Hold Your Fire represents both a modest extension of the guitar stylings found on Power Windows, and, according to Allmusic critic Eduardo Rivadavia, the culmination of this era of Rush.

In his review of Opeth's 2001 album Blackwater Park, Allmusic's Eduardo Rivadavia wrote ; " Tracks start and finish in seemingly arbitrary fashion, usually traversing ample musical terrain, including acoustic guitar and solo piano passages, ambient soundscapes, stoner rock grooves, and Eastern-tinged melodies — any of which are subject to savage punctuations of death metal fury at any given moment.

Eduardo Rivadavia of Allmusic describes this as " possibly the first true example " of Viking metal.

Skyclad began as a thrash metal band but added violins from session musician Mike Evans on several tracks from their debut album, The Wayward Sons of Mother Earth, an effort described by Eduardo Rivadavia of Allmusic as " ambitious " and " groundbreaking.

Critic Eduardo Rivadavia describes them as " perhaps the ultimate stoner rock band "

Eduardo Rivadavia of Allmusic commented " riff upon riffs are piled sky-high into each number that follows, it's the unpredictable rhythmic shifts used to build and then relieve internal pressure that fuel the Killswitch Engage power source ".

Although it did not enter any charts, Hell Awaits was hailed upon its release as Slayer's most progressive recording, featuring much darker thrash-oriented style, with unusual arrangements such as varying tempos, and dissonant nuances that " paved the way to a wholly distinctive sound all their own ," according to Allmusic reviewer Eduardo Rivadavia.

* Rivadavia, Eduardo "

Later reviewers such as All Music's Eduardo Rivadavia cite the album as " a masterpiece, essential to any heavy metal collection ", while also displaying " a newfound sense of finesse and maturity ".

The album received negative reviews upon its release .< ref name =" PM "> Allmusic's Eduardo Rivadavia gave the album one and a half out of five stars and wrote that the album has " gone down as one of heavy metal's all-time greatest disappointments ".

Eduardo Rivadavia of Allmusic felt somewhat similarly, feeling that the album was " virtually replicating their previous effort, The Dark Saga, but with somewhat less inspired results ".

Reviewers include Greg Adams, Mark Allender, Jason Ankeny, Roxanne Blanford, Marisa Brown, John Bush, Al Campbell, Nate Cavalieri, Eugene Chadbourne, Matt Collar, Sean Cooper, Ken Dryden, Bruce Eder, Jason Elias, Stephen Thomas Erlewine, Katherine Fulton, Jo-Anne Greene, Steve Huey, David Jeffries, Thom Jurek, Andy Kellman, Rudyard Kennedy, Don Kline, the late Cub Koda, Andrew Leahey, Steve Leggett, Jason Lymangrover, Scott McClintock, Greg McIntosh, Opal Louis Nations, Wilson Neate, Heather Phares, Greg Prato, Ned Raggett, Margaret Reges, Eduardo Rivadavia, John Phillip Roberts, William Ruhlmann, Tim Sendra, Michael Sutton, Jeff Tamarkin, Rob Theakston, Richie Unterberger, Sean Westergaard, and Scott Yanow.

Blackwater Park was highly acclaimed on its initial release and has been praised by critics, with Eduardo Rivadavia of Allmusic stating that the album is " surely the band's coming-of-age album, and therefore, an ideal introduction to its remarkable body of work.

The album received rave reviews: For example, Eduardo Rivadavia of Allmusic gave the album 4. 5 / 5 and writes that " To Extol's greatest credit, offhand comparisons to other bands are almost impossible!

Allmusic's Eduardo Rivadavia described them as " till revered in underground circles as doom-grind pioneers ... works remain genre classics ".

Allmusic's Eduardo Rivadavia described Disembowelment as " till revered in underground circles as doom-grind pioneers ... works remain genre classics ".< ref name =" Rivadavia "> Justin Donnelly of Metal Forge declared they were " the legendary unground Australian doom / grindcore / ambient act " and " often referred to as merely a doom band, the sort of music ... is actually far more than eclectic and broad sounding than simply labelling them to one particular genre ".

Eduardo Rivadavia of Allmusic described the album as " surprisingly mellow ", but that a number of songs sound " confused and unfinished ".

Eduardo Rivadavia of Allmusic was largely critical of the album, describing it as " disappointing ", and both the opening track and the title track as " overblown and disjointed ".

Eduardo Rivadavia of Allmusic describes the album as " brimming with attitude and dangerous swagger ", and Thin Lizzy's " first sonically satisfying album ", with " The Rocker " their " first bona fide classic ".

Reviewers include Jason Ankeny, Roxanne Blanford, Marisa Brown, John Bush, Al Campbell, Eugene Chadbourne, Matt Collar, Mark Deming, Ken Dryden, Bruce Eder, Stephen Thomas Erlewine, Katherine Fulton, Jo-Anne Greene, David Jeffries, Thom Jurek, Andy Kellman, Rudyard Kennedy, Don Kline, the late Cub Koda, Andrew Leahey, Steve Leggett, Jason Lymangrover, Scott McClintock, Greg McIntosh, Opal Louis Nations, Wilson Neate, Heather Phares, Greg Prato, Ned Raggett, Margaret Reges, Eduardo Rivadavia, John Phillip Roberts, William Ruhlmann, Tim Sendra, Michael Sutton, Rob Theakston, Richie Unterberger, Joe Viglione, Sean Westergaard, and Scott Yanow.

Eduardo Rivadavia of Allmusic highlighted the potentially divisive nature of the record, stating: " Is it any good?

* Rivadavia, Eduardo

Although the EP did not enter any charts, Eduardo Rivadavia of Allmusic awarded the EP three out of five stars.

Eduardo Rivadavia, of Allmusic, on the other hand, was pleased by the musical changes and called The Dark Saga " a strong album, and one of the band's best ", while Mike Stagno, of Sputnikmusic felt that the album " is not the best example of the band's skill ".

However, Eduardo Rivadavia of Allmusic wrote that " their preservation efforts nevertheless rescued metal's original blueprint from disuse, and carved it in granite for subsequent exploration by each new generation of doom bands that followed.

Allmusic author, Eduardo Rivadavia, noted the group as, " early practitioners of heavy metal and progressive rock.

" Eduardo Rivadavia of Allmusic said that Doomsday Machine is " fundamentally, yet another immaculately produced Arch Enemy album, forged first and foremost by the vision of Michael Amott's guitar.

The bold move of making a concept album about such a controversial matter was generally appreciated but, Eduardo Rivadavia said in his Allmusic review, this could be a " slightly overambitious creation ".

Allmusic journalist Eduardo Rivadavia called Thy Mighty Contract “ a promising first long-player ”, although “ the album's production may have been somewhat subpar, and its songs slightly over-reliant on furious blastbeats, but none of this mattered a lick to hardcore extreme metal fans ”.

Eduardo Rivadavia from Allmusic gave the album 4 1 / 2 out of 5 stars saying " Christian metal has enjoyed startlingly infrequent success stories over the years.

In 1898, Giovanni Capurro wrote the words to ' O Sole Mio and asked Eduardo Di Capua ( who at the time was in Odessa with his orchestra-violinist father ) to set it to music.

After his death, writer Eduardo Arroyo wrote a biography of Panama Al, titled Panama Al Brown, 1902-1951.

Eduardo María González-Pondal Abente ( February 8, 1835 – March 8, 1917 ) was a Spanish poet, who wrote in both Spanish and Galician

The origin of the Lajes Field dates back to 1928, when Portuguese Army Lieutenant colonel Eduardo Gomes da Silva wrote a report on the possible construction of an airfield in the plainland of Lajes, for that branch's aviation service ().

About this time Eduardo Escobar wrote:

The script for The Fountain was influenced by the accounts of Uruguayan journalist Eduardo Galeano, who wrote examples of myth from an indigenous perspective, particularly Galeano's Genesis trilogy.

He is the creator of characters such as Máximo Chambónez, Ferrilo, Nick Obre, and Alaraco, but his most famous work is Mampato, a character first developed, briefly, by Eduardo Armstrong and Óscar Vega ; Lobos then wrote and illustrated his episodes from 1968 to 1978.

* Timbila Eduardo Durão album at Amazon.

... art was followed by Eduardo and Rodriguez Wage War on T-Wrecks in 2001, a hip-hop-focused album that Yeomans and Ely recorded and produced in London.

Juno Reactor's album Gods & Monsters was released in March 2008, and featured the introduction of Ghetto Priest and Sugizo into the Juno Reactor fold, along with Eduardo Niebla, Xavier Morel, and Yasmin Levy.

Their first album, Quilapayún was basically an Andean music album but they included songs of Ángel Parra, Víctor Jara and new compositions of Eduardo Carrasco such as " La Paloma " and " El canto del cuculi ".

This attracted the interest of Sony Music who released her second album Con Los Pies Sobre La Tierra produced by Eduardo Reyes which made both the Billboard Latin and Billboard tropical album charts.

In 2001, Verástegui moved to Miami and signed a recording contract as a solo artist with Universal Music Latino and recorded his first self-titled album Eduardo Verástegui in 2001 continuing his musical career for another 2 years.