Villefort is aided in this plot by Danglars, Edmond's shipmate who Edmond was promoted over, and Fernand Mondego, a rival suitor for Mercédès ' hand.

Upon returning to Marseille, Edmond learns that his father had died of poverty and that Mercédès had married Fernand 18 months after he was supposedly executed for treason.

A camera was used to illustrate Jean Rouch's subsequent book " Le Niger En Pirogue " ( Fernand Nathan, 1954 ), as well as Jean Sauvy ’ s “ Descente du Niger ” ( L ' Harmattan 2001 ).

Cubism is an early-20th-century avant-garde art movement pioneered by Pablo Picasso and Georges Braque, and later joined by Juan Gris, Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri Le Fauconnier, and Fernand Léger, that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture.

The first organized group exhibition by Cubists took place at the Salon des Indépendants in Paris during the spring of 1911 in a room called ‘ Salle 41 ’; it included works by Jean Metzinger, Albert Gleizes, Fernand Léger, Robert Delaunay and Henri Le Fauconnier, yet no works by Picasso and Braque were exhibited.

While living in New York, Richter directed two feature films, Dreams That Money Can Buy ( 1947 ) and 8 x 8: A Chess Sonata in 8 Movements ( 1957 ) in collaboration with Max Ernst, Jean Cocteau, Paul Bowles, Fernand Léger, Alexander Calder, Marcel Duchamp, and others, which was partially filmed on the lawn of his summer house in Southbury, Connecticut.

A few of the other artists who gathered in Montparnasse were Pablo Picasso, Guillaume Apollinaire, Ossip Zadkine, Carmelo Gonzalez, Julio Gonzalez, Moise Kisling, Jean Cocteau, Erik Satie, Marios Varvoglis, Marc Chagall, Nina Hamnett, Jean Rhys, Fernand Léger, Jacques Lipchitz, Max Jacob, Blaise Cendrars, Chaim Soutine, James Joyce, Ernest Hemingway, Michel Kikoine, Pinchus Kremegne, Amedeo Modigliani, Ford Madox Ford, Toño Salazar, Ezra Pound, Max Ernst, Marcel Duchamp, Suzanne Duchamp-Crotti, Henri Rousseau, Constantin Brâncuşi, Paul Fort, Juan Gris, Diego Rivera, Federico Cantú, Angel Zarraga, Marevna, Tsuguharu Foujita, Marie Vassilieff, Léon-Paul Fargue, Alberto Giacometti, René Iché, André Breton, Alfonso Reyes, Pascin, Salvador Dalí, Henry Miller, Samuel Beckett, Emil Cioran, Reginald Gray, Joan Miró and, in his declining years, Edgar Degas.

Other group members included Albert Gleizes, Roger de La Fresnaye, Fernand Léger and Jean Metzinger.

As a result, Fernand Pouey, the director of dramatic and literary broadcasts for French radio, assembled a panel to consider the broadcast of Among the approximately 50 artists, writers, musicians, and journalists present for a private listening on 5 February 1948 were Jean Cocteau, Paul Éluard, Raymond Queneau, Jean-Louis Barrault, René Clair, Jean Paulhan, Maurice Nadeau, Georges Auric, Claude Mauriac, and René Char.

By 1958, following on the initiatives of Institutional Psychotherapy led by his brother Jean Oury, François Tosquelles, and Lucien Bonnafe, Fernand Oury founded the discipline of institutional pedagogy, the object of which would be the progressive analysis of liberating means of education.

They also became part of the famed coterie of Riviera hosts Gerald and Sarah Murphy, which included Hemingway, Zelda and F. Scott Fitzgerald, John Dos Passos, Fernand Léger, Jean Cocteau, Pablo Picasso, John O ' Hara, Cole Porter, Dorothy Parker and Robert Benchley.

* Dumont, Fernand, Montminy, Jean-Paul, and Hamelin, Jean ed.

Many styles of modern art, including Fauvism, Expressionism, Cubism, Dada, Abstract art, Surrealism are represented with works by Matisse, André Derain, Maurice de Vlaminck, Raoul Dufy, Albert Marquet, Le Douanier Rousseau, Paul Signac, Georges Braque, Pablo Picasso, Fernand Léger, Juan Gris, Ernst Ludwig Kirchner, August Macke, Alexej von Jawlensky, Emil Nolde, Oskar Kokoschka, Otto Dix, George Grosz, Kurt Schwitters, Marcel Duchamp, Francis Picabia, Carlo Carrà, Umberto Boccioni, Giacomo Balla, Gino Severini, Marc Chagall, Natalia Gontcharova, Mikhail Larionov, Alexander Rodchenko, Kupka, Mondrian, Theo Van Doesburg, Paul Klee, Vassili Kandinsky, Kasimir Malevich, Jacques Villon, Robert and Sonia Delaunay, Georges Rouault, Balthus, Max Beckmann, Brancusi and Calder, Soutine, Marc Chagall, Modigliani, Kees Van Dongen, Jean Arp, Giorgio de Chirico, André Breton, Salvador Dalí, Magritte, Max Ernst, Miro, Man Ray, Alberto Giacometti, René Iché, Nicolas de Staël, André Masson, Tanguy, Jean Tinguely, Yves Klein, Pollock, Mark Rothko, Barnett Newman, Willem de Kooning, and Francis Bacon.

While in Paris from 1947 – 1949, Paolozzi became acquainted with Alberto Giacometti, Jean Arp, Constantin Brâncuşi, Georges Braque and Fernand Léger.

Eventually they moved to the French Riviera, where they became the center of a large circle of artists and writers of later fame, especially Zelda and F. Scott Fitzgerald, Ernest Hemingway, John Dos Passos, Fernand Léger, Jean Cocteau, Pablo Picasso, Archibald MacLeish, John O ' Hara, Cole Porter, Dorothy Parker and Robert Benchley.

A Jacques Lameloise ( a 3 star Michelin Guide chef ) nouvelle cuisine presentationThe modern usage can be attributed to authors André Gayot, Henri Gault, and Christian Millau, who used nouvelle cuisine to describe the cooking of Paul Bocuse, Alain Chapel, Jean and Pierre Troisgros, Michel Guérard, Roger Vergé and Raymond Oliver, many of whom were once students of Fernand Point.

When Louis Vauxcelles wrote his initial review of the Salon he made a passing and imprecise reference to Gleizes, Jean Metzinger, Robert Delaunay, Fernand Léger and Henri le Fauconnier, as " ignorant geometers, reducing the human body, the site, to pallid cubes.

Doisneau continued to work, producing children's books, advertising photography, and celebrity portraits including Alberto Giacometti, Jean Cocteau, Fernand Léger, Georges Braque, and Pablo Picasso.

He was Professor of Law ( ordinary until 2003, extraordinary 2003-2006 ) at the University of Liège, where he held the Jean Monnet Chair in European Economic Law, and was the Director of the Institut d ' Etudes Juridiques Européennes Fernand Dehousse.

His work was exhibited in the same room as that of Jean Metzinger, Albert Gleizes and Fernand Léger in the Salon des Indépendants of 1910, and in 1912 he participated in the influential Section d ' Or exhibition.

In the Armory show Jacques Villon exhibited seven important and large drypoints, his brother Marcel Duchamp shocked the American public with his painting Nude Descending a Staircase, No. 2 ( 1912 ) and Georges Braque, Pablo Picasso, Fernand Léger, Raymond Duchamp-Villon, Roger de La Fresnaye, Marie Laurencin, Albert Gleizes, and other cubist painters contributed examples of their cubist works.

Before long the walls of Marie Vassilieff's atelier held a collection of paintings by Marc Chagall and Modigliani, drawings by Picasso and Fernand Léger, and in a corner, sat a sculpture by Zadkine.

In 1924 he opened a free studio in Paris with Fernand Léger, where they both taught with Aleksandra Ekster and Marie Laurencin.

Guindon was born in Hull, Quebec, the son of Fernand Guindon and Claire Marie Rouette, and educated in Apple Hill, Ontario and Montreal, Quebec.

As an artist of international reputation, he can be cited as an influence on European figures such as Gustav Klimt and Fernand Khnopff.

* The Caress ( 1896 ), by the Belgian symbolist painter Fernand Khnopff ( 1858 – 1921 ), is a representation of the myth of Oedipus and the Sphinx and portrays a creature with a woman's head and a cheetah's body ( often misidentified as a leopard's ).

File: Fernand Khnopff 002. jpg | The Caress by Fernand Khnopff, 1887

* Fernand Khnopff ( 1858 – 1921 )

* Fernand Khnopff, painter ( 1858 – 1921 )

It harbours the graves of, among others, Fernand Khnopff and Maria Malibran and also features an original cast of Thinker by Auguste Rodin.

* Fernand Khnopff

Fernand Khnopff was born to a wealthy family that was part of the high bourgeoisie for generations.

The abandoned city, a Symbolism | symbolist drawing by Fernand Khnopff, was inspired by the landscape of Woensdagmarkt square in Bruges.

* Emile Verhaeren, Quelques notes sur l ' oeuvre de Fernand Khnopff, Brussels, Editions Veuve Monnom, 1887.

* Fernand Khnopff 1858-1921, Exhibition Catalogue: Paris, Musée des Arts décoratifs ; Brussels, Royal Museums for Fine Arts of Belgium ; Hamburg, Hamburger Kunsthalle, 1979-1980.

* Robert L. Delevoy, Catherine de Croës, Gisèle Ollinger-Zinque, Fernand Khnopff, ( with a catalogue of works by C. de Croës and G. Ollinger-Zinque and essays by R. L. Delevoy ), Brussels, Lebeer-Hossmann, 1987.

* Fernand Khnopff et ses rapports avec la Secession Viennoise, Exhibition Catalogue: Brussels, Royal Museums for Fine Arts of Belgium, 1987.

* Jeffery Howe, The Symbolist Art of Fernand Khnopff, Ann Arbor, UMI Research Press, 1982.

* Fernand Khnopff ( 1858 – 1921 ), Exhibition Catalogue: Brussels, Royal Museums for Fine Arts of Belgium ; Salzburg, Museum der Moderne ; Boston, McMullen Museum of Art, Brussel, 2003-2004.

* Exhibition Review of ' Fernand Khnopff ( 1858-1921 )' ( Nineteenth-Century Art Worldwide )

* Obsession: My Lifetime with Fernand Khnopff ( Jeffery Howe )

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