Iron observation post camouflaged as an elm tree by Cubism | Cubist painter Andre Mare, 1916

In the First World War, the Cubist painter Andre Mare designed camouflage schemes for the French, British and Italian armies.

His portrait of Picasso in 1912 is a significant early Cubist painting done by a painter other than Picasso or Braque.

In 1918, Le Corbusier met the Cubist painter Amédée Ozenfant, in whom he recognised a kindred spirit.

First a painter of the Cubist school, he later developed his own playful primitive style.

In his Vie Anecdotique of 16 October 1911, the poet proudly states: " I am honoured to be the first model of a Cubist painter, Jean Metzinger, for a portrait exhibited in 1910 at the Salon des Indépendants.

Both as a painter and theorist of the Cubist movement, Metzinger was at the forefront.

Together with Romanian Cubist painter M. H. Maxy, Janco was personally involved in curating the Contimporanul International Art Exhibit of 1924.

Lyubov Sergeyevna Popova (; April 24, 1889 – May 25, 1924 ) was a Russian avant-garde artist ( Cubist, Suprematist and Constructivist ), painter and designer.

* July 31-Jacques Villon, Cubist painter and printmaker ( d. 1963 )

After her graduation from the Art Institute Spero continued to study painting in Paris at the École nationale supérieure des Beaux-Arts and at the Atelier of Andre Lhote, an early Cubist painter, teacher and critic.

* June 9-Jacques Villon, Cubist painter and printmaker ( b. 1875 )

* November 12-Patrick Henry Bruce, American Cubist painter ( b. 1881 )

While her work shows the influence of Cubist painters Pablo Picasso and Georges Braque, who was her close friend, she developed a unique approach to abstraction which often centered on the representation of groups of women and female portraits.

Before 1910 Picasso was already being recognized as one of the important leaders of Modern art alongside Henri Matisse who had been the undisputed leader of Fauvism and who was more than ten years older than he was and his contemporaries the Fauvist André Derain and the former Fauvist and fellow Cubist, Georges Braque.

this was the point at which he finally took the lead in Cubist innovation away from Braque, never again to relinquish it.

Unlike Picasso and Braque, whose Cubist works were monochromatic, Gris painted with bright harmonious colors in daring, novel combinations in the manner of his friend Matisse.

The radical " High Cubist " experiments of Braque and Picasso circa 1909 are interesting but more bizarre than convincing in visual terms.

[...] It was then that Metzinger, joining Picasso and Braque, founded the Cubist City.

" It is to the credit of Jean Metzinger, at the time, to have been the first to recognize the commencement of the Cubist Movement as such " writes S. E. Johnson, " Metzinger's portrait of Apollinaire, the poet of the Cubist Movement, was executed in 1909 and, as Apollinaire himself has pointed out in his book The Cubist Painters ( written in 1912 and published in 1913 ), Metzinger, following Picasso and Braque, was chronologically the third Cubist artist.

Their leaders, Picasso and Braque, have not participated in their grouping, and Delaunay, commonly labeled a Cubist, has wished to isolate himself and declare that he has nothing in common with Metzinger or Le Fauconnier .”

Cubist pioneer Braque is represented by 13 paintings, including the monumental still-life The Round Table ( 1929 ).

Lauder is a major art collector ( he began by buying Art Deco postcards when he was six ), but his particular focus, rather than on American artists, is on works by the Cubist masters Picasso, Braque, Gris, and Léger.

A century after the Cubist adventure, the verdict of art history is that the most subtle and successful use of multiple points of view can be found in the pioneering late work of Cézanne, which both anticipated and inspired the first actual Cubists.

and as the aspect of the subject was transposed into those clusters of more or less interchangeable and contour-obliterating facet-planes by which plasticity was isolated under the Cubist method, the subject itself became largely unrecognizable.

Although he submitted darkly humorous illustrations to journals such as Le Rire, L ' assiette au beurre, Le Charivari, and Le Cri de Paris, Gris began to paint seriously in 1910, and by 1912 he had developed a personal Cubist style.

Gertrude Stein referred to landscapes made by Picasso in 1909, such as Reservoir at Horta de Ebroas, as the first Cubist paintings.

The assertion that the Cubist depiction of space, mass and volume supports ( rather than contradicts ) the flatness of the canvas was made by Daniel-Henry Kahnweiler ( as early as 1920 ,) but it was subject to criticism in the 1950s and 1960s, especially by Clement Greenberg.

Attempts were made by Louis Vauxcelles to claim that Cubism was dead, but these exhibitions, along with a well-organized Cubist show at the 1920 Salon des Indépendants and a revival of the Salon de la Section d ’ Or in the same year, demonstrated it was still alive.

The occasional return to classicism — figurative work either exclusively or alongside Cubist work — experienced by many artists during this period ( called Neoclassicism ) has been linked to the tendency to evade the realities of the war and also to the cultural dominance of a classical or Latin image of France during and immediately following the war.

De Stijl was also linked by Gino Severini to Cubist theory through the writings of Albert Gleizes.

His only information on Cubist art came from magazine articles and a catalog given to him by Pichot, since there were no Cubist artists in Madrid at the time.

Inspired by Cubist and surrealist exhibitions from abroad, Miró was drawn towards the arts community that was gathering in Montparnasse and in 1920 moved to Paris, but continued to spend his summers in Catalonia.

The outbreak of World War I in 1914 not only ruptured the Cubist experiments in art but resulted in Kahnweiler, of German origin, being considered by the French as an alien ; and being forced to live in exile in Switzerland.

De Stijl was influenced by Cubist painting as well as by the mysticism and the ideas about " ideal " geometric forms ( such as the " perfect straight line ") in the neoplatonic philosophy of mathematician M. H. J.

Metzinger, followed closely by Delaunay — the two often painting together, 1906-07 — would develop a new sub-style that had great significance shortly thereafter within the context of their Cubist works.

' [...] ' This is understood by the Cubist painters, who tirelessly study pictorial form and the space which it engenders '.

The common denominator between the special relativistic notions — the lack an absolute reference frame, metric transformations of the Lorenzian type, the relativity of simultaneity, the incorporation of the time dimension with three spatial dimensions — and the Cubist idea of mobile perspective ( observing the subject from several view-points simultaneously ) published by Jean Metzinger and Albert Gleizes was, in effect, a descendant from the work of Poincaré and others, at least from the theoretical standpoint.

Her work lies outside the bounds of Cubist norms in her pursuit of a specifically feminine aesthetic by her use of pastel colors and curvilinear forms.

Metzinger, followed closely by Delaunay — the two often painting together in 1906 and 1907 — would develop a new sub-style of Neo-Impressionism that had great significance shortly thereafter within the context of their Cubist works.

In the Eiffel Tower the interpenetration of tangible objects and surrounding space is accompanies by intense movement of geometric plans that are more dynamic than static equilibrium of Cubist forms.

" A Slight Attack of Third Dimentia Brought on by Excessive Study of the Much Talked of Cubist Pictures in the International Exhibition at New York ," drawn by John French Sloan in April 1913

Duchamp's brother, who went by the " nom de guerre " Jacques Villon, also exhibited, sold all his Cubist drypoint etchings, and struck a sympathetic chord with New York collectors who supported him in the following decades.