik Bruhn and Maria Tallchief also danced at the Lyric, and George Balanchine created choreography for the Lyric.

*" The Bell Telephone Hour " broadcasts: Don Quixote pas de deux with Maria Tallchief ( from 1961 ); Act II of La Sylphide ( 1962 ) and a pas de deux from Romeo and Juliet choreographed by Bruhn ( 1967 ), both with Carla Fracci ; the Black Swan pas de deux with Sonia Arova ( 1963 ), and the Act III pas de deux from Coppélia, also with Arova ( 1963 ).

Available on the DVD " Rudolf Nureyev & Erik Bruhn-Their Complete Bell Telephone Hour Performances ( 1961-1967 )," which also includes Tallchief and Nureyev dancing a pas de deux from Flower Festival in Genzano choreographed by Bruhn after Bournonville ( from 1962 ).

Cutmore joined standover man Norman Bruhn, also originally from Melbourne, in a notorious razor gang who stole the illicit gains of their underworld peers, knowing their crimes would never be reported to the police.

He also shared the stage with Eric Bruhn, Sonia Arova and John Taras, performing Design With Strings, Dances from Galanta and other works in a tour of Scandinavia.

A much different theory is briefly discussed by Fabricius and elaborated more by Helga Bruhn in her book " Dannebrog " from 1949.

Bruhn claimed the songs on the album were offered for the next Sisters release, only to be rejected by Eldritch.

According to a recent result by Bruhn, Diestel, Kriesell, Pendavingh and Wollan ( 2010 ), it solves the problem: Arriving at the same notion independently, they provided four different systems of axioms – in terms of independence, bases, circuits, closure and rank.

Juni 1953 bleibt mir unvergesslich Eyewitness report by Peter Bruhn ( in German )

The modern taximeter was invented by German Wilhelm Bruhn in 1891, and the Daimler Victoria — the world's first meter-equipped ( and gasoline-powered ) taxicab — was built by Gottlieb Daimler in 1897.

Dr. Bruhn forwarded specimens, which were received by the Gold Discovery Committee on 30 June 1851.

Wolfgang Bruhn and Max Tilke, in their 1941 A Pictorial History of Costume, do show a drawing, said to be copied from an Achaemenid relief of the 5th century BCE, of a woman with her lower face hidden by a long cloth wrapped around her head.

* Bruhn, Wolfgang, and Tilke, Max, Kostümwerk, Verlag Ernst Wassmuth, 1955, as translated into English as A Pictorial History of Costume and republished in 1973 by Hastings House

Bruhn formally resigned from the Danish ballet in 1961, by which time he had become internationally known as a phenomenon, although he continued to dance periodically with the company as a guest artist.

But Bruhn long ago became aware that " technique is not enough ," and he is remarkable for the feeling of tension he can convey by his mere presence.

Bruhn authored Beyond Technique with photos by Fred Fehl ( 1968, reissued as No. 36 of " Dance Perspectives " in 1973 ), and with Lillian Moore he co-authored Bournonville and Ballet Technique: Studies and Comments on August Bournonville's Etudes Choregraphiques ( 1961, reprinted 2005 ).

He was the subject of the book Erik Bruhn: Danseur Noble ( 1979 ) by John Gruen, written with his cooperation and based in part on extensive interviews.

*" The Art of the Pas de Deux ": pas de deux from Don Quixote with Maria Tallchief ; includes Tallchief and Nureyev in the Flower Festival in Genzano pas de deux choreographed by Bruhn.

* Erik Bruhn: I'm the Same, Only More-A Personal Portrait of the Legendary Dancer ( 2002 ), a posthumous 42-minute film biography by his friend, the Danish filmmaker Lennart Pasborg, includes performance footage and a recorded monologue by Bruhn used as a voice-over for clips and stills.

* Bournonville and Ballet Technique ( 1961 ) by Erik Bruhn on-line text

For the German version, a completely new soundtrack was created by German composer Christian Bruhn.

* THE TYPE FANTASTIC ( TTFn ): The Sinclair magazine type-in programs archive – By Jim Grimwood ; original archive by Michael Bruhn

The next incarnation of The Sisters of Mercy featured an unknown German guitarist, Andreas Bruhn, whom Eldritch apparently discovered playing in a Hamburg pub and brought into the band in April 1989 ; controversial bassist Tony James ( ex-Sigue Sigue Sputnik guitarist and Generation X bassist / songwriter ); and last-minute recruit Tim Bricheno, formerly of All About Eve, on guitars.

Bruhn began training with the Royal Danish Ballet when he was nine years old, and made his unofficial début on the stage of Copenhagen's Royal Opera House in 1946, dancing the role of Adonis in Harald Lander's ballet Thorvaldsen.

John Cranko made Daphnis and Chlöe on him in 1962 at the Stuttgart Ballet, which Bruhn considered his favorite from amongst the ballets created specifically for him.

In his book, Beyond Technique ( 1968 ), Bruhn discussed his thoughts on partnering:

Nureyev was a great admirer of Bruhn, having seen filmed performances of the Dane on tour in Russia with American Ballet Theatre, although stylistically the two dancers were very different.

Erik Bruhn died in Toronto General Hospital on April 1, 1986 at the age of 57.

* Erik Bruhn on Google Video

* Erik Bruhn on YouTube

Hayes together with Norman Bruhn and Cutmore, were central figures in a notorious razor gang that preyed on their peers in the Sydney underworld.

* Sydney, Australia, gangster Norman Leslie Bruhn is killed on the orders of John ' Snowy ' Cutmore.

* Jean Boivin, Messiaen's Teaching at the Paris Conservatoire: A Humanist Legacy, in Siglind Bruhn, Messiaen's Language of Mystical Love ( New York, Garland, 1998 ), 5-31: 10

During the next 10 years, Bruhn formed long relationships as a guest artist not only with Ballet Theatre but with most all of the major ballet companies in Europe and North America, including the New York City Ballet, the Joffrey Ballet, the National Ballet of Canada, the Paris Opera Ballet, and London's Royal Ballet.

The music in German version was composed by Christian Bruhn and Karel Svoboda.

Bruhn took the first of his frequent sabbaticals from the Danish company in 1947, dancing for six months with the short-lived Metropolitan Ballet in England, where he formed his first major partnership, with the Bulgarian ballerina Sonia Arova.

Back home Bruhn, 32, is the idol of the Royal Danish Ballet, where he has brought new life to the classic roles reserved for a premier danseur noble.

Technically exacting as it is, the role of Albrecht is not beyond the capabilities of any competent premier danseur, and Erik Bruhn is infinitely more than that ; he is probably the most completely equipped male dancer of the day, with the flawlessly clean technique that comes only through a combination of enormous talent allied to correct day-by-day training from childhood … If his dancing was magnificent, and it was, his partnering of and playing to Markova were no less so.

To do it, says Erik Bruhn, " it is important, even if you performed a role the night before, to think, ' This is the first time this is going to happen.