Among modern critics, Steve Biodrowski of Cinefantastique wrote, " In the end, Destroy All Monsters is too slim in its storyline, too thin in its characterizations, to be considered a truly great film.

While the Internet Movie Database states that the film's original ending had been reinstated for a re-release in 1979, Steve Biodrowski of Cinefantastique magazine claims that the film is still being released with its additional footage, including a screening at the Academy of Motion Picture Arts and Sciences in 2005, honouring director Don Siegel.

Steve Biodrowski of Cinefantastique called the film " utterly fantastic " and " a rush of explosive excitement.

Screenplay writer Paul Dehn, who wrote and co-wrote the sequels, said in interviews with Cinefantastique ( quoted in The Planet of the Apes Chronicles, by Paul Woods ) that the story he was writing had a circular timeline:

The Robot Hall of Fame describes the phrase as " one of the most famous commands in science fiction " and Frederick S. Clarke of Cinefantastique called it " the most famous phrase ever spoken by an extraterrestrial.

A Cinefantastique retrospective review considered the film to have the finest guest stars ever assembled for a Star Trek film.

Robert Shearman and Lars Pearson, in their book Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen, felt that the character was " used so perfunctorily since her introduction " that her appearances added little to the episodes she featured in, describing her as a " bad parody " of the earlier characters Deep Throat and X. Debra Warlick, writing for Cinefantastique, felt that Holden's acting in " One Son " was " heart breaking ", but found that she had " unfortunately " been used simply to convey a plot point to other characters.

" Despite the lack of critical support, the movie was a modest success stateside, earning $ 1. 5 million for AIP according to Cinefantastique magazine.

Casting director Mary Jo Slater loaded the film with as many Hollywood stars as the production could afford, including a minor appearance by Christian Slater, her son ; Cinefantastique considered the cameo a likely attempt to lure younger audiences.

John McCarty of Cinefantastique stated that the house featured in the film made the Bates motel " look positively pleasant by comparison ".

Also writing for Cinefantastique, Paula Vitaris noted that Covarrubias " is a problematic character ", adding that " she never breaks out of her function as a plot device ".

Writing for Cinefantastique about the character's introduction, Paul Vitaris called Pickens " a fine addition to the cast " of the series, describing his portrayal of Kersh as " a strong presence ".

These are respectively published by an editorial team that includes Paul Rogers and ' John Connor ' ( who subtitle their version of the paper as the original and best ), and Steve Booth, who has publicly renounced some of his earlier published views and expressed a wish to ' return to the magazine's roots '.

Steve Forbes and his magazine's writers offer investment advice on the weekly Fox TV show Forbes on Fox and on Forbes On Radio.

He also appears frequently as a selection in Four Four Two magazine's Perfect XI, a choice in which current and former professional footballers select the best 11 players they have ever seen, played with or against, including selections by Michael Owen, Steve Mcmannaman, Peter Beardsley, Ian Wright and Jamie Carragher.

The magazine's staff included Mike Searle, Tom Slizewski, Jeff Hannes, Brent Fishbaugh, Steve Frohnhoefer, Paul Sudlow, Jeremy Smith, Thorin McGee, Kyle Ackerman, Alex Shvartsman and Rick Swan.

In the magazine's January issue, Steve Harris praised the game for its new power-ups, scrolling backgrounds, and more detailed cinematic cutscenes.

The society started publishing its monthly magazine Wondrous Stories at its inception, which then became Rock Society and is now bi-monthly featuring reviews, interviews with prominent classic rock musicians and up and coming bands. The magazine was one of the first in the UK to promote progressive and classic rock and precedes the Classic Rock magazine by several years, amongst the key contributors are Martin Hudson, Terry Craven, Miles Bartaby, Stephen Lambe, Steve Pilkington, David Pearson, Richard Barnes, James R Turner ( whose Notes from the Edge was one of the magazine's most popular columns before it was axed ) David Winstanley, Richard Watts, Lee Vickers and Bernard Law.

In 1995 in the Journal of Black Studies, Zack Cernovsky wrote, " some of Rushton's references to scientific literature with respects to racial differences in sexual characteristics turned out to be references to a nonscientific semi-pornographic book and to an article in the Penthouse magazine's Forum.

One of the oldest records of the word samba appeared in Pernambuco magazine's O Carapuceiro, dated February 1838, when Father Miguel Lopes Gama of Sacramento wrote against what he called the samba d ' almocreve – not referring to the future musical genre, but a kind of merriment ( dance drama ) popular for black people of that time.

In September 2006, New Scientist was criticised by science fiction writer Greg Egan, who wrote that " a sensationalist bent and a lack of basic knowledge by its writers " was making the magazine's coverage sufficiently unreliable " to constitute a real threat to the public understanding of science ".

Newsweek magazine's David Ansen, summarizing the theatrical release, wrote, " The payoff to The Abyss is pretty damn silly — a portentous deus ex machina that leaves too many questions unanswered and evokes too many other films.

Uncut magazine's Simon Reynolds wrote of the band: " Once upon a time, a band from the North came with a sound so fresh and vigorous it took the nation by storm.

Time magazine's Richard Corliss wrote, " This time he works up a salty sweat to end up nowhere, like a triathlete on a treadmill.

This 2009 documentary film chronicles what occurred as a result: the New York Times fired Bosley Crowther because his negative review seemed so out of touch with the public, and Pauline Kael, who wrote a lengthy freelance essay in The New Yorker in praise of the film, became the magazine's new staff critic.

Time magazine's positive review of the film wrote that director Marcel Ophüls " tries to puncture the bourgeois myth — or protectively askew memory — that allows France generally to act as if hardly any Frenchmen collaborated with the Germans.

Time magazine's Richard Schickel wrote, " The movie has two virtues essential to good pop thrillers.

" Time magazine's Richard Corliss wrote, " The gag works for a while, as Martin weaves his own plot-web into the 18 old movies, but pretty soon he's traveling on old good will and flop sweat ".

Variety magazine's reviewer wrote: " Considerable excitement is whipped up in this suspense drama, and fans who go for tight action will find it entirely satisfactory.

Time magazine's Richard Schickel wrote, " there is an unpretentious realism in Towne's script, and director Ashby handles his camera with a simplicity reminiscent of the way American directors treated lower-depths material in the ' 30s ".

In 1992, Computer Gaming World wrote that this " classic mix of combat and problem-solving " was the favorite of the magazine's readers in 1988, adding, " the way in which Wastelands NPCs related to the player characters, the questions of dealing with moral dillemas, and the treatment of skills set this game apart.

In his review, Time magazine's Richard Schickel wrote, " Absence of Malice does not invalidate All the President's Men.

Newsweek magazine's David Ansen wrote, " Everyone seems to be working toward the same goal of relaxed insanity.

Blood-Horse magazine's Steven Haskin wrote: " Pimlico stakes coordinator David Rollinson had to go out and recruit Preakness Stakes horses when it looked like only six or seven were going to run.

Time magazine's Richard Schickel wrote, " The result is a hard-striving, convoluted movie, which never quite becomes the smoothly reciprocating engine Anderson ( who did Boogie Nights ) would like it to be ".

Rolling Stone magazine's Peter Travers wrote, " though the movie ups the TV ante on nudity, language and violence, Lynch's control falters.

Time magazine's Richard Schickel wrote, " when action is never shown to have deadly or pitiable consequences, it tends toward abstraction.

Malden's friend and former co-star Michael Douglas wrote a tribute to Malden for Time magazine's " Milestones " section.

Time magazine's Richard Schickel wrote, " The movie bobs along on this stream of funny offhandedness, never losing its balance.

" Peter Travers of Rolling Stone also gave it the magazine's highest rating, calling it " unique and unforgettable " while J. Hoberman of the Village Voice wrote that the film is " so tactile in its cinematography, inventive in its camera placement, and sensuous in its editing that the purposefully oblique and languid narrative is all but eclipsed.

Time magazine's Frank Rich wrote, " Days of Heaven is lush with brilliant images ".

Premiere magazine's Glenn Kenny gave the film three out of four stars and wrote, " the picture is a nice return to form for Ivory and company, as well as a welcome stretch for Kate Hudson, whose luminous talents, I fear, are going to be hidden under bushels of stupid Hollywood romantic comedies for the foreseeable future ".