Costume jewelry ( also called trinkets, fashion jewelry, junk jewelry, fake jewelry, or fallalery ) is jewelry manufactured as ornamentation to complement a particular fashionable costume or garment.

Costume jewelry came into being in the 1930s as a cheap, disposable accessory meant to be worn with a specific outfit.

Costume jewelry is made of less valuable materials including base metals, glass, plastic, and synthetic stones ; in place of more valuable materials such as precious metals and gems.

Costume jewelry is meant to complement a particular fashionable garment or " costume "; Hence the name, " costume jewelry ".

Costume jewelry has been part of culture for almost 300 years.

Costume jewelry was also made popular by various designers in the mid-20th century.

Costume jewelry is considered a discrete category of fashion accessory, and displays many characteristics of a self-contained industry.

Costume jewelry manufacturers are located throughout the world, with a particular concentration in parts of China and India, where entire city-wide and region-wide economies are dominated by the trade of these goods.

An Evila ( Ally ) Costume can be worn in Part 2

She can arguably be credited with reviving the fortunes of New York ’ s Metropolitan Museum of Art ’ s Costume Institute, having raised $ 75m for the institution through events and corporate sponsorship.

Other infrastructure includes the Nowhere Post Office ( which sends letters, cards and parcels to participants on site and to others around the world ), Costume Camp ( where participants can borrow costume items as part of radical self-expression ), an Information booth called NoInfo, a medical team, and a daily newspaper, the Nowhere Tribune.

Gate of Hell, a 1953 film by Teinosuke Kinugasa, was the first movie that filmed using Eastmancolor film, Gate of Hell was both Daiei's first color film and the first Japanese color movie to be released outside of Japan, receiving an Oscar in 1954 for Best Costume Design by Sanzo Wada and an Honorary Award for Best Foreign Language Film.

Costume design for The Doctor by Talia Felix. Il Dottore or the Doctor ( usually called Dottore Balanzone, Dottore Baloardo, or Dottore Graziano ) is a commedia dell ' arte stock character, one of the vecchi or old men whose function in a scenario is to be an obstacle to the young lovers.

Costume designer Bambi Breakstone, who traveled to Milan, Paris, and London in search of new clothes, testified that, " The concept of the show is to be on top of all the latest fashion trends in Europe.

Edith Head's costumes for the film were nominated for the Academy Award for Best Costume Design, one of the few westerns to ever be nominated for the award.

Wolfgang Bruhn and Max Tilke, in their 1941 A Pictorial History of Costume, do show a drawing, said to be copied from an Achaemenid relief of the 5th century BCE, of a woman with her lower face hidden by a long cloth wrapped around her head.

Costume design should not be confused with costume coordination which merely involves altering existing clothing, although both create stage clothes.

Costume parties are especially popular in the United States around Halloween, when teenagers and adults who may be considered too old for trick-or-treating attend a costume party instead.

: The Costume Designer is responsible for all the clothing and costumes worn by all the actors that appear on screen.

** 3 Silver Ribbons awarded by the Italian National Syndicate of Film Journalists Best Cinematography, Best Costume Design, Best Production Design

** Best Fantasy Film nomination by the Costume Designers Guild of America

Costume design for Aida by Auguste Mariette ( 1871 )

* Design Awards: Eight shows have swept the design awards ( original 3 of Best Scenic Design, Best Costume Design, Best Lighting Design – joined by Best Sound Design starting in 2008 ): Follies ( 1972 ), The Phantom of the Opera ( 1986 ), The Lion King ( 1998 ), The Producers ( 2001 ), The Light in the Piazza ( 2005 ), The Coast of Utopia ( 2007 ), the 2008 revival of South Pacific ( first to sweep the expanded 4 awards for Creative Arts ) and Peter and the Starcatcher ( first straight play to sweep the expanded four awards for Creative Arts ) ( 2012 ).

The Academy Award for Best Costume Design is one of the Academy Awards of Merit presented annually by the Academy of Motion Picture Arts and Sciences ( AMPAS ) for achievement in film costume design.

The Academy Award for Best Costume Design is given out annually by the Academy of Motion Picture Arts & Sciences for the best achievement of film costume design of the previous year.

* Costume Design by Howard Greer / Edward Stevenson

File: The Butterfly costume design for Anna Pavlova by L. Bakst ( 1913 ). jpg | The Butterfly ( Costume Design by Leon Bakst for Anna Pavlova ), Museum of Fine Arts, Boston

Costume design was by Patricia Zipprodt.

Costume design was by Florence Klotz.

Costume for a Knight, by Inigo Jones: the plumed helmet, the " heroic torso " in armour and other conventions were still employed for opera seria in the 18th century.

The 2011 revival was nominated for the Tony Award for Best Performance by an Actress in a Leading Role in a Play and Best Costume Design of a Play ( Catherine Zuber ).

It was directed by Michael Campus and nominated for an Oscar for Best Costume Design.

Other areas designed by Webb include the Entrance Hall and Rotunda, the East and West Halls, the areas occupied by the shop and Asian Galleries as well as the Costume Gallery.

Costume sketches, design notebooks, and other works on paper are typically held by the Word and Image department.

Costume designer Edith Head created over 20 suits for Martin in similar fashion to those worn by Cary Grant or James Stewart.

A masque Costume for a Knight, designed by Inigo Jones

Costume designer Kim Tillman designed original dresses for Larisa Oleynik and Julia Stiles as well as the period outfits for Susan May Pratt and David Krumholtz.

* The Bloomer Costume was a type of women's clothing introduced in the Antebellum period, that changed the style from dresses to a more male-type style, which was devised by Amelia Bloomer.

Costume history serves as a source of inspiration to current fashion designers, as well as a topic of professional interest to costumers constructing for plays, films, television, and historical reenactment.

From these, four smaller games were made that for the first time in Double Fine's history had project leaders other than Schafer: Costume Quest, Stacking, Iron Brigade and Once upon a Monster.

* Laver, James: Costume and Fashion: a concise history, Thames and Hudson Ltd, London, 1969.

As a prolific self-taught illustrator, he is also known in military history circles for Costume of the Army of the British Empire, produced towards the end of the Napoleonic Wars and an accurate depiction of contemporary British uniform.