Composers such as Antonio Caldara, Arcangelo Corelli, and Johann Rosenmuller were early influences.

Composers such as Richard Strauss, Claude Debussy, Giacomo Puccini, Paul Hindemith and Hans Pfitzner pushed Wagnerian harmony further with a more extreme use of chromaticism and greater use of dissonance.

Composers such as the young Joseph Haydn would then have a fixed body of instrumentalists to work with.

Composers such as Terry Riley, Krzysztof Penderecki, György Ligeti, Henryk Górecki, Bradley Joseph, John Adams, George Crumb, Steve Reich, Phillip Glass, Michael Nyman, and Lou Harrison reacted to the perceived elitism and dissonant sound of atonal academic modernism by producing music with simple textures and relatively consonant harmonies, whilst others, most notably John Cage challenged the prevailing Narratives of beauty and objectivity common to Modernism.

Composers also wrote concert arias, which are not part of any larger work, such as " Ah perfido " by Beethoven, and a number of concert arias by Mozart, such as " Conservati fedele ".

Composers such as Luzzasco Luzzaschi, Lodovico Agostini, and later Carlo Gesualdo, represented the avant-garde tendency of the composers there, writing for gifted virtuoso performers, including the famous concerto di donne — the three virtuoso female singers Laura Peverara, Anna Guarini, and Livia d ' Arco.

Composers such as Henry Cowell wrote music which asks for the player to reach inside the piano and pluck the strings directly, or to " bow " them with bow hair wrapped around the strings, or play them by rolling the bell of a brass instrument such as a trombone on the array of strings.

Composers, arrangers, and bandleaders have used sections with more or fewer players, and additional instruments, such as valve trombone, baritone horn / euphonium ( both of which are usually used in place of or with trombones ), vibes, bass clarinet, French horn, tuba, banjo, accordion and strings ( violin, viola, cello ).

Many musicians and artists use ' patcher ' type programmes, such as Pd, Bidule, Max / MSP and Audiomulch as well as ( or instead of ) digital audio workstations or sequencers and there are still a significant number of people using more " traditional " software only approaches such as CSound or the Composers Desktop Project.

Composers such as Arnold Bax, Frank Bridge, Gustav Holst, Benjamin Dale, York Bowen and William Walton wrote pieces for him.

Composers such as Rob Hubbard used a lot of special effects in his music which were difficult to replicate on the ST sound chip.

Composers such as Arnold Schoenberg, Anton Webern, Alban Berg, Karlheinz Stockhausen, Pierre Boulez, Luigi Nono, Milton Babbitt and Jean Barraqué used serial techniques of one sort or another in most of their music.

Composers such as Gasparo Alberti produced music with polyphony using two organs, brass and viols, a style usually associated with Venice, but which flourished in the fine acoustic environment of Santa Maria Maggiore.

Composers such as John Cage, Farmers Manual and Brian Eno have used generative systems in their works.

Composers of the Renaissance wrote a fair amount of program music, especially for the harpsichord, including works such as Martin Peerson's The Fall of the Leafe and William Byrd's The Battell.

Composers such as Calixa Lavallée developed the Canadian military band sound that has become a worldwide sensation since the 19th century.

Composers such as Mozart were writing chamber music for these groups, called Harmonie bands, which evolved to a standard instrumentation of two oboes, two clarinets, two horns, and two bassoons.

Composers such as Gustav Mahler and Jean Sibelius were pushing the bounds of Post-Romantic Symphonic writing.

Composers such as Daniel Bukvich, Mark Camphouse, John Mackey, Michael Colgrass, Michael Daugherty, David Del Tredici, Karel Husa, David Maslanka, Olivier Messiaen, Alfred Reed, Joseph Schwantner, Karlheinz Stockhausen, Frank Ticheli, and Eric Whitacre have composed notable works for concert band in recent years.

Composers who visited Ferrara during the period included numerous important masters such as Claudio Monteverdi, John Dowland, Orlande de Lassus, Claudio Merulo, and, most importantly, Carlo Gesualdo.

Composers such as William Byrd, Doctor John Bull, Orlando Gibbons and Thomas Tallis.

Composers like Jean-Baptise Barrière, Georg Phillipp Telemann and Marin Marais wrote solo-and ensemble pieces for treble or pardessus.

Composers are routinely trained in the " Palestrina style " to this day, especially as codified by the 18c music theorist Johann Joseph Fux.

Composers who wrote a called " Missa Solemnis " have included France Ačko ( 1941 ), Hendrik Andriessen ( 1946 ), Marco Betta, František Brixi, Antonio Buonomo ( 1983 ), Alfredo Casella ( 1944 ), Paul Creston, Georg Druschetzky ( 1804 ), Bohumil Fidler ( 1901 ), Joseph-Hector Fiocco, Konstanty Gorski, Michael Haydn ( 1772 ), Václav Emanuel Horák, Sigurd Islandsmoen ( 1954 ), Friedrich Kiel, Karel Blažej Kopřiva, Josef Lammerz ( 1990 ), Boleslaw Ocias and Johann Nepomuk Schelble, Wolfgang Seifen, Johann Baptist Vanhal ( 1778 ), Bedřich Antonín Wiedermann ( 1848 ).

Composers such as Johann Sebastian Bach and George Frideric Handel are some of his inspirations, along with the type of melodic styles heard during the mid-20th century of American cinema.

Composers like Johann Philipp Krieger and Georg Philipp Telemann worked here, the actress Friederike Caroline Neuber made her first appearances at Weißenfels.

Composers of early chorale motets included Johann Walter, who typically used a cantus firmus type of motet setting ; Balthasar Resinarius, who wrote in the complex polyphonic style ; Sixt Dietrich, who chose the simpler homophonic style ; and Ludwig Senfl, Lupus Hellinck, Thomas Stoltzer, and others.

Composers at least some of whose work can be described as galant include Jean-Féry Rebel of France, Pergolesi, Giovanni Battista Sammartini, Baldassare Galuppi, and Antonio Vivaldi of Italy, the three most important Bach sons ( W. F., C. P. E. and J. C .), Georg Philipp Telemann, and Johann Gottlieb Graun of Germany, and in England Thomas Augustine Arne, William Boyce, and John Stanley.

Beck has earned awards, grants and honors from the American Composers Orchestra, California Arts Council, the Los Angeles Chapter of the American Composers Forum, Kentucky Arts Council, Millay Colony for the Arts, Meet the Composer, Wellesley Composers Conference, Oregon Bach Festival, Iowa Arts Council and the American Music Center.

* Johannes Fritsch The Living Composers Project, Biography, Works List

Composers who have written alternative cadenzas for the first movement include Harold Bauer, Amy Beach, Johannes Brahms, Carl Czerny, Gabriel Fauré, Adolf von Henselt, Mischa Levitzki, Franz Liszt, Freidrich Mockwitz ( Lost ), Ignaz Moscheles, Carl Reinecke, Ferdinand Ries ( Lost ), Clara Schumann, Gino Tagliapietra, Anton Rubinstein and Charles-Valentin Alkan.

Composers such as Gilles Binchois, Antoine Busnois, and Johannes Brassart all frequently used the technique, always adapting it to their personal styles.

Composers came to Ferrara from many parts of Europe, especially France and Flanders ; Josquin Des Prez worked for Duke Ercole for a time ( producing the Missa Hercules dux Ferrariæ, which he wrote for him ); Jacob Obrecht came to Ferrara twice ( and died during an outbreak of plague there in 1505 ); and Antoine Brumel served as principal musician from 1505.

Composers who worked at the courts of the Dukes of Burgundy are known collectively as the Burgundian School ; some of the principal names associated with this school are Guillaume Dufay, Gilles Binchois, Hayne van Ghizeghem and Antoine Busnois.

Composers included Arnold Bax and Frederick Delius in Great Britain ; Edward MacDowell, Howard Hanson, Ferde Grofe and George Gershwin in the United States ; Carl Nielsen in Denmark ; Mieczysław Karłowicz in Poland and Ottorino Respighi in Italy.

* Doblinger Musikverlag: Composers Find the " Carl Goldmark " entry with the " A-Z " link on the left.

Among the honours Nørholm has received are the Gaudeamus International Composers Award in 1964, the Carl Nielsen Prize in 1971 and a knighthood in 1981.

Composers who wrote solo harpsichord music were numerous during the whole Baroque era in European countries including Italy, Germany, England and France.

Composers of the early 20th century also wrote in Renaissance-inspired styles.

Composers including Luciano Berio, Pierre Boulez, Bruno Maderna and Igor Stravinsky wrote pieces for him.

In the 1950s he wrote about 40 songs for children, for which he received an award from the Polish Composers Union in 1955.

In the January 1987 issue of Minnesota Composers Forum Newsletter, McClary wrote of Ludwig van Beethoven's Ninth Symphony:

In 1981 the American Composers ' Forum commissioned the Clarinet Concerto, which Skrowaczewski wrote for Minnesota Orchestra principal clarinetist Joe Longo, who premiered it in 1981.

Composers wrote works for young performers.

He published numerous articles in scholarly and popular journals and wrote the book Young Composers of Leningrad in 1971.

It started in 1960 when Volkov reviewed Shostakovich's 8th String Quartet, and Shostakovich wrote a preface for Volkov's book Molodyye Kompozitory Leningrada (" Young Composers of Leningrad ") in 1971.

Composers are those individuals who write / wrote music in notation, usually for but not limited to classical instruments such as orchestra and piano, or for jazz.

Composers such as André Jolivet, Henri Sauguet and Jean Françaix also wrote with Bernac in mind.

Composers Charles Fox and Norman Gimbel wrote the song " Oranges Poranges " to be sung by the Witchiepoo character on the television programme H. R.

Composers in the style of musica reservata included Nicola Vicentino, who wrote about it in his L ' antica musica ridotta alla moderna prattica ( 1555 ); Philippe de Monte, the prolific composer of madrigals who mainly worked in Vienna ; and above all, Orlande de Lassus, the renowned and versatile composer working in Munich whose Prophetiae Sibyllarum, probably written in the 1560s, may represent the peak of development of the style.

Composers such as Cipriano de Rore, Orlande de Lassus and others wrote music which was impossible to sing in tune without having a system for adjusting the pitch of chromatic intervals in some way.

Composers who wrote primarily instrumental music, such as D ' Indy's teacher César Franck, found it difficult to gain full acceptance into the Parisian musical establishment.

Composers well known for their choral works wrote organ music, for example Tallis, Byrd and Gibbons.