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is and also
It is also possible, but equally doubtful, that he actually shot down the hundreds of men with which his legend credits him.
Recognizing that the Rule of Law is `` a dynamic concept which should be employed not only to safeguard the civil and political rights of the individual in a free society '', the Congress asserted that it also included the responsibility `` to establish social, economic, educational and cultural conditions under which his legitimate aspirations and dignity may be realized ''.
At General Power's seat in the balcony there is also a gold phone.
In addition to the authentication and acknowledgment procedures which precede and follow the sending of the go messages, again in special codes, each message also contains an `` internal authenticator '', another specific signal to convince the recipient that he is getting the real thing.
He added that he also stresses the works of these favorite masters on tour, especially Mahler's First and Fourth symphonies, and Das Lied Von der Erde, and Bruckner's Sixth -- which is rarely played -- and Seventh.
The test of form is fidelity to the experience, a gauge also accepted by the abstract expressionist painters.
Though he is also concerned with freeing dance from pedestrian modes of activity, Merce Cunningham has selected a very different method for achieving his aim.
The answers derived by these means may determine not only the temporal organization of the dance but also its spatial design, special slips designating the location on the stage where the movement is to be performed.
It is because there is not only darkness but also light that our situation becomes inexplicable.
but there is also compassion.
also he is a drunk, and has lost his job on that account.
And if I have gone into so much detail about so small a work, that is because it is also so typical a work, representing the germinal form of a conflict which remains essential in Mann's writing: the crude sketch of Piepsam contains, in its critical, destructive and self-destructive tendencies, much that is enlarged and illuminated in the figures of, for instance, Naphta and Leverkuhn.
By `` image '' is meant not only a visual presentation, but also remembered sensations of any of the five senses plus the feelings which are immediately conjoined therewith.
he is questioning, also, every epistemology which stems from Hume's presupposition that experience is merely sense data in abstraction from causal efficacy, and that causal efficacy is something intellectually imputed to the world, not directly perceived.
it is true that they are also extremely dull.
Now the detective must save his own skin by informing on the girl he loves, who is also the real murderer.
But it is also the climax to one of the absorbing chapters in our current political history.
Since a civilizational crisis involves also a crisis in private interests and in the ruling class, reaction is normally found among those who feel themselves to be among the ruling class.
`` The Rocking Horse Winner '' is also a story about a boy's love for his mother.
Evidence is plentiful that early and later also he has been indebted to the Gothic romancers, who deal in extravagant horror, to the symbolists writing at the end of the preceding century, and in particular to the stream-of-consciousness novelists, Henry James and James Joyce among them.

is and true
The true artist is like one of those scientists who, from a single bone can reconstruct an animal's entire body.
If the circumstances are faced frankly it is not reasonable to expect this to be true.
That is particularly true of sovereignty when it is applied to democratic societies, in which `` popular '' sovereignty is said to exist, and in federal nations, in which the jobs of government are split.
On Fridays, the day when many Persians relax with poetry, talk, and a samovar, people do not, it is true, stream into Chehel Sotun -- a pavilion and garden built by Shah Abbas 2, in the seventeenth century -- but they do retire into hundreds of pavilions throughout the city and up the river valley, which are smaller, more humble copies of the former.
The resulting picture might appear a maze of restless confusions and contradictions, but it is more true to life than a portrait of an artificially contrived order.
`` What is more true than anything else??
To swim is true, and to sink is true.
One is not more true than the other.
that is, he is suspect, guilty, punishable, as is anyone in Mann's stories who produces illusion, and this is true even though the constant elements of the artist-nature, technique, magic, guilt and suffering, are divided in this story between Jacoby and Lautner.
A broader concept of imitation is needed, one which acknowledges that true invention is important, that the artist's creativity in part transcends the non-artistic causal factors out of which it arises.
It is true that New England, more than any other section, was dedicated to education from the start.
`` The man's true reputation is his work ''.
Though it centers around the brilliant and enigmatic figure of Charles 12,, the true hero is not finally the king himself.
Of few authors is this more true than of Heidenstam.
Years ago this was true, but with the replacement of wires or runners by radio and radar ( and perhaps television ), these restrictions have disappeared and now again too much is heard.

is and Braque
His portrait of Picasso in 1912 is a significant early Cubist painting done by a painter other than Picasso or Braque.
Analytic cubism ( 1909 – 1912 ) is a style of painting Picasso developed along with Georges Braque using monochrome brownish and neutral colors.
Cubism is an early-20th-century avant-garde art movement pioneered by Pablo Picasso and Georges Braque, and later joined by Juan Gris, Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri Le Fauconnier, and Fernand Léger, that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture.
" If Kahnweiler considers Cubism as Picasso and Braque ," writes Daniel Robbins, " our only fault is in subjecting other Cubists ' works to the rigors of that limited definition.
However, the word " cube " was used in 1906 by another critic, Louis Chassevent, with reference not to Picasso or Braque but rather to Metzinger and Delaunay: " M. Metzinger is a mosaicist like M. Signac but he brings more precision to the cutting of his cubes of color which appear to have been made mechanically [...]".
" It is by no means clear, in any case ," writes Christopher Green, " to what extent these other Cubists depended on Picasso and Braque for their development of such techniques as faceting, ‘ passage ’ and multiple perspective ; they could well have arrived at such practices with little knowledge oftrue ’ Cubism in its early stages, guided above all by their own understanding of Cézanne.
In 2009, Neil Pearson, an antiquarian books expert, said that " A Black Sun book is the literary equivalent of a Braque or a Picasso painting — except it ’ s a few thousand pounds, not 20 million.
He is inspired by Cubism especially by Braque.
" It is to the credit of Jean Metzinger, at the time, to have been the first to recognize the commencement of the Cubist Movement as such " writes S. E. Johnson, " Metzinger's portrait of Apollinaire, the poet of the Cubist Movement, was executed in 1909 and, as Apollinaire himself has pointed out in his book The Cubist Painters ( written in 1912 and published in 1913 ), Metzinger, following Picasso and Braque, was chronologically the third Cubist artist.
Whether the concept of mobile perspective accurately describes the work of Picasso and Braque ( or other Cubists ') is certainly debatable.
Although the technique of collage is generally associated with painting, the use of collage in music by Biber, Mozart, Mahler, and Ives actually predates the use of collage in painting by artists like Picasso and Braque, who are generally credited with creating the first collage paintings around 1912.
Folle Blanche is also known under the synonyms Amounedat, Bordelais, Bouillon, Burageat, Came Braque, Camobraque, Canut, Canut du Lot et Garonne, Chalosse Blanche, Chalot, Dame Blanc, Dame Blanche, Damery, Engreat Blanc, Enrachat, Enrage, Enrageade, Enrageat, Enrageat Blanc, Feher Folle, Fol, Fol Belyi, Folle De Bordeaux, Fou, Fütterer, Grais, Grais Bouillon, Gros Meslier, Gros Plant, Grosse Blanquette, Grosse Chalosse, Matza Zuri, Mendic, Mendik, Mondic, Petit Verjus, Pic Pouille Blanc, Picpouille, Picpoul, Picpoule, Picpoult d ’ Armagnac, Picpout, Picquepouille, Piquepoul, Piquepoul du Gers, Piquepoult, Piquepout, Plant de Dame, Plant de Madame, Plant de Madone, Pochelle Blanche, Rebauche, Rochelle Blanc, Rochelle Blanche, Rochelle Verte, Roumain, Taloche du Lot, Talosse, and Ugne Blanche.
Gleizes ' iconography ( as of Delaunay, Le Fauconnier and Léger ) helps to explain why there is no period in his work corresponding to analytic Cubism, and how it was possible for Gleizes to become an abstract painter, more theoretically in tune with Kandinsky and Mondrian than Picasso and Braque, who remained associated with visual reality.
The museum is noted for its broad representation of both impressionist and modern paintings, with works by European masters such as Gustave Courbet, Pierre Bonnard, Georges Braque, Jacques Villon, Paul Cézanne, Honoré Daumier, Edgar Degas, Vincent van Gogh, Paul Klee, Henri Matisse, Claude Monet, and Pablo Picasso.
Cubist pioneer Braque is represented by 13 paintings, including the monumental still-life The Round Table ( 1929 ).
Lauder is a major art collector ( he began by buying Art Deco postcards when he was six ), but his particular focus, rather than on American artists, is on works by the Cubist masters Picasso, Braque, Gris, and Léger.
* January-A drunken Amedeo Modigliani is ejected from a party for Georges Braque, by the hostess, Marie Vassilieff.
Among early modernist non-literary landmarks is the atonal ending of Arnold Schoenberg's Second String Quartet in 1908, the Expressionist paintings of Wassily Kandinsky starting in 1903 and culminating with his first abstract painting and the founding of the Expressionist Blue Rider group in Munich in 1911, and the rise of fauvism and the inventions of cubism from the studios of Henri Matisse, Pablo Picasso, Georges Braque and others in the years between 1900 and 1910.

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