In 1906, a few years after Pissarro ’ s death, Cézanne, then 67 and a role model for the new generation of artists, paid Pissarro a debt of gratitude by having himself listed in an exhibition catalog as “ Paul Cézanne, pupil of Pissarro ”.

According to Pissarro ’ s son, Lucien, his father painted regularly with Cézanne beginning in 1872.

While they shared ideas during their work, the younger Cézanne wanted to study the countryside through Pissarro ’ s eyes, as he admired Pissarro ’ s landscapes from the 1860s.

Cézanne ’ s Self portrait with a straw hat seems to him as incredibly pretentious, while Vermeer ’ s human still lives ( also, the Le Nain Brothers and Vuillard ) are the nearest to reflecting this not-self state.

A primary influence that led to Cubism was the representation of three-dimensional form in the late works of Paul Cézanne, which were displayed in a retrospective at the 1907 Salon d ’ Automne.

" It is by no means clear, in any case ," writes Christopher Green, " to what extent these other Cubists depended on Picasso and Braque for their development of such techniques as faceting, ‘ passage ’ and multiple perspective ; they could well have arrived at such practices with little knowledge of ‘ true ’ Cubism in its early stages, guided above all by their own understanding of Cézanne.

He exhibited watercolors by John Marin with paintings by Cézanne, and works by van Gogh with El Greco ’ s The Repentant St. Peter ( circa 1600 – 05 ).

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the " rejected " Impressionists in the first of their own exhibitions, which included Paul Cézanne, Edgar Degas, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir, and Alfred Sisley.

At the same time, his encounter with modernism was very stimulating: Rilke became deeply involved in the sculpture of Rodin, and then with the work of Paul Cézanne.

He invaded the visual arts — not only in the work of Willette, but also in the illustrations and posters of Jules Chéret ; in the engravings of Odilon Redon ( The Swamp Flower: A Sad Human Head ); and in the canvases of Georges Seurat ( Pierrot with a White Pipe ; The Painter Aman-Jean as Pierrot ), Léon Comerre ( Pierrot ), Henri Rousseau ( A Carnival Night ), Paul Cézanne ( Pierrot and Harlequin ), Fernand Pelez ( Grimaces and Miseries a. k. a. The Saltimbanques ), Pablo Picasso ( Pierrot and Columbine ), Guillaume Seignac ( Pierrot's Embrace ), and Edouard Vuillard ( The Black Pierrot 1890 ).

Among the paintings was a portrait of Madame Cézanne, which provided Gertrude with inspiration as she began to write, and which she credited with her evolving writing style illustrated by her early work, Three Lives:

Though Gertrude collected cubist paintings, especially those of Picasso, the largest visual influence on her work is that of Cézanne.

He was first influenced by Henri de Toulouse-Lautrec, but around 1907 he became fascinated with the work of Paul Cézanne.

As his financial situation improved through sales of his own work, he was able to indulge his passion for collecting works by artists he admired: old masters such as El Greco and such contemporaries as Manet, Pissarro, Cézanne, Gauguin, and Van Gogh.

It supported Pollock's work on formalistic grounds as simply the best painting of its day and the culmination of an art tradition going back via Cubism and Cézanne to Monet, in which painting became ever ' purer ' and more concentrated in what was ' essential ' to it, the making of marks on a flat surface.

Thus Paul Cézanne although a great artist was considered too old to be represented, and his work was being handled by Ambroise Vollard at the time.

He considers Cézanne the quintessential sensationalist, and has acknowledged that artist's deep influence on his own work.

It's known that many of the great 19th century painters, including Delacroix, Courbet, Manet, Degas, Cézanne, and Gauguin, took photographs themselves, used photographs by others and incorporated images from photographs into their work.

The collection includes work by European masters such as Brueghel, Doré, Picasso, Balthus, Bacon, Vuillard, Cézanne, Braque and Bonnard, as well as examples from leading twentieth-century American painters Jackson Pollock, Agnes Martin, Mark Rothko, Marsden Hartley, Georgia O ' Keeffe, Charles Sheeler, and Ben Shahn.

Thomson's art bears some stylistic resemblance to the work of such post-impressionists as Vincent Van Gogh and Paul Cézanne, whose work he may have known from books or visits to art galleries.

A century after the Cubist adventure, the verdict of art history is that the most subtle and successful use of multiple points of view can be found in the pioneering late work of Cézanne, which both anticipated and inspired the first actual Cubists.

By 1907 several avant-garde artists in Paris were reevaluating their own work in relation to that of Paul Cézanne.

Metzinger's interest in the work of Cézanne suggests a means by which Metzinger made the transformation from Divisionism to Cubism.

Whereas Cézanne had been influential to the development of Metzinger's Cubism between 1908 and 1911, during its most expressionistic phase, the work of Seurat would once again attract attention from the Cubists and Futurists between 1911 and 1914, when flatter geometric structures were being produced.

The work in 1944 shows his emergence in the 1940s from the influence of Cézanne and Picasso into his own style, and is perhaps his greatest work.

His work was successful enough to provide a reasonable lifestyle for him and his family allowing them to spend summers painting landscapes in the south of France, the most notable of which is his " Paysage Cezannien ," inspired by the great Paul Cézanne.

The Scottish Colourists combined their training in France and the work of French Impressionists and Fauvists, such as Monet, Matisse and Cézanne, with the painting traditions of Scotland.

Unlike her predecessor Mary Cassatt, who had arrived near the beginning of the Impressionist movement 15 years earlier and who had absorbed it, Beaux's artistic temperament, precise and true to observation, would not align with Impressionism and she remained a realist painter for the rest of her career, even as Cézanne, Matisse, Gauguin, and Picasso were beginning to take art into new directions.

Among the artists of the core group ( minus Bazille, who had died in the Franco-Prussian War in 1870 ), defections occurred as Cézanne, followed later by Renoir, Sisley, and Monet, abstained from the group exhibitions so they could submit their works to the Salon.

Young painters such as Pablo Picasso and Henri Matisse were causing a shock with their rejection of traditional perspective as the means of structuring paintings — a step that none of the impressionists, not even Cézanne, had taken.

The Impressionists had used a double point of view, and both Les Nabis and the Symbolists ( who also admired Cézanne ) flattened the picture plane, reducing their subjects to simple geometric forms.

However, the cubists explored this concept further than Cézanne ; they represented all the surfaces of depicted objects in a single picture plane, as if the objects had all their faces visible at the same time.

Working in the late 19th century, Cézanne had a palette of colors that earlier generations of artists could only have dreamed of.

By early 1906, Leo and Gertrude Stein's studio had many paintings by Henri Manguin, Pierre Bonnard, Pablo Picasso, Paul Cézanne, Pierre-Auguste Renoir, Honoré Daumier, Henri Matisse, and Henri de Toulouse-Lautrec.

By 1896, the unity of the group had already begun to break: The Hommage à Cézanne, painted by Maurice Denis in 1900, recollects memories of a time already gone, before even the term Nabis had been revealed to the public.

Van Mieghem had his first taste of real success at La Libre Esthétique in Brussels, where his pastels and drawings hung alongside works by French impressionists such as Claude Monet, Paul Cézanne, Camille Pissarro, Jean Renoir and Edouard Vuillard.

At the same time, like the other Post-Impressionists, Cézanne had learned from Japanese art the significance of respecting the flat ( two-dimensional ) rectangle of the picture itself ; Hokusai and Hiroshige ignored or even reversed linear perspective and thereby remind the viewer that a picture can only be " true " when it acknowledges the truth of its own flat surface.

In 1948 she received the Cézanne medal and exhibited at the " Surrealist intrusion into the Enchanter's Domain " in New York in 1960 and in 1966 had a solo exhibition at the " Maya " gallery in Brussels.

The young Paul Cézanne had befriended Monticelli in the 1860s, and the influence of the older painter's work can be seen in Cézanne's work of that decade.

Paul Cézanne had an Aleppo Pine in his garden at Aix-en-Provence ; this tree was the inspiration and model for his painting, The Big Trees.

Theo introduced Vincent to Paul Gauguin, Paul Cézanne, Henri de Toulouse-Lautrec, Henri Rousseau, Camille Pissarro and Georges Seurat, and in 1888 he persuaded Gauguin to join Vincent, who had moved to Arles in the meantime.

Émile Henri Bernard ( 28 April 1868 – 16 April 1941 ) is known as a Post-Impressionist painter who had artistic friendships with Van Gogh, Gauguin and Eugène Boch, and at a later time, Cézanne.

" It is also likely that Bernard was influenced by the works he had seen of Cézanne.

Whether it was already controversial European artists like Picasso, Matisse or Cézanne, or relatively unknown but soon-to-be-famous Americans like Marin, Weber, Dove or Hartley, Stieglitz had both the aesthetic sense and the nerve to showcase individuals who are now acknowledged to have been at the forefront of modern art.

: Whereas Matisse had drawn upon a long tradition of European painting — from Giorgione, Poussin, and Watteau to Ingres, Cézanne, and Gauguin — to create a modern version of a pastoral paradise in Le bonheur de vivre, Picasso had turned to an alien tradition of primitive art to create in Les Demoiselles a netherworld of strange gods and violent emotions.

< http :// www. guggenheimcollection. org / site / artist_bio_72. html ></ ref > He had heard a lecture by Max Beckmann on the French artist Paul Cézanne in 1938 and moved to Paris that year.