Exponents include Dalla.

Exponents of analytic philosophy, which has been the dominant form of Anglo-American philosophy for most of the last century, have criticised Hegel's work as hopelessly obscure.

Exponents of Zen often insist that very early Zen doctrine opposed the rampant supernaturalism of China, and proposed instead a more mature, less credulous view of the universe.

Exponents of this style often come from a country, folk or ragtime background, such as Chet Atkins, although it is also sometimes employed by straight-ahead jazz practitioners, for instance Martin Taylor.

Exponents of expressionist dance included Mary Wigman, Rudolf von Laban, and Pina Bausch.

Exponents of land art rejected the museum or gallery as the setting of artistic activity and developed monumental landscape projects which were beyond the reach of traditional transportable sculpture and the commercial art market.

Exponents of this non-dual tradition emphasize the importance of a direct experience of non-duality through both meditative practice and philosophical investigation.

But then these finite Exponents are found by the help of Fluxions.

Whatever therefore is got by such Exponents and Proportions is to be ascribed to Fluxions: which must therefore be previously understood.

Exponents of this style range from Brinsley MacNamara to John McGahern.

Exponents of this style range from Brinsley MacNamara ( 1890 – 1963 ) ( real name John Weldon ), whose 1918 The Valley of the Squinting Windows could be said to have created the genre, to John McGahern ( born 1934 ), whose first novel, The Dark ( 1965 ), a portrayal of child abuse in a rural community, cost him his job as a teacher.

Exponents of this institutional approach included Sidney and Beatrice Webb.

Rayner has also produced material for many artists including Models, Margaret Urlich, Margot Smith, and The Exponents, as well as two ENZSO recordings with Split Enz members, Dame Kiri Te Kanawa and the New Zealand Symphony Orchestra.

Exponents are also generally introduced, and students learn about the properties of circles and polygons, and the measurement of angles in degrees.

Exponents of building, atmospheric drone-rock, influenced heavily by bands such as My Bloody Valentine and Spacemen 3 they found a niche in the industry with a considerable underground following, but despite some attempts to commercialise their sound, this never crossed over into mainstream success.

* Some Exponents of Mystical Religion, 1930.

Exponents of this relativistic method, called post-processual archaeology, analysed not only the material remains they excavated, but also themselves, their attitudes and opinions.

Exponents of this view infer that the most complete truth is a property solely of a unique coherent system, called the absolute, and that humanly knowable propositions and systems have a degree of truth that is proportionate to how fully they approximate this ideal.

Over the years, he has toured with Dave Dobbyn, The Wallflowers and The Exponents.

Another car, the TX Tripper, was produced by Torix's company, Technical Exponents, which shared premises with Fairthorpe.

Fairthorpe Ltd remains listed ( as does Technical Exponents Ltd ) at Denham Green Lane ( as at 2007 ), but Fairthorpe does not trade.

The Georgian architecture of the 18th century was an evolved form of Palladianism.

In the 18th century they became an important part of Palladianism — see photograph of Woburn Abbey below.

Of all the country houses of the 18th century, its façades replicate in undiluted form not only the classical villas of Italy on which Palladianism was founded, but also the temples of antiquity on which Neoclassicism was based.

In the early 19th century the romantic medieval gothic style appeared as a backlash to the symmetry of Palladianism, and such buildings as Fonthill Abbey were built.

During the early 19th century the romantic medieval Gothic revival style was developed as a reaction to the symmetry of Palladianism, and such buildings as Fonthill Abbey were built.

From the 17th century Palladio's interpretation of this classical architecture was adapted as the style known as Palladianism.

Palladianism became popular briefly in Britain during the mid-17th century.

From the latter half of the 19th century it was rivalled by the Gothic revival, whose champions, such as Augustus Pugin, remembering the origins of Palladianism in ancient temples, deemed it too pagan for Protestant and Anglo-Catholic worship.

However, at this early stage his career Leoni appears to have been still following the earlier and more renaissance-inspired Palladianism which had been imported to England in the 17th century by Inigo Jones.

By the early 20th century, the style of Palladianism which Leoni's books and works did so much to promote, was so quintessentially English that the fact that it was regarded as purely Italian at the time of its inception was largely forgotten.

In the early 19th century, the romantic medieval gothic style appeared, partially as a backlash to the symmetry of Palladianism, and can be seen in buildings such as Bristol City Museum and Art Gallery, Royal West of England Academy, and The Victoria Rooms.

The architect Giacomo Quarenghi, active between 1780s and 1810s, transformed the city of Saint Petersburg, Russia into an outdoor museum of Palladianism

Nor was he the only architect practising the concept during the Palladianism.

Henry Flitcroft ( 30 August 1697 – 25 February 1769 ) was a major English architect in the second generation of Palladianism.

Leoni thus served as a prominent exponent of Palladianism in English architecture, beginning in earnest around 1720.

It was this adaption of the wings and pavilions into the body of the house that was to be a hallmark of the 18th-century Palladianism that spread across Europe, and of which Leoni was an early exponent.

Later, as Leoni lay dying in 1746, Lord Fitzwalter sent him a further £ 8 " par charité " He is known to have had a wife, Mary, and two sons, one of whom is " thought " to have been a clerk to the great exponent of Palladianism Matthew Brettingham.

While adhering as in other countries to the basic ideals of Palladio, it is often truer to them – perhaps because it was often designed by architects who had come directly from mainland Europe, and therefore were not influenced by the evolution that Palladianism was undergoing in Britain.

One of the most pioneering Irish architects was Sir Edward Lovett Pearce ( 1699 – 1733 ), who became one of the leading advocates of Palladianism in Ireland.

Sir John Summerson included Dance in a list of London architects who he felt debased Palladianism, calling his Mansion House " cramped and overdressed ".

Unlike in France and Germany, the English adoption of the Rococo style was patchy rather than whole-hearted, and there was resistance to it on nationalist grounds, led by Richard Boyle, 3rd Earl of Burlington and William Kent, who promoted styles in interior design and furniture to match the Palladianism of the architecture they produced together, also beginning the influential British tradition of the landscape garden, according to Nikolaus Pevsner " the most influential of all English innovations in art ".