Help


[permalink] [id link]
+
Page "Symphony No. 2 (Mahler)" ¶ 58
from Wikipedia
Edit
Promote Demote Fragment Fix

Some Related Sentences

E-flat and with
Nevertheless, Rubinstein's Fourth Piano Concerto greatly influenced Tchaikovsky's piano concertos, especially the first ( 1874 — 5 ), and the superb finale, with its introduction and scintillating principal subject, is the basis of very similar material at the beginning of the finale of Balakirev's Piano Concerto in E-flat major [...] The first movement of Balakirev's concerto had been written, partially under the influence of Rubinstein's Second Concerto, in the 1860s.
Those of the Mozart Concertos K. 453, 466, 482, 491 & 503 ( G major, D minor, E-flat major, C minor and C major ) are particularly outstanding, especially the last three with the inspired, powerful conducting of John Barbirolli, Lawrance Collingwood and Josef Krips respectively, in 1935, 1937 & 1946.
The eventual goal of the symphony, E-flat major, is briefly hinted at after rehearsal 17, with a theme in the trumpets that returns in the finale.
Theme 3 has modulated to the mediant, E-flat major, and features an Alberti-type figuration for the bass with tremolo.
The first aria, Widerstehe doch der Sünde, is a da capo aria, which opens with a surprising dissonance and leaves its key of E-flat major open until a cadence in measure 8.
: Andsnes is represented with Schubert's ' Nocturne in E-flat, D 897 ', previously unreleased
He went on to study piano with Alexander Siloti, ( a pupil of Tchaikovsky and Liszt ), and made his professional concerto debut with the Philadelphia Orchestra in Liszt's E-flat Piano Concerto when he was 21.
" He used such techniques with the Pixies: Doolittle's " Dead " begins with Santiago's guitar " squawking " on an E-flat like " a wounded animal ".
" A hundred years ago it enjoyed a vogue, along with other now-forgotten pieces like Tchaikovsky's Chant sans paroles, Anton Rubinstein's Melody in F, Xaver Scharwenka's Polonaise in E-flat minor, Paderewski's Minuet in G, and Ignace Leybach's Fifth Nocturne, all of which were invariably found in collections with titles like " World's Greatest Piano Pieces.
Beach made her professional debut in Boston in 1883, playing Chopin's Rondo in E-flat and Moscheles's G minor Concerto ; shortly after she appeared as a soloist with the Boston Symphony Orchestra.
The development section opens with a statement of this final figure, except with alterations from the major subdominant to the minor, which fluidly modulates to E-flat major.
While it was traditionally made in E-flat, the instrument has been revitalized by Antón Corral, who makes them in D. A transverse flute with six holes is called a requinta ; it is similar to the fife.
6 quintets for oboe with string quartet in an undated manuscript in the Biblioteca Comunale in Treviso major, D major, F major, C major, A major, E-flat major
In 1849 he performed in England, where in 1850 he was the subject of a long serial ( that is, divided between many issues ) article devoted to his music in the British Musical World, and in 1862 he played Mozart's E-flat concerto for two pianos with Charles Hallé at The Crystal Palace.
In a purported sonata allegro scheme, the B < sup > 1 </ sup > section would inaugurate the development, given its more active texture and return to the main key of C. The A theme is developed next, with canonic imitations in E-flat major, after which surface the mysterious B-major chords of section D. These two sections ( D and X ) shatter the proposed sonata scheme, and in place of a recapitulation, the movement closes with another reprise of the lyrical A theme.
The waltz's primary home key is in E-flat major, with its Introduction interpolating with B-flat major as well as B major.

E-flat and zu
# Bewegt, nicht zu schnell ( E-flat major )
# Finale: Bewegt, doch nicht zu schnell ( E-flat major )

E-flat and ,"
* " Execution and Expression in the Sonata in E-flat, K282 ," Early Music ( May 1992 ), 237-43.
" The song's harmonic progression resembles those of Beatles songs such as the G-flat / F / E-flat / D-flat descending bass line (" Bad to Me ") and the vi-iii movement (" Please Please Me ," " I Want to Hold Your Hand ," " She Loves You ," " And I Love Her ," and others ).

E-flat and on
He also played and recorded a little on the E-flat alto and B-flat soprano as well.
One way of executing this passage is annotated here: The lowest and highest drum stay on F and E-flat, respectively.
Instead, at the end of the verse, the V chord turns ( on the word " I think I disagree ") into a I chord ( A in A key )) at verse end after passing through the E-flat major in B key ( or D chord in A key ) ( IV ) chord " on " dis-agree ".
The main chord progression is " flipped on its head " for the coda, as the C chord is replaced by E-flat.
The goal of the symphony, E-flat major, the relative major of the opening C minor, is achieved when the chorus picks up the words from the duet, " Mit Flügeln ", although after eight measures the music gravitates to G major ( but never cadences on it ).
Al least one of Stamitz's clarinet concertos ( concerto No. 6 in E-flat major ) seems to have been jointly composed by Stamitz and Beer as both names appear on the title page of the Viennese manuscript.
Schumann had begun several piano concerti before this one: In 1828, he had begun one in E-flat major ; from 1829-31 he worked on one in F major, and in 1839, he wrote one movement of a concerto in D minor.
* C minor, a minor scale based on C, consisting of the pitches C, D, E-flat, F, G, A-flat, B-flat and C
Suite No. 4 is one of the most technically demanding of the suites since E-flat is an uncomfortable key to intonate on the cello and requires many extended left hand positions.
** 3 flutes ( II and II doubling on piccolo ), alto flute in G, oboe ( English horn ), E-flat clarinet, clarinet in A, bass clarinet in B-flat, bassoon
** 2 flutes ( both doubling on piccolos ), E-flat clarinet, clarinet in A ), 2 alto saxophones in E-flat
** 2 flutes ( 1st doubling on piccolo ), English horn, E-flat clarinet, clarinet in A, bass clarinet in B-flat, bassoon
He wrote eight piano concertos, ten piano sonatas ( of which four are without opus numbers, and one is still unpublished ), eight piano trios, a piano quartet, a piano quintet, a wind octet, a cello sonata, two piano septets, a mandolin concerto, a mandolin sonata, a Trumpet Concerto in E major written for the Keyed trumpet ( usually heard in the more convenient E-flat major ), a " Grand Bassoon Concerto " in F, a quartet for clarinet, violin, viola, and cello, four hand piano music, 22 operas and Singspiels, masses, and much more, including a variation on a theme supplied by Anton Diabelli for Part II of Vaterländischer Künstlerverein.
The first doubled on piccolo, flute, alto flute, clarinet, bass clarinet, and alto sax ; the second doubled on piccolo, flute, E-flat clarinet, clarinet, bass clarinet, and alto sax ; the third doubled on piccolo, flute, clarinet, and tenor and bass sax ; the fourth doubled on oboe, English horn, clarinet, and tenor sax ; the fifth doubled on piccolo, flute, clarinet, bassoon, and baritone sax.
Das Lied von der Erde is scored for a large orchestra consisting of piccolo, three flutes ( the third doubling on second piccolo ), three oboes ( the third doubling on English horn ), three clarinets, E-flat clarinet, bass clarinet, three bassoons ( the third doubling on contrabassoon ), four horns, three trumpets, three trombones, bass tuba, percussion ( timpani, bass drum, side drum ( omitted in the revised score ), cymbals, triangle, tambourine, tamtam, glockenspiel ), celesta, two harps, mandolin, and strings.

E-flat and final
Franz Liszt composed his Piano Concerto No. 1 in E-flat major, S. 124 over a 26-year period ; the main themes date from 1830, while the final version dates 1849.
The E-flat clarinet part has divisis in the final movement only, most of which is already doubled in the solo / first B-flat clarinet voice, making the second E-flat clarinet not entirely necessary.

E-flat and organ
The full orchestra consists of three flutes ( third doubling piccolo ), three oboes, english horn, three clarinets ( third doubling E-flat clarinet and bass clarinet ), two bassoons and contrabassoon, six horns, four trumpets in C, three trombones, tuba, timpani, percussion ( four players: two antique cymbals ( C & F #), glockenspiel, gong, bells ( C & F #), vibraphone, cymbals, triangle, castanets, chinese blocks, whip, bass drum, two side drums, tambourine, and tenor drum ), piano, portable organ or harmonium ( a grand organ is called for only in the Libera Me, the last movement ), and strings.
* Trio in E-flat major for organ
His most celebrated compositions are probably the Sorties in E-flat and B-flat major for organ from L ' Organiste moderne, and the famous Boléro de Concert, which is not written for organ, but for harmonium.
* 2 flutes, piccolo, 2 oboes, cor anglais ( only if no saxophone ), three clarinets in B-flat ( second doubling clarinet in E-flat, third doubling bass clarinet in B-flat ), alto saxophone in E-flat, 2 bassoons, contrabassoon ; 4 horns in F, 3 trumpets, 2 tenor trombones, bass trombone, tuba ; timpani, 3 or 4 percussionists ( side drum, tenor drum, bass drum, triangle, tambourine, castanets, cymbals, gong, xylophone, glockenspiel, wood block, whip, anvil ); 2 harps ; piano ( optional ); organ ; and strings.
The symphony is scored for soprano, baritone, chorus and a large orchestra consisting of two flutes, piccolo, two oboes, English horn, two clarinets, E-flat clarinet, bass clarinet, two bassoons, contrabassoon, four horns, three trumpets, three trombones, tuba, timpani ( F # 2 – F3 ), percussion ( side drum, bass drum, triangle, suspended cymbal, crash cymbals ), two harps, organ, and strings.
Bairstow was also active as an instrumental composer, mainly for the organ, and some 12 pieces were published in his lifetime, the finest being the 1937 Sonata in E-flat.

1.338 seconds.