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Each and stanza
Each madrāšâ usually had a refrain (, ), which was repeated after each stanza.
Each successive stanza takes its pattern based upon a bottom-up pairing of the lines of the preceding stanza ( i. e., last and first, then second-from-last and second, then third-from-last and third ).
Each stanza contains nine lines in total: eight lines in iambic pentameter followed by a single ' alexandrine ' line in iambic hexameter.
Each stanza consists of three alternate rhymes and one double rhyme, following the a-b-a-b-a-b-c-c pattern.
Each stanza has 10 lines but in each poem is distributed variously.
Each length of stanza suits a poetic tone and genre.
Each of the first three stanzas comments on one of Huanglong's three questions and the fourth stanza is a summation.
Each character then describes the nature of his sharp practice in a stanza followed by the general chorus
Each stanza is a double quatrain, and the first and third lines of each quatrain have an internal rhyme on the second and fourth feet: bb.
Each stanza closes with the line, " Dungarvan in the rain ".
Each stanza defines one of the ability's effects, costs, or usage restrictions.
Each song begins with a stanza that is repeated up to a half-dozen times, followed by increased pitch and tempo near the end of the piece.
Each stanza has two rhymes, the end rhyme recurring as the first rhyme of the following stanza.
Each of the first four lines ( stanza 1 ) get individually repeated in turn once by becoming successively the respective fourth lines of stanzas 2, 3, 4, & 5 ; and the first part of the first line is repeated as a short fifth line to conclude the sixth stanza.
Each of the four lines of the first stanza is repeated later in the poem.
Each foot contains three to four syllables except on the third stanza, where the 1st foot is supposed to have 3 syllables and the 2nd foot can have as many as seven.
Each stanza also contained its own irregular rhyme scheme and irregular meter.
Each stanza concludes with the refrain " Never never never gonna speed again " followed by lines such as " Slip the blood to me, Bud " or " Pour the crimson in me, Jimson.

Each and can
Each area has its own historical interests with which much can be done.
Each family line can be considered a substructure.
Each switch occupies one digit position in a word, can be set on or off, and is considered as logically equivalent to an electronic switch.
Each man can identify himself with the history and the death of Jesus Christ because Jesus Christ has identified himself with human history and human death, coming as the head of a new humanity.
Each bead and each wire has the same value and used in this way it can represent numbers up to 100.
Each element has at least one isotope with an unstable nucleus that can undergo radioactive decay.
Each ballot can therefore be viewed as a small " delta " which separates two groups of candidates, or a single-pair of ranks ( e. g. if a ballot indicates that A & C are approved and B & D are not, the ballot can be considered to convey the ranking >).
Each of these variants can bind to a different target, known as an antigen.
Each of the four registers can store a 10-digit decimal number.
Each of the ingredients of bubble tea can have many variations depending on the tea house.
Each half runs continuously, meaning that the clock is not stopped when the ball is out of play ; the referee can, however, make allowance for time lost through significant stoppages as described below.
Each of these methods contributes useful priors for " regular " one-parameter problems, and each prior can handle some challenging statistical models ( with " irregularity " or several parameters ).
Each of the doctrines found in this creed can be traced to statements current in the apostolic period.
Each coalition can present two candidates for the two Senate and two lower-chamber seats apportioned to each chamber's electoral districts.
Each spoken consonant can be distinguished by several phonetic features:
Each one is chosen for its aesthetic effect and structural strength, and such choice can also play a significant role in determining the instrument's timbre.
Each wonder can only be built once in the world, and requires a lot of resources to build, far more than most other city buildings or units.
Each key is mapped to a number and then can be mapped to a corresponding letter or command.
Each one of these classes can develop unique material properties because ceramics tend to be crystalline.
Each word can be accessed by a binary address of N bit, making it possible to store 2 raised by N words in the memory.
Each folder can contain an arbitrary number of files, and it can also contain other folders.
Each time slot can be assigned to a different channel in order to exploit advantages of frequency-hopping and to avoid interference from other users in asynchronous fashion.
Each of proposed mechanisms can potentially support the other two.

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