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Francesco Cavalli
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Francesco and Cavalli
* The opera Ormindo is first performed in Venice: music by Francesco Cavalli and libretto by Giovanni Faustini.
In many pieces ( particularly those of early to mid Baroque composers such as Claudio Monteverdi, Giovanni Gabrieli, Francesco Cavalli, Girolamo Frescobaldi, Giovanni Battista Riccio, Dario Castello, Antonio Bertali, Pavel Josef Vejvanovský, Jan Křtitel Tolar, Michael Praetorius, Johann Hermann Schein, Samuel Scheidt, Sebastian Knüpfer, Johann Schelle, Johann Andreas Pachelbel, Giovanni Felice Sances, Johann Joseph Fux, Johann Heinrich Schmelzer, Heinrich Ignaz Franz von Biber, Andreas Hofer, Alessandro Stradella, Matthew Locke, John Adson and Heinrich Schütz ) the cornett is indispensable in performance, and the music suffers if other instruments substitute for them.
Francesco Cavalli ( 14 February 1602 – 14 January 1676 ) was an Italian composer of the early Baroque period.
His real name was Pietro Francesco Caletti-Bruni, but he is better known by that of Cavalli, the name of his patron Federico Cavalli, a Venetian nobleman.
Stampiglia's libretto was itself based on one by Nicolò Minato that was set by Francesco Cavalli in 1654.
In the following years he subsequently prepared more operas by Monteverdi, as well as operas by Francesco Cavalli.
She was also compositionally gifted, and her father arranged for her to study with composer Francesco Cavalli.
Perti maintained in his Op. 1 that he was influenced by the melodic style of Francesco Cavalli, Antonio Cesti, and Luigi Rossi ; however he shows considerable originality in instrumentation, use of dialogue and countermelody.
One of his operas, Xerse, parodied material in an earlier setting of that opera by Francesco Cavalli.
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