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Comics and Bulletin
In April 2010, Nicolas Slayton from Comics Bulletin ranked The Dark Knight Returns 2nd in their Tuesday Top Ten feature's Top 10 Overrated Comic Books, just behind Watchmen.
* Garth Ennis: Preaching to the Choir, interview with Comics Bulletin, December 2006
* Review of " Luthor's Monsters " # 1 and # 2, Comics Bulletin
Comics Bulletin, in a review of the " Homeland Security " story arc, states the artwork is " visual magnificence " yet is concerned about the dark writing of the characters stripped of their " super-heroic nobility " and was " disheartened by the book ’ s tone and cynicism ".
* Watching the Watchmen with Dave Gibbons: An Interview, Comics Bulletin, December 10, 2008
In an interview with Comics Bulletin, Dixon described this choice as a fertile clash of values: " Dinah's more idealistic approach is at the heart of this book.
* Review of the trade at Comics Bulletin
Michael Aronson of Comics Bulletin, while praising Austen's characterization of Professor X and Annie Ghazikhanian, excoriated Austen for what Aronson saw as his obsession with relationships and sex, and the sexist nature of his characterization of Husk.
* Brian Michael Bendis: Comics ' Funk Soul Master at Comics Bulletin
* Chris Claremont: New Exiles Cast Questionnaire, Comics Bulletin, February 14, 2008
Craig Lemon from Comics Bulletin criticized the plot, arguing that too many people now know of Batman's secret identity, opining that the story was not very gripping, and that Batman was depicted as inept for not being prepared for a situation as basic as someone cutting his batline.
Dominic Organ from Comics Bulletin was critical of the artwork stating it was " incredibly spotty in places ," inconsistent and " at times it is downright ugly.
' Comics Bulletin were highly favourable to the series, stating that ' It is a rare comic book that is able to breathe new life into a stale genre, and yet that is precisely what District X has managed to do ... District X is more than just a traditional superhero comic, establishing itself as an entertaining blend of action, crime noir and social commentary.
Various incarnations of the publication ( which were published quarterly to bi-monthly, and eventually monthly ) included Overstreet's Comic Book Price Update, Overstreet's Comics Price Bulletin, Overstreet Comic Book Monthly, and Overstreet's Fan, with this last incarnation showing a great deal of similarity to the successful comics news magazine Wizard: The Guide to Comics.
* Review of Midnighter # 1 Comics Bulletin, November 6, 2006.
Dave Wallace of Comics Bulletin said that Dark Victory " doesn't quite live up to the high standards set by The Long Halloween " but praised " Loeb's note-perfect understanding of what makes the Batman tick " and added that " Tim Sale's artwork also keeps on hitting new highs.
* A Man for All Genres: Stuart Moore, Comics Bulletin, 26 September 2007
* Chuck Dixon on El Cazador: Q & A, Comics Bulletin, March 10, 2004
* Review of Ganglords of Chinatown at Comics Bulletin
* Review of Kiss and Tell at Comics Bulletin
* Secret History of the Authority: Jack Hawksmoor # 2 and # 3, Comics Bulletin
* Review of A1 issue zero at Comics Bulletin

Comics and reviewed
Instead of reviewing music videos, they reviewed ( custom-made ) pages from other Marvel Comics — in one with Ghost Rider, Beavis tries to avoid using the word " fire " to describe the character's fiery skull.
Understanding Comics received praise from notable comic and graphic novel authors such as Art Spiegelman, Will Eisner, Alan Moore, Neil Gaiman and Garry Trudeau ( who reviewed the book for the New York Times ), and was called “ one of the most insightful books about designing graphic user interfaces ever written ” by Apple Macintosh co-creator Andy Hertzfeld.
Comics historian Dave Karlen reviewed:

Comics and final
Wheeler-Nicholson's third and final title, Detective Comics, advertised with a cover illustration dated December 1936, eventually premiered three months late with a March 1937 cover date.
Two issues were published by Comico Comics in 1988 and 1989, but the third and final installment did not appear until years later, finally appearing in 1995 from Dark Horse Comics.
Axel Alonso ( who would later move to Marvel Comics ) began his editorial career at Vertigo on Animal Man, Black Orchid, Doom Patrol and Hellblazer, and also edited the opening issues of Brian Azzarello and Eduardo Risso's 100 Bullets and the final issues of Garth Ennis and Steve Dillon's Preacher.
Steve Gerber depicted himself saving the universe in his final issue of Man-Thing for Marvel Comics, and Chris Claremont did the same, while Gerber's act was passive and Claremont's had him merge briefly with the title character.
The feature's final installment was in issue # 101 ( Feb. 1945 ), and the Spectre made his last appearance in the superhero group the Justice Society of America at roughly the same time in All Star Comics # 23 ( Winter 1944 – 1945 ).
Though the committee's final report did not blame comics for crime, it recommended that the comics industry tone down its content voluntarily ; possibly taking this as a veiled threat of potential censorship, publishers developed the Comics Code Authority to censor their own content.
The series was published by Dark Horse Comics beginning in 2001, with delays between the first six and the final two issues caused by Whedon's TV commitments, during which Moline illustrated Route 666 for CrossGen Comics.
Superboy continued to appear in the comic in reprinted stories and as a member of the Legion until the Legion's final issue, Adventure Comics No. 380 ( May 1969 ).
* In the Transformers Marvel Comics series, the Last Autobot, a final repository of some of the power of the Transformers ' god Primus, waits at the center of Cybertron.
Siegel was invited in 1986 by DC Comics ' editor Julius Schwartz to write an " imaginary " final story for Superman, following Marv Wolfman's Crisis on Infinite Earths limited series and before John Byrne's The Man of Steel miniseries, which reintroduced Superman.
Catwoman appears again as a criminal in Batman # 84 ( June 1954 ) and Detective Comics # 211 ( September 1954 ) for her final appearance until 1966.
In Action Comics # 5 during Krypton's final moments Jor-El tries to save his family by opening a portal to the Phantom Zone when suddenly the incarcerates try to escape.
Crumb disliked how the film presented the sexual content and politics, denouncing Fritz's dialogue in the final sequences of the film, which includes a quote from The Beatles song " The End ", as " red-neck and fascistic " Following the film's release, The People's Comics published the story " Fritz the Cat ' Superstar '", in which Crumb satirized Bakshi and Krantz.
The final issue, # 52, of DC Comics ' 2006 / 2007 year-long weekly series 52 revealed that a " Multiverse " system of 52 parallel universes, with each Earth being a different take on established DC Comics characters as featured in the mainstream continuity ( designated as " New Earth ") had come into existence.
For Valiant Comics, Giffen wrote X-O Manowar, Magnus, Robot Fighter, Punx and the final issue of Solar, Man of the Atom.
In the final issue of DC Comics ' 2006 – 2007 year-long weekly series, 52 Week 52, it was revealed that a " Multiverse " system of 52 parallel universes, with each Earth being a different take on established DC Comics characters as featured in the mainstream continuity ( designated as " New Earth ") had come into existence.
Artist and former Marvel Comics editor-in-chief Joe Quesada begins with sketches much smaller than the actual size at which he will render the final drawing.
Eclipse Comics also printed a two-issue index ( with covers drawn by John Byrne ) to the Doom Patrol in 1984, which included all of their appearances from their first to their final appearance before their early 1980s return.
In 2000, Frank worked on various loose assignments for both DC and Marvel, including issue # 7 of Tom Strong ( under DC's America's Best Comics imprint ), and writing and penciling a 2-page X-Men story in X-Men: Millennial Visions ( his final collaboration to date with inker Cam Smith ), while working on his first creator-owned series.
Kyle Richmond, the original Nighthawk, debuted as a supervillain in the final panel of The Avengers # 69 ( Oct. 1969 ), a superhero team in the mainstream Marvel Comics continuity the company designates Earth-616.

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