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Gauguin and near
Unlike her predecessor Mary Cassatt, who had arrived near the beginning of the Impressionist movement 15 years earlier and who had absorbed it, Beaux's artistic temperament, precise and true to observation, would not align with Impressionism and she remained a realist painter for the rest of her career, even as Cézanne, Matisse, Gauguin, and Picasso were beginning to take art into new directions.
In 1887, after visiting Panama, Gauguin spent several months near Saint Pierre in Martinique, in the company of his friend the artist Charles Laval.
One of Émile Bernard's drawings from the August batch ("... a lane of trees near the sea with two women talking in the foreground and some strollers " – Vincent van Gogh in a letter to Bernard – Arles 1888 ) also appears to have inspired the work Van Gogh and Gauguin did on the Allée des Alyscamps in Arles.

Gauguin and end
Bernard's style was effective and coherent ( see: woman at haystacks ,) as can also be seen from the comparison of the two " portraits " Bernard and Gauguin sent to Van Gogh at the end of September 1888 at the latter's request: self-portraits-at Gauguin's initiative-each integrating a small portrait of the other in the background.

Gauguin and career
By 1884, Gauguin had moved with his family to Copenhagen, Denmark, where he pursued a business career as a tarpaulin salesman.

Gauguin and wrote
As his pupil John Collier wrote, ' it is impossible to reconcile the art of Alma-Tadema with that of Matisse, Gauguin and Picasso.
Pola ( Paul Rollon ) became an artist and art critic and wrote a memoir, My Father, Paul Gauguin ( 1937 ).
John Rewald, an art historian focused on the birth of Modern art, wrote a series of books about the Post-Impressionist period, including Post-Impressionism: From Van Gogh to Gauguin ( 1956 ) and an essay, Paul Gauguin: Letters to Ambroise Vollard and André Fontainas ( included in Rewald's Studies in Post-Impressionism, 1986 ), discusses Gauguin's years in Tahiti, and the struggles of his survival as seen through correspondence with the art dealer Vollard and others.
Déodat de Séverac wrote his Elegy for piano in memory of Gauguin.
After a visit with Paul Gauguin to Montpellier to see Alfred Bruyas's collection in the Musée Fabre, Van Gogh wrote to Theo, asking if he could find a copy of the lithograph after the painting.
The doctor's " sensitive face ", which Van Gogh famously wrote to Paul Gauguin carried " the heartbroken expression of our time ", is described by Robert Wallace as the portrait's focus.

Gauguin and letter
Sketch from a letter to Paul Gauguin | Gauguin
Van Gogh included sketches of the composition in this letter as well as in a letter to Gauguin, written slightly later.

Gauguin and friend
Like his friend Vincent van Gogh, with whom in 1888 he spent nine weeks painting in Arles, Paul Gauguin experienced many bouts of depression and at one time attempted suicide.
The film stars Kirk Douglas as Van Gogh, James Donald as his brother Theo, Pamela Brown, Everett Sloane, and Anthony Quinn, who won an Oscar for his performance as Van Gogh's fast friend and rival Paul Gauguin.
In 1887, after visiting Panama, Paul Gauguin spent some months with his friend Charles Laval, also a painter, in a cabin some two kilometers south of Saint Pierre.
In the artist's mind both sets were linked by the name of his friend Paul Gauguin, who acquired two of the Paris versions.
Laval was born in Paris, and was a contemporary and friend of Paul Gauguin and Vincent van Gogh.
Fall of Leaves ( original French title: Chûte de feuillus ), or Falling Autumn Leaves is a pair of paintings ( in French pendants, i. e. counterparts ) by the Dutch painter Vincent van Gogh executed during the two months he shared his studio in Arles with his friend and mentor Paul Gauguin, as well as the subjects they chose.

Gauguin and 1902
Gauguin had several children by his mistresses: Germaine ( born 1891 ) with Juliette Huais ( 1866 – 1955 ); Emile Marae a Tai ( born 1899 ) with Pau ' ura ; and a daughter ( born 1902 ) with Mari-Rose.
According to Gauguin biographer David Sweetman, Picasso as early as 1902 became a fan of Gauguin's work when he met and befriended the expatriate Spanish sculptor and ceramist Paco Durrio ( 1875 – 1940 ), in Paris.
Image: Paul Gauguin 023. jpg | Cruel Tales ( Exotic Saying ), ( 1902 )
Image: Paul Gauguin 038. jpg | The Sorcerer of Hiva Oa, ( 1902 )
Image: Paul Gauguin 106. jpg | Riders on the Beach, ( 1902 )
File: Gauguin Autoritratto 1902. jpg | Self Portrait, 1902, Kunstmuseum Basel
Gauguin s search for the primitive was manifestly a desire for more sexual freedom than was available in 19th-century Europe, and this is reflected in his such paintings asThe Spirit of the Dead Keeps Watch ( 1892 ), Parau na te Varua ino ( 1892 ), Anna the Javanerin ( 1893 ), Te Tamari No Atua ( 1896 ), and Cruel Tales ( 1902 ), among others.

Gauguin and shortly
It was always Émile Bernard's great frustration that Paul Gauguin never mentioned him as an influence on pictorial symbolism ( see for instance his own notes attached to the Belgian edition ( 1942 ) of his selected letters, published shortly after his death ).

Gauguin and Pissarro
Lucien Pissarro was taught painting by his father, and described him as a “ splendid teacher, never imposing his personality on his pupil .” Gauguin, who also studied under him, referred to Pissarro “ as a force with which future artists would have to reckon ”.
Art historian Diane Kelder notes that it was Pissarro who introduced Gauguin, who was then a young stockbroker studying to become an artist, to Degas and Cézanne.
Anquetin worked closely and exhibited with the artists Vincent van Gogh, Charles Angrand, Emile Bernard, Paul Gauguin, Camille Pissarro, Georges Seurat, Paul Signac and Henri de Toulouse-Lautrec.
He would spend his free hours visiting galleries and salons, especially the Louvre, where he would study the works of Rembrandt, the Le Nain brothers, Chardin, van Gogh, Renoir, Pissarro, Matisse, Gauguin, Courbet, Millet, Manet, Monet, Delacroix, and others.
As his financial situation improved through sales of his own work, he was able to indulge his passion for collecting works by artists he admired: old masters such as El Greco and such contemporaries as Manet, Pissarro, Cézanne, Gauguin, and Van Gogh.
These 73 works include Impressionist, Post-Impressionist and French modern masterpieces, including important works by Paul Gauguin, Edouard Manet, Camille Pissarro, Vincent van Gogh and 32 works by Pablo Picasso.
As an art critic, he campaigned on behalf of the “ great gods nearest to his heart ”: he sang the praises of Auguste Rodin, Claude Monet, Camille Pissarro, Paul Cézanne, Paul Gauguin, Auguste Renoir, Félix Vallotton, and Pierre Bonnard, and was an early advocate of Vincent Van Gogh, Camille Claudel, Aristide Maillol, and Maurice Utrillo ( cf.
* 1903 in art-Birth of Mark Rothko, Adolph Gottlieb, Graham Sutherland, Joseph Cornell, Death of Paul Gauguin, Hans Gude, Camille Pissarro, James McNeill Whistler, First Salon d ' Automne
From its beginning, famous artists such as Willette, Forain, Eugène Grasset, Toulouse-Lautrec, Maurice Denis, Gauguin, Pissarro, Signac, Seurat and Redon contributed to it.
Theo introduced Vincent to Paul Gauguin, Paul Cézanne, Henri de Toulouse-Lautrec, Henri Rousseau, Camille Pissarro and Georges Seurat, and in 1888 he persuaded Gauguin to join Vincent, who had moved to Arles in the meantime.
In 2011, the museum put eight paintings by Monet, Renoir, Pissarro, Sisley, Gauguin and others on sale at Sotheby s, bringing in a total of $ 21. 6 million, to pay for Man at His Bath by Gustave Caillebotte at a cost reported to be more than $ 15 million.
Such artists as Gauguin, Monticelli, Van Gogh, Cézanne, Pissarro, and Braque have been highly influential as they have been the most taught in art schools, with books both readily available and translated into Korean early.
Artists who were influenced by Japanese art include: Arthur Wesley Dow, Pierre Bonnard, Henri de Toulouse-Lautrec, Mary Cassatt, Edgar Degas, Renoir, James McNeill Whistler ( Rose and silver: La princesse du pays de porcelaine, 1863 – 64 ), Monet, Vincent van Gogh, Camille Pissarro, Paul Gauguin, Bertha Lum, Will Bradley, Aubrey Beardsley, Alphonse Mucha, Gustav Klimt, the sisters Frances and Margaret Macdonald, as well as architects Edward W. Godwin, Frank Lloyd Wright, Charles Rennie Mackintosh and Stanford White, and ceramicists Edmond Lachenal and Taxile Doat.
It features a collection of over three hundred Impressionist and Post-Impressionist works by Claude Monet ( with the largest collection of his works in the world ), Berthe Morisot, Edgar Degas, Édouard Manet, Alfred Sisley, Camille Pissarro, Paul Gauguin, Paul Signac and Pierre-Auguste Renoir.

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