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Chaplin and built
In short order, a new building was built on the same site, and soon Harrods extended credit for the first time to its best customers, among them Oscar Wilde, Lillie Langtry, Ellen Terry, Charlie Chaplin, Noël Coward, Gertrude Lawrence, Laurence Olivier and Vivien Leigh, Sigmund Freud, A.
The Charlie Chaplin Studios, on the northeast corner of La Brea and De Longpre Avenues just south of Sunset Boulevard, was built in 1917.
Charlie Chaplin built the Charlie Chaplin Studios – later the Jim Henson Company Studios in 2000 – at La Brea Avenue in Hollywood in late 1917 and sold them in 1953.
A & M Records long occupied a studio off Sunset Boulevard built by Charlie Chaplin ( who wrote the music for his own films ).

Chaplin and story
Chaplin paid yet more concern to story construction, and began treating the Tramp as " a sort of Pierrot.
Chaplin was reported to be in the state of a nervous breakdown, as the story became headline news and pirated copies of the document were read by the public.
When filming began at the end of 1928, Chaplin had been working on the story for almost a year.
Despite the setbacks, Chaplin was soon writing a new film script, The Freak, a story of a winged girl found in South America, which he intended as a starring vehicle for his daughter, Victoria Chaplin.
As ideas were accepted and discarded, a narrative structure would emerge, frequently requiring Chaplin to reshoot an already-completed scene that might have otherwise contradicted the story.
This combination of story improvisation and relentless perfectionism — which resulted in days of effort and thousands of feet of film being wasted, all at enormous expense — often proved very taxing for Chaplin, who in frustration would often lash out at his actors and crew, keep them waiting idly for hours or, in extreme cases, shutting down production altogether.
Chaplin prepared the story throughout 1938 and 1939, and began filming in September 1939, one week after the beginning of World War II.
This plot was abandoned almost immediately, before Chaplin's character was introduced, the documentary states, and Chaplin began again, with a story, still set in a cafe, about a man who has never been in a restaurant before displaying terrible table manners before meeting a lovely girl ( Purviance ) and shaping up.
Set designer Danny Hall sketched out Chaplin's early ideas for the film, with Chaplin returning to one of his older films, The Vagabond ( 1916 ), and drawing upon similar story ideas and themes for The Circus.
The original story was written by Orson Welles, who originally wanted to direct the film with Chaplin in the title role.
However, since Chaplin did not like to be directed by anyone but himself, Chaplin bought the story from Welles.
Another story suggests that although the script had yet to be written, Welles wanted Chaplin to play the lead role.
The story was adapted for the screen by Fairbanks ( as " Elton Thomas "), Kenneth Davenport, Edward Knoblock, Allan Dwan and Lotta Woods, and was produced by Fairbanks for his own production company, Douglas Fairbanks Pictures Corporation, and distributed by United Artists, a company owned by Fairbanks, his wife Mary Pickford, Charles Chaplin and D. W. Griffith.
The story involves Chaplin and Chester Conklin working as waiters at a restaurant where the cooks go on strike.
Also included is an extensive series of alternate takes illustrating how Chaplin slowly developed the story line of The Immigrant, including a scene from an abortive first attempt at filming which involved a completely different storyline.

Chaplin and around
It was around this time that Chaplin began to conceive the Tramp as " a sort of Pierrot ", or sad clown.
For the first time in many years, German audiences had free access to cinema from around the world and in this period the films of Charlie Chaplin remained popular, as were melodramas from the United States.
The film was shot largely at the Charlie Chaplin Studios and other locations around Los Angeles.
The film is structured around lengthy flashbacks as the elderly Chaplin ( now living in Switzerland ) recollects moments from his life during a conversation with fictional character George Hayden ( Anthony Hopkins ), the editor of his autobiography.
The idea for the venture originated with Fairbanks, Chaplin, Pickford, and cowboy star William S. Hart a year earlier as they were traveling around the U. S. selling Liberty bonds to help the World War I effort.
The parish Church, dedicated to Saint Vedast, also houses The Hamby Monument, a wall monument originally constructed around 1620, and later restored by their descendants, the Chaplin family.
Mitchell Chaplin, a man living in a parallel world to ours, has been found guilty of the crime of " coldness "-of not being friendly or open enough with those around him.
Laughing Gas is the title of several movie shorts ( 1907, 1914 starring Charlie Chaplin, 1915, 1920 ) whose plot revolves around real or would-be dentists.
* Walker: Dressed in grey pinstripes, with a small bowler hat atop, he strolls around stage à la Charlie Chaplin.
Chaplin himself acknowledged Triple Trouble in his autobiography but did not actually participate in its production ( White filmed new scenes around existing footage of Chaplin ).

Chaplin and idea
Chaplin thought the Keystone comedies " a crude mélange of rough and rumble ", but liked the idea of working in films and justified, " Besides, it would mean a new life ".
Chaplin also briefly considered sixteen-year-old actress Violet Krauth, but was talked out of this idea by his collaborators.
According to Unknown Chaplin, Chaplin developed the idea of the tramp and Purviance's character being immigrants when he realized he needed more plot to justify the restaurant scenes.
On February 16, 1951, two lawyers-turned-producers Arthur Krim ( of Eagle-Lion Films ) and Robert Benjamin approached Pickford and Chaplin with a wild idea: let them take over United Artists for five years.
In the early years of film, David Raksin worked as music ghostwriter and orchestrator for Charlie Chaplin ; even though Chaplin was credited as the score writer, he was considered to be a " hummer " ( pejorative film industry slang for a person who purports to be a film score composer but who in fact only gives a general idea of the melodies to a ghostwriter ).
He first used City Lights — in homage to the Chaplin film — in 1952 as the title of a magazine, publishing early work by such key Bay Area writers as Philip Lamantia, Pauline Kael, Jack Spicer, Robert Duncan, and Ferlinghetti himself, as “ Lawrence Ferling .” A year later, Martin used the name to establish the first all-paperback bookstore in the U. S., at the time an audacious idea.
In preparation for the role, Depp watched many Charlie Chaplin films to study the idea of creating sympathy without dialogue.
) Instead, Chaplin bought the script from Welles and rewrote parts of it, crediting Welles only with the idea.
There were two efforts made to help " ease " the public into the idea of Chaplin doing a film without Chaplin in it.
In testimony before the court in a 1918 trial of Industrial Workers of the World leaders, Ralph Chaplin, who is generally credited with creating the IWW's black cat symbol, stated that the black cat " was commonly used by the boys as representing the idea of sabotage.
Al Jolson, Elsie Janis, Mary Pickford, Douglas Fairbanks and Charlie Chaplin were among the celebrities that made public appearances promoting the idea that purchasing a liberty bond was " the patriotic thing to do " during the era.

Chaplin and walking
Chaplin officially retired the character in the film Modern Times ( released February 5, 1936 ), which appropriately ended with the Tramp walking down an endless highway toward the horizon.
The film's final shot of Antonio and Bruno walking away from the camera into the distance is an homage to many Charlie Chaplin films, who was De Sica's favorite filmmaker.
Chaplin wore a large moustache and a top hat in this film, he also carries a walking cane.

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