The show is described as " Inspired by true events, the work focuses on the relationship between a young ballerina and 19th century French painter and sculptor Edgar Degas " and is set in the Paris Opera Ballet.

Some old master prints, like etchings by Rembrandt with individual manipulation of ink as " surface tone ", or hand-painted etchings by Degas ( usually called monotypes ) might be classifiable as monoprints, but they are rarely so described.

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the " rejected " Impressionists in the first of their own exhibitions, which included Paul Cézanne, Edgar Degas, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir, and Alfred Sisley.

Also known as the " Independents " or " Intransigents ", the group which at times included Degas, Monet, Sisley, Caillebotte, Pissarro, Renoir, and Berthe Morisot, had been receiving the wrath of the critics for several years.

Pissarro, Degas, and American impressionist Mary Cassatt self-published a journal of their original prints in the late 1870s, which contained a large group of their own fine etchings.

Cassatt had befriended Degas and Pissarro years earlier when she joined Pissarro's newly formed French Impressionist group and gave up opportunities to exhibit in the United States.

Art historian Diane Kelder notes that it was Pissarro who introduced Gauguin, who was then a young stockbroker studying to become an artist, to Degas and Cézanne.

Disagreements arose from issues such as Guillaumin's membership in the group, championed by Pissarro and Cézanne against opposition from Monet and Degas, who thought him unworthy.

Also exhibited at the exhibition were Degas and Pissarro, both of whom would be her future colleagues and mentors.

Many artists took refuge in England, joining Whistler, including Pissarro and Monet, while Manet and Degas stayed in France.

Impressionism was developed in France by artists such as Claude Monet, Edgar Degas, Pierre-Auguste Renoir and Camille Pissarro.

Few other artists used the technique until Degas, who made several, often working on them further after printing ( Beside the Sea, 1876-7 ); Pissarro also made several.

There are also paintings by Camille Pissarro ( Boulevard Montmartre, Paris ), Paul Cézanne ( Mount Sainte-Victoire ), Alfred Sisley, Henri Morel, and Degas.

At times, he seems very much in the Degas camp of rich-colored realism ( especially his interior scenes ) and at other times, he shares the Impressionists ' commitment to " optical truth " and employs an impressionistic pastel-softness and loose brush strokes most similar to Renoir and Pissarro, though with a less vibrant palette.

This collection included sixty-eight paintings by various artists: Camille Pissarro ( nineteen ), Claude Monet ( fourteen ), Pierre-Auguste Renoir ( ten ), Alfred Sisley ( nine ), Edgar Degas ( seven ), Paul Cézanne ( five ), and Édouard Manet ( four ).

The French Collection includes works by painters such as Jacques-Louis David, Monet, Pissarro, Renoir, Degas and Cézanne, as well as those by Post-impressionists such as van Gogh, Toulouse-Lautrec and Bonnard.

However there are individual works by many other artists, including François Boucher, Rembrandt, Gainsborough, David, El Greco, Rubens, and many of the Impressionists and post-Impressionists — Degas, Renoir, Monet, Pissarro, Seurat, Cézanne and others.

His collection included such masterworks as Manet's A Bar at the Folies-Bergère and a version of his Déjeuner sur l ' Herbe, Renoir's La Loge, landscapes by Claude Monet and Camille Pissarro, a ballet scene by Edgar Degas and a group of eight major works by Cézanne.

It includes paintings by Bruegel, Quentin Matsys, Van Dyck and Tiepolo and rivals the Samuel Courtauld Collection in splendour, being strongest in the works of Rubens. The bequest also included a group of 19th-and 20th ‑ century works by Pissarro, Edgar Degas, Pierre-Auguste Renoir and Oskar Kokoschka.

It has 19th century French paintings by Charles Daubigny, Narcisse Virgilio Díaz, Eugene Boudin (" Port, Le Havre "), Berthe Morisot, Edgar Degas, Gustave Caillebotte (" Railway Bridge at Argentieul "), Claude Monet (" Doges Palace, Venice ), Camille Pissarro, and Paul Cézanne as well as many others.

However the strongest collections are from the 19th century, including romantic works by Delacroix and Gustave Doré, realist works by Corot and Gustave Courbet, and an impressionist works by Degas, Monet, Pissarro, and Renoir

It includes works by Caravaggio, Jean-Baptiste-Siméon Chardin, Petrus Christus, El Greco, Guercino, Alessandro Magnasco, Giuseppe Bazzani, Corrado Giaquinto, Cavaliere d ' Arpino, Gaspare Traversi, Giuliano Bugiardini, Titian, Rembrandt, Louise Élisabeth Vigée Le Brun, and Peter Paul Rubens, as well as Impressionists Gustave Caillebotte, Edgar Degas, Claude Monet, Camille Pissarro and Vincent van Gogh, among others.

In death, Conder's work was rated highly by many notable artists, such as Pissarro and Degas.

Organized by Cézanne, Degas, Monet, Morisot, Pissarro, Renoir, and Sisley, it was held at the studio of the photographer, Nadar.

Artists who were influenced by Japanese art include: Arthur Wesley Dow, Pierre Bonnard, Henri de Toulouse-Lautrec, Mary Cassatt, Edgar Degas, Renoir, James McNeill Whistler ( Rose and silver: La princesse du pays de porcelaine, 1863 – 64 ), Monet, Vincent van Gogh, Camille Pissarro, Paul Gauguin, Bertha Lum, Will Bradley, Aubrey Beardsley, Alphonse Mucha, Gustav Klimt, the sisters Frances and Margaret Macdonald, as well as architects Edward W. Godwin, Frank Lloyd Wright, Charles Rennie Mackintosh and Stanford White, and ceramicists Edmond Lachenal and Taxile Doat.

These 8 include works by Manet, Monet, Pissarro, Renoir, Morisot, Vuillard and Degas.

* Edgar Degas — 43 paintings including The Parade, also known as Race Horses in front of the Tribunes, The Bellelli Family, The Tub, Portrait of Édouard Manet, Portraits, At the Stock Exchange, L ’ Absinthe

Óleo sobre lienzo, 92 x 68. 5 cm ). jpg | Edgar Degas, L ’ Absinthe, 1876

Degas began to paint café life as well, in works such as L ’ Absinthe and Singer with a Glove.

Although not previously catalogued, the casts were consistent with the 73 originals that Degas ’ s heirs gave to Hébrard Foundry in 1918.

File: Edgar Germain Hilaire Degas 025. jpg | Fin d ' Arabesque, with ballerina Rosita Mauri, 1877, Musée d ’ Orsay.

The stolen artworks include The Concert by Vermeer ( one of only 34 known works by Vermeer in the world ), three works by Rembrandt including The Storm on the Sea of Galilee ( the artist ’ s only known seascape ) and a postage-stamp-sized Self-Portrait, five drawings by Degas, Chez Tortoni by Manet, a landscape painting formerly attributed to Rembrandt, and two objects, an ancient Chinese Ku and a finial in the shape of an eagle from a Napoleonic flag.

The painting is often compared to those of Degas, but “ the sense of despair in Degas ’ s picture is replaced in the Glackens by a buoyant ' joie de vivre '.” He portrays realist subject matter, the urban life, but does so with happiness and humor.

In his early paintings, Degas already evidenced the mature style that he would later develop more fully by cropping subjects awkwardly and by choosing unusual viewpoints.

From 1870 Degas increasingly painted ballet subjects, partly because they sold well and provided him with needed income after his brother's debts had left the family bankrupt.

Although Degas painted a number of Jewish subjects from 1865 to 1870, his anti-Semitism became apparent by the mid-1870s.

Following Degas ' advice, Sickert painted in the studio, working from drawings and memory as an escape from " the tyranny of nature ".

Around 1874, Caillebotte met and befriended several artists working outside the official French Academy, including Edgar Degas and Giuseppe de Nittis, and attended ( but did not participate in ) the first Impressionist exhibition of 1874.

Colditz was created by Brian Degas working with the producer Gerard Glaister, who went on to devise another successful BBC series dealing with the Second World War — Secret Army.

These include Giuseppe De Nittis, an Italian artist living in Paris who participated in the first Impressionist exhibit at the invitation of Degas, although the other Impressionists disparaged his work.

The paintings which were available to the public garnered recognition not only within Germany, but from the French avant-garde as well: Edgar Degas admired and copied his work, calling him " the greatest living master ", and Louis Edmond Duranty wrote of his art: