There is also a plaque on the wall of the house where Samuel Taylor Coleridge stayed from 1814 to 1816 as part of the Morgan household whilst writing his Biographia Literaria.

* Samuel Taylor Coleridge, the celebrated poet stayed in Bishop Middleham with Sara Hutchinson and her brother George in 1801.

His friend Samuel Taylor Coleridge also stayed there, and fell in love with Sara, but he was already married ; his feeling for Sara found expression in his poem " Love ", which contains references to the church and the dragon legend.

The river crossing could only be used a few hours per day at low tide and was used by Samuel Taylor Coleridge in the 1790s when he stayed at Nether Stowey, to travel to and from Bristol.

* The life and letters of St. Francis Xavier Francis Xavier, Saint, 1506-1552 Coleridge, Henry James, 1822-1893 London: Burns and Oates, ( 1872 )

* Willey, Basil, Nineteenth-Century Studies: Coleridge to Matthew Arnold, London, Chatto & Windus, 1964, ISBN 0-14-021709-6.

At first, the dictionary was unconnected to Oxford University but was the idea of a small group of intellectuals in London ; it originally was a Philological Society project conceived in London by Richard Chenevix Trench, Herbert Coleridge, and Frederick Furnivall, who were dissatisfied with the current English dictionaries.

He became an acquaintance of Samuel Taylor Coleridge and William Wordsworth, having already sought out Charles Lamb in London.

He published the works of Wordsworth, Coleridge, Southey and Scott, and acted as London agent for the Edinburgh Review, which was started in 1802.

Stephen Coleridge London ; Mills & Boon, ltd.

trans., Paris, 1676 ; re-edited by Lord Coleridge, London, 1871, 1872, and inserted in " Paternoster " series, 1901 ).

He lives at 12 Coleridge Close, part of the " Poets Estate " in a south London suburb called Climthorpe, a development different from those around it only by having the streets named after famous poets.

The Seventeenth Edition, with notes by J. T. Coleridge, London, 1825.

* Coleridge on Imagination ( Kegan Paul, Trench, Trubner: London, 1934 ; New York, 1935 ).

The Rime of the Ancient Mariner by Samuel Taylor Coleridge was a general influence, and scenes of Pym and Dirk Peters in a cave echo scenes in Daniel Defoe's Robinson Crusoe, which many reviewers noted at the time, including London publications such as the Court Gazette and the Torch.

Sara Coleridge died in London on 3 May 1852.

Doyle returns to London, where the last magician, Romanelli, kidnaps him, Jacky, and Coleridge.

He then studied English at Oxford, and after some false starts he spent his early working life as an academic, lecturing in English literature at Birkbeck College, part of the University of London, during which time he published several works on Samuel Taylor Coleridge.

She and Charles presided over a literary circle in London that included the poets William Wordsworth and Samuel Taylor Coleridge, among others.

* Hainton, Raymonde and Godfrey ( 1996 ) The Unknown Coleridge: the Life and Times of Derwent Coleridge, 1800-1883 London: Janus

x London 10 October 1944 Lt .- Col. Harold Pedro Joseph Phillips ( 1909-1980 ), son of Colonel Joseph Harold John Phillips ; xx London December 1992 Lt .- Col. Sir George Arnold Ford Kennard, 3rd Bt., son of Sir Coleridge Arthur Fitzroy Kennard, 1st Bt.

He left for London in 1811, bearing introductions which procured for him the friendship of West, Beechey, Allston, Coleridge and Washington Irving, being admitted as a student of the Royal Academy, where he carried off two silver medals.

Coleridge had been offered in London six guineas for the copyright of his poems, but Cottle offered thirty, and the same sum to Southey, also proposing to give the latter fifty guineas for his Joan of Arc, and made arrangements for the lectures delivered on behalf of pantisocracy.

Samuel Taylor Coleridge, in Work Without Hope ( 1825 ), also refers to the herb, likely referencing Milton's earlier work.

These were both times he was in the area, and, by 1799, Coleridge was able to read Robert Southey's Thalaba the Destroyer, a work which also drew on Purchas's work.

The work was set aside until 1815 when Coleridge compiled manuscripts of his poems for a collection titled Sibylline Leaves.

Charles Lamb, poet and friend of Coleridge, witnessed Coleridge's work towards publishing the poem and wrote to Wordsworth: " Coleridge is printing Xtabel by Lord Byron's recommendation to Murray, with what he calls a vision of Kubla Khan – which said vision he repeats so enchantingly that it irradiates & brings Heaven & Elysian bowers into my parlour while he sings or says it ".

In the final work, Coleridge added the expanded subtitle " Or, A Vision in a Dream.

It is possible that the words of Purchas were merely remembered by Coleridge and that the depiction of immediately reading the work before falling asleep was to suggest that the subject came to him accidentally.

He reviewed the collection of poems for the 2 June 1816 Examiner, and, in his analysis, he attacked the fragmentary nature of the work and argued, " The fault of Mr Coleridge is, that he comes to no conclusion ... from an excess of capacity, he does little or nothing " and that the poem revealed that " Mr Coleridge can write better nonsense verse than any man in English.

Together, Wordsworth and Coleridge ( with insights from Dorothy ) produced Lyrical Ballads ( 1798 ), an important work in the English Romantic movement.

Dryads are mentioned in Milton's Paradise Lost, in Coleridge, and in Thackeray's work The Virginians.

In September 2006, Oxford University Press published an English, blank-verse translation of Goethe's work entitled Faustus, From the German of Goethe, now widely believed to be the production of Samuel Taylor Coleridge.

Despite this evidence, the status of the translation as the work of Coleridge is still disputed by some Coleridge authorities.

Samuel Taylor Coleridge, a key figure in Romantic thought, science and medicine, was also knowledgeable about Hunter's work and writings and saw in him the seeds of Romantic medicine, namely as regards his principle of life, which he felt had come from the mind of genius.

His final work, in 1975, a narrative of the epic poem, The Rime of the Ancient Mariner, by Samuel Taylor Coleridge, a poem that Redgrave taught as a young schoolmaster and visualized by producer-director Raul da Silva, received six international film festival prizes of which five were first place in category.

One of the most important was the disdain heaped upon her by Samuel Taylor Coleridge and William Wordsworth, poets who in their youthful, radical days had looked to her poetry for inspiration, but in their later, conservative years dismissed her work.

Taylor's work was much admired by John Wesley, the founder of Methodism, for its devotional quality ; and by Samuel Taylor Coleridge, Thomas de Quincey, and Edmund Gosse for its literary qualities.

* In Douglas Adams's Dirk Gently's Holistic Detective Agency, the title character saves the world, in part by time-travelling from the present day to distract Coleridge from properly remembering his dream ; if Coleridge had completed the poem an alien ghost would have ' encoded ' certain information within the completed work that would have allowed him to make repairs to his spaceship in the past at the cost of wiping out all life on Earth.

Coleridge continues by saying that “ the errors and defects are more numerous, and ( we are sorry to add ) of greater importance .” Because “ the order of nature may be changed whenever the authors purposes demand it ” there are no surprises in the work.

Moral truth cannot be gleaned because Ambrosio was destroyed by spiritual beings, and no earthly being can sufficiently oppose the “ power and cunning of supernatural beings .” Scenes of grotesquery and horror abound, which are a proof of “ a low and vulgar taste .” The character of Ambrosio is “ impossible ... contrary to nature .” Coleridge argues that the most “ grievous fault ... for which no literary excellence can atone ” is that “ our author has contrived to make of enchantments and witchcraft ‘ ‘ pernicious ’ ‘, by blending, with an irreverent negligence, all that is most awfully true in religion with all that is most ridiculously absurd in superstition ,” commenting with the immortal line that “ the Monk is a romance, which if a parent saw in the hands of a son or daughter, he might reasonably turn pale .” Coleridge finishes the piece by explaining that he was “ induced to pay particular attention to this work, from the unusual success which it has experienced ” and that “ the author is a man of rank and fortune.