* New Deal Cartoons systematic collection of original editorial cartoons from many newspapers ; research resource on New Deal by year and topic 1933-45

* Best Editorial Cartoons of the Year: 1986 Edition by Charles Brooks ( ed.

* The Goon Cartoons ( 1982 ) ( illustrated by Peter Clarke )

* More Goon Cartoons ( 1983 ) ( illustrated by Peter Clarke )

The " Raphael Cartoons ", as tapestry designs, were fully coloured in a glue distemper medium, as they were sent to Brussels to be followed by the weavers.

* The Headless Horseman ( 1934 film ), a film produced by ComiColor Cartoons

Meanwhile the Schlesinger studio continued to make popular cartoons until 1944 when Schlesinger sold his studio to Warner Bros. and since then, Warner Bros. has owned all rights to all post-1933 characters created by Leon Schlesinger Productions and Warner Bros. Cartoons.

* Happily Ever After: A Collection of Cartoons to Chill the Heart of Your Loved One, by Charles Addams ( 2006 ), anthology of drawings ( Simon & Schuster ) ISBN 978-0-7432-6777-9

Painting by Raffaello Santi | Raphael from the Raphael Cartoons.

Duck Amuck is a surreal animated cartoon directed by Chuck Jones and produced by Warner Bros. Cartoons.

In 1994, it was voted # 2 of The 50 Greatest Cartoons of all time by members of the animation field, losing only to What's Opera, Doc?

In 1994, it was voted # 9 of The 50 Greatest Cartoons of all time by members of the animation field.

The film has been selected for preservation in the United States National Film Registry, and was named # 6 of The 50 Greatest Cartoons of all time in a 1994 survey of animators and cartoon historians by Jerry Beck.

In 1994 it was voted # 8 of The 50 Greatest Cartoons of all time by members of the animation field and in 2000 was deemed " culturally significant " by the United States Library of Congress, who has selected the short for preservation in the National Film Registry.

In 1994 it was voted # 19 of the 50 Greatest Cartoons of all time by members of the animation field.

In 1994, animation historian Jerry Beck surveyed 1000 people working in the animation industry and published the results in The 50 Greatest Cartoons: As Selected by 1, 000 Animation Professionals, in which The Tell-Tale Heart ranked # 24.

During occasional ceremonies of particular importance, the side walls are covered with a series of tapestries, the originals of which were designed for the chapel by Raphael and depict events from the Life of St. Peter and the Life of St. Paul as described in the Gospels and the Acts of the Apostles: the full-size preparatory cartoons for seven of the ten tapestries are known as the Raphael Cartoons and are in London.

* The tapestries for the Sistine Chapel, designed by Raphael in 1515 – 16, for which the Raphael Cartoons, or painted designs, also survive.

From 1945 until the original Warner Bros. Cartoons studio closed, Freleng had almost exclusive use of Tweety at the Warner cartoon studio ( much like Yosemite Sam ), with the exception of a brief cameo in No Barking in 1954, directed by Chuck Jones ( that year, Freleng used Pepé Le Pew, a Jones character, for the only time in his career and the only time in a Tweety short, Dog Pounded ).

Sir Joshua Reynolds in his Discourses praised his " simple, grave, and majestic dignity " and said he " stands in general foremost of the first best painters ", especially for his frescoes ( in which he included the " Raphael Cartoons "), whereas " Michael Angelo claims the next attention.

Cartoons like Hägar the Horrible and Vicky the Viking, and sports uniforms such as those of the Minnesota Vikings and Canberra Raiders football teams have perpetuated the mythic cliché of the horned helmet.

The studio began in 1994 as a division of Hanna-Barbera Cartoons which was then focused on producing original programming for Cartoon Network, including latter-day Hanna-Barbera creations such as Dexter's Laboratory, Johnny Bravo, Cow and Chicken, I Am Weasel and The Powerpuff Girls.

Cartoons in the Golden Age, such as Red Hot Riding Hood, contained topical and often suggestive humor, though they were seen primarily as " children's entertainment " by movie exhibitors.

Some Saturday morning programming consisted of telecasts of older cartoons originally made for movie theatres, such as the Bugs Bunny and Road Runner cartoons produced by Warner Bros. Cartoons.

One such list, the subject of Jerry Beck's 1994 book The 50 Greatest Cartoons, placed Coal Black at number twenty-one, based upon votes from over 1000 members of the American animation industry.

Cartoons such as this one, by Lindsay, were used both for recruitment and to promote conscription during World War I.

Later shorts include George O ' Hanlon's Joe McDoakes movies, and the animated work of studios such as Walt Disney Productions, Leon Schlesinger Productions / Warner Bros. Cartoons, Walter Lantz and Fleischer / Famous Studios.

Theatrical cartoon series such as MGM's Tom and Jerry and the Warner Bros. Cartoons, as well as television programs like The Flintstones ( 1960, prime time ), Tiny Toon Adventures ( 1992 ), Scooby Doo, Where Are You ( 1969 ) and Top Cat ( 1961, also prime time ) have all used innuendo.

Visuals such as Cartoons, Paintings, Computer animations, video clippings and special effects are liberally used in the programmes at the sky theater.

Visuals such as Cartoons, Paintings ,.

Cartoons such as this one, by artist Norman Lindsay, were used both for recruitment and to promote conscription.

Cartoons, such as Ronin Warriors, Sailor Moon, and recent sitcoms continued to be on the schedule, but a few talk and reality shows began showing up by 1996.

KBHK had a typical independent program schedule consisting of a morning and afternoon children's block ( which in the 1970s consisted mainly of off-network reruns of Hanna-Barbera cartoons, as well as the Famous Studios Popeye shorts, the classic Warner Bros. Cartoons, Dusty's Treehouse, New Zoo Revue, plus the Our Gang and Three Stooges shorts ), off-network sitcoms ( such as The Brady Bunch ), feature films, and public affairs programming.

After the war PIFs were produced for the Central Office of Information, and again by private contractors, which were usually small film companies, such as Richard Taylor Cartoons.

Jason Marsden, who plays the young Burt Ward / Robin, has done a few voice roles in recent DC / Warner Bros Cartoons such as Batman Beyond and Justice League Unlimited.

It is currently airing Cartoon Cartoons from the late 1990s to late 2000s, such as Dexter's Laboratory, Johnny Bravo, Cow and Chicken, I Am Weasel, The Powerpuff Girls, Courage the Cowardly Dog, Ed, Edd n Eddy, Codename: Kids Next Door, and many more Cartoon Cartoons, including original Cartoon Network Studios shows outside the Cartoon Cartoon moniker such as Foster's Home for Imaginary Friends, Camp Lazlo and Chowder.

In addition, she also directed and / or cast the voices for various TV Cartoons, such as The Grim Adventures of Billy and Mandy ( and its spin-offs Evil Con Carne and Underfist ), Johnny Bravo, SWAT Kats: The Radical Squadron, and The Jetsons ( for which she was a talent coordinator ).

The theme of the magazine − a celebration of alcohol and the seemingly bohemian lifestyles of functional alcoholics − runs counter to the message of moderation commonly found in mainstream America: regular features include " Alcocomics − Cartoons for the sober challenged ," " Post Cards from Skid Row " ( featuring poetry written by and / or for the inebriated ), " Wino Wisdom ," and " You Know You're a Drunkard When ..." The magazine also features meticulously researched articles on alcohol's place in history, including such topics as the Whiskey Rebellion and President Franklin D. Roosevelt's love of the martini.

In the Raphael Rooms in the Vatican Palace, allegories and historical scenes are mixed together, and the Raphael Cartoons show scenes from the Gospels, all in the Grand Manner that from the High Renaissance became associated with, and often expected in, history painting.

One of his most important papal commissions was the Raphael Cartoons ( now Victoria and Albert Museum ), a series of 10 cartoons, of which seven survive, for tapestries with scenes of the lives of Saint Paul and Saint Peter, for the Sistine Chapel.

File: V & A-Raphael, The Miraculous Draught of Fishes ( 1515 ). jpg | The Miraculous Draught of Fishes, 1515, one of the seven remaining Raphael Cartoons for tapestries.

The palace once housed the Raphael Cartoons now kept at the Victoria and Albert Museum.

Also on loan to the museum, from Her Majesty the Queen Elizabeth II, are the Raphael Cartoons: the seven surviving ( there were ten ) full scale designs for tapestries in the Sistine Chapel, of the lives of Peter and Paul from the Gospels and the Acts of the Apostles.

So he began to copy the Raphael Cartoons at Hampton Court.

The original small wash designs of details of the Raphael Cartoons are now kept in the Victoria and Albert Museum, London.

The Raphael Cartoons are seven large cartoons for tapestries, belonging to the British Royal Collection but since 1865 on loan to the Victoria and Albert Museum in London, designed by the High Renaissance painter Raphael in 1515 – 16 and showing scenes from the Gospels and Acts of the Apostles.

The Raphael Cartoons represent scenes from the lives of Saints Peter and Paul.

* Evans, Mark, and Browne, Clare, eds., Raphael: Cartoons and Tapestries for the Sistine Chapel, 2010, Victoria and Albert Museum

* John Shearman, Raphael ’ s Cartoons in the Collection of Her Majesty the Queen and the Tapestries for the Sistine Chapel, Oxford: Clarendon 1972

* John Pope-Hennessy, The Raphael Cartoons, London, 1950

* Sharon Fermor, The Raphael Tapestry Cartoons: Narrative, Decoration, Design, 1996, Scala Books / Victoria & Albert Museum, London