In such works Gauguin paid little attention to classical perspective and boldly eliminated subtle gradations of color, thereby dispensing with the two most characteristic principles of post-Renaissance painting.

The single painter represented with most paintings is Paul Gauguin with more than 40 works.

Paris however, proved a critical and dynamic experience, with Preston revelling in the works of French Post Impressionists, Cézanne, the most architectural of all artists, Gauguin, Matisse, Picasso, Kandinsky, Delaunay, Derain, Vlaminck and Rouault.

He stated that he had " a desire to an art that would be of the most extreme simplicity and that would be accessible to all, so as not to practice its individuality, but collectively …" Gauguin was impressed by Bernard's ability to verbalize his ideas.

Such artists as Gauguin, Monticelli, Van Gogh, Cézanne, Pissarro, and Braque have been highly influential as they have been the most taught in art schools, with books both readily available and translated into Korean early.

Unlike those types however, the artists of this circle were highly influenced by the paintings of the impressionists, and thus while sharing the flatness, page layout and negative space of art nouveau and other decorative modes, much of Nabis art has a painterly, non-realistic look, with color palettes often reminding one of Cézanne and Gauguin.

Gauguin encouraged his growing interest in decorative art, an interest that led Maillol to take up tapestry design.

Unlike her predecessor Mary Cassatt, who had arrived near the beginning of the Impressionist movement 15 years earlier and who had absorbed it, Beaux's artistic temperament, precise and true to observation, would not align with Impressionism and she remained a realist painter for the rest of her career, even as Cézanne, Matisse, Gauguin, and Picasso were beginning to take art into new directions.

Munch was enthralled by the vast display of modern European art, including the works of three artists who would prove influential: Paul Gauguin, Vincent van Gogh, and Henri de Toulouse-Lautrec — all notable for how they used color to convey emotion.

In the 1930s and 1940s, the Nazis labeled Munch's work " degenerate art " ( along with Picasso, Paul Klee, Matisse, Gauguin and many other modern artists ) and removed his 82 works from German museums.

As his pupil John Collier wrote, ' it is impossible to reconcile the art of Alma-Tadema with that of Matisse, Gauguin and Picasso.

The art historian Douglas Cooper states that Paul Gauguin and Paul Cézanne " were particularly influential to the formation of Cubism and especially important to the paintings of Picasso during 1906 and 1907 ".

Gauguin ’ s art became popular after his death and many of his paintings were in the possession of Russian collector Sergei Shchukin.

The imagery of Peru would later influence Gauguin in his art.

It was in Lima that Gauguin encountered his first art.

Pola ( Paul Rollon ) became an artist and art critic and wrote a memoir, My Father, Paul Gauguin ( 1937 ).

Gauguin was very appreciative of Bernard's art and of his daring with the employment of a style which suited Gauguin in his quest to express the essence of the objects in his art.

Like Pablo Picasso in the early days of the 20th century, Gauguin was inspired and motivated by the raw power and simplicity of the so-called Primitive art of those foreign cultures.

John Rewald, an art historian focused on the birth of Modern art, wrote a series of books about the Post-Impressionist period, including Post-Impressionism: From Van Gogh to Gauguin ( 1956 ) and an essay, Paul Gauguin: Letters to Ambroise Vollard and André Fontainas ( included in Rewald's Studies in Post-Impressionism, 1986 ), discusses Gauguin's years in Tahiti, and the struggles of his survival as seen through correspondence with the art dealer Vollard and others.

In the autumn of 1906, Picasso made paintings of oversized nude women, and monumental sculptural figures that recalled the work of Paul Gauguin and showed his interest in primitive art.

As an art critic, he campaigned on behalf of the “ great gods nearest to his heart ”: he sang the praises of Auguste Rodin, Claude Monet, Camille Pissarro, Paul Cézanne, Paul Gauguin, Auguste Renoir, Félix Vallotton, and Pierre Bonnard, and was an early advocate of Vincent Van Gogh, Camille Claudel, Aristide Maillol, and Maurice Utrillo ( cf.

" John Rewald, one of the first professional art historians to focus on the birth of early modern art, limited the scope to the years between 1886 and 1892 in his pioneering publication on Post-Impressionism: From Van Gogh to Gauguin ( 1956 ): Rewald considered it to continue his History of Impressionism ( 1946 ), and pointed out that a " subsequent volume dedicated to the second half of the post-impressionist period "— Post-Impressionism: From Gauguin to Matisse — was to follow, extending the period covered to other artistic movements derived from Impressionism and confined to the late 19th and early 20th centuries.

* Paul Gauguin — 24 paintings including Tahitian Women on the Beach

On 12 October, Brel's body was flown back to the Marquesas Islands, where he was buried in Calvary Cemetery in Atuona on the southern side of Hiva Oa island in the Marquesas, French Polynesia — a few yards away from the grave of painter Paul Gauguin.

In a huge room he comes across a number of paintings by the great masters — Modigliani, Léger, Renoir, Picasso, Gauguin and Monet — and discovers them all to be fakes.

Only Paul Sérusier had problems to overcome — though it was his Talisman, painted at the advice of Paul Gauguin, that had revealed to them the way to go.

Gauguin — after vowing that he would commit suicide following this painting's completion, something he had previously attempted — indicated that the painting should be read from right to left, with the three major figure groups illustrating the questions posed in the title.

His work had a significant impact on the style of Puvis de Chavannes and Gustave Moreau, and — through those artists ' influence — reverberations in the work of Paul Gauguin and Henri Matisse.

* November 7, 2003 — Museum opens exhibit: A Century of Painting: From Renoir to Rothko, featuring paintings by Gauguin, Matisse, Picasso, van Gogh, Renoir, and others.

: Whereas Matisse had drawn upon a long tradition of European painting — from Giorgione, Poussin, and Watteau to Ingres, Cézanne, and Gauguin — to create a modern version of a pastoral paradise in Le bonheur de vivre, Picasso had turned to an alien tradition of primitive art to create in Les Demoiselles a netherworld of strange gods and violent emotions.

Using Gauguin as an example of what is " wrong " with primitivism, these critics conclude that, in their view, elements of primitivism include the “ dense interweave of racial and sexual fantasies and power both colonial and patriarchal ”.

From the 1880s several artists began to develop different precepts for the use of colour, pattern, form, and line, derived from the Impressionist example: Vincent van Gogh, Paul Gauguin, Georges Seurat, and Henri de Toulouse-Lautrec.

Gauguin was later recognized for his experimental use of colors and synthetist style that were distinguishably different from Impressionism.

In 1893 Gauguin returned to France, where he painted Mahana No Atua (" Day of the God "; 1894 ) which depicted Tahitian religion, even though the idol in the center, Hina, is derived more from Indian and Southeast Asian archetypes.

If in later years Picasso played down his debt to Gauguin, there is no doubt that between 1905 and 1907 he felt a very close kinship with this other Paul, who prided himself on Spanish genes inherited from his Peruvian grandmother.

* Synthetism: another short-lived term coined in 1889 to distinguish recent works of Gauguin and Bernard from that of more traditional Impressionists exhibiting with them at the Café Volpini.

It's known that many of the great 19th century painters, including Delacroix, Courbet, Manet, Degas, Cézanne, and Gauguin, took photographs themselves, used photographs by others and incorporated images from photographs into their work.

Gauguin had been a student at the Petit Séminaire de La Chapelle-Saint-Mesmin, just outside of Orléans, from the age of eleven to the age of sixteen.

Although in later life Gauguin was vociferously anticlerical, these questions from Dupanloup's catechism obviously had lodged in his mind.

The five works by Van Gogh, Cézanne, and Gauguin were outnumbered by seven from Henri Rousseau and thirteen from child artists.

The Talisman, by Paul Sérusier, one of the principal works of the Synthetist schoolSynthetism is a term used by post-Impressionist artists like Paul Gauguin, Émile Bernard and Louis Anquetin to distinguish their work from Impressionism.

Apart from the Van Gogh paintings other highlights include works by Piet Mondrian, Georges-Pierre Seurat, Odilon Redon, George Braque, Paul Gauguin, Lucas Cranach, James Ensor, Juan Gris, Pablo Picasso, etc.

Using local labour and help from Paul René Gauguin the grandson of Paul Gauguin, he built a house from concrete and had almost finished the building by August 1936.

1964-Recently donated paintings and furniture from the collection of Mrs. W. Blakemore Wheeler go on view including works by Mary Cassatt, John Constable, Gustave Courbet, Thomas Gainsborough, Paul Gauguin, Pierre-Auguste Renoir, Maurice Utrillo, and James Abbott McNeill Whistler.

Gauguin had brought his new style from Pont-Aven exemplified in Vision of the Sermon, a powerful work of visual symbolism of which he had already sent a sketch to Van Gogh in September.

Bernard's style was effective and coherent ( see: woman at haystacks ,) as can also be seen from the comparison of the two " portraits " Bernard and Gauguin sent to Van Gogh at the end of September 1888 at the latter's request: self-portraits-at Gauguin's initiative-each integrating a small portrait of the other in the background.