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Gielgud and acted
Gielgud also directed, produced and acted in the 1948 Broadway production whose cast won a special Tony Award for " Outstanding Foreign Company ".
With her debut in talkies only moderately successful, she acted on the stage for the most part in the 1930s and early 1940s, appearing in roles as varied as Ophelia in Guthrie McClintic's landmark 1936 production of Hamlet ( with John Gielgud and Judith Anderson ) and Marguerite in a limited run of La Dame aux Camélias.

Gielgud and all
The organization is known for its aggressive media campaigns, combined with a solid base of celebrity support — Pamela Anderson, Drew Barrymore, Alec Baldwin, John Gielgud, Bill Maher, Stella McCartney, and Alicia Silverstone have all appeared in PETA ads.
This was followed by roles opposite Clive Brook in Freedom Radio, John Gielgud in The Prime Minister and Michael Redgrave in Kipps ( all 1941 ), directed by Carol Reed to whom she was later briefly married.
The UK has had a large impact on modern cinema, producing some of the greatest actors, directors and motion pictures of all time including, Sir Alfred Hitchcock, Charlie Chaplin, David Lean, Laurence Olivier, Vivien Leigh, Audrey Hepburn, John Gielgud, Sean Connery, Richard Burton, Vanessa Redgrave, Michael Caine, Anthony Hopkins and Daniel Day-Lewis.
D., played by Pinter, received rather too much camera attention and a patient John Gielgud rather too little, above all at the final moment ” when he raises his head in defiance.
In January 1929, Gielgud was appointed Head of Productions at the BBC, responsible for all radio drama, when he had never previously directed a single radio play.
Brando asked John Gielgud for advice in declaiming Shakespeare, and adopted all of Gielgud's recommendations.

Gielgud and four
Maschwitz and Gielgud were close friends, and even wrote detective fiction together – Gielgud would later on go on to be responsible in whole or part for twenty-six detective / mystery novels, one short story collection, two historical novels, nineteen stage plays, four film screenplays, forty radio plays, seven non-fiction books and be the editor of a further two books.

Gielgud and productions
In the years of his marriage to Sybil, Burton appeared in the West End in a highly successful production of The Lady's Not for Burning, alongside Sir John Gielgud and Claire Bloom, in both the London and NewYork productions.
Notable more recent productions of Measure for Measure are Charles Laughton as Angelo at the Old Vic Theatre in 1933, Peter Brook's 1950 staging at the Shakespeare Memorial Theatre with John Gielgud as Angelo, and a 1976 New York Shakespeare Festival production featuring Meryl Streep as Isabella and John Cazale as Angelo.
One of the most famous modern productions was staged by Peter Brook in London in 1951 and starred John Gielgud as Leontes.
After appearances in successive months at the Palladium, in productions of While Parents Sleep, Dangerous Corner and Cavalcade, a break took place in the season because of problems with the lease at the theatre: in the interim, Le Mesurier accepted an offer to work with his friend Alec Guinness in a John Gielgud production of William Shakespeare's Hamlet.
In his later years, Gielgud played the Ghost of Hamlet's Father in productions of the play, first to Richard Burton's Melancholy Dane on the Broadway stage which Gielgud directed in 1964, then on television with Richard Chamberlain, and finally in a radio production starring Gielgud's protégé Kenneth Branagh.
Gielgud quickly rose to the status of being one of the top directors for Binkie Beaumont's H. M. Tennent, Ltd. production company in London's West End Theatre and later on Broadway, his productions including Lady Windermere's Fan ( 1945 ), The Glass Menagerie ( 1948 ), The Heiress ( 1949 ), his own adaptation of The Cherry Orchard ( 1954 ), The Potting Shed ( 1958 ), Five Finger Exercise ( 1959 ), Peter Ustinov's comedy Half Way Up a Tree ( 1967 ), and Private Lives ( 1972 ).
But Gielgud was best known for directing productions in which he also starred, including his greatest commercial success Richard of Bordeaux ( 1933 ), his definitive production of The Importance of Being Earnest ( 1939, 1942, 1947 ), Medea with Judith Anderson's Tony Award-winning performance of the title role with Gielgud supporting her as Jason ( 1947 ), The Lady's Not for Burning ( 1949 ) that won Richard Burton his first notoriety as an actor, and Ivanov ( 1965 ).
Directors of new productions have included John Gielgud, Howard Davies and Richard Eyre.
Val Gielgud was born in London, into a theatrical family, being the brother of Sir John Gielgud ( who appeared in several of his productions ) and a great-nephew of the Victorian actress Ellen Terry.
The Drama company also nurtured the careers of stars – Laurence Olivier, John Gielgud, Peggy Ashcroft, Sybil Thorndike, Edith Evans, Alec Guinness, Michael Redgrave, Maurice Evans, Ralph Richardson-and became famous for stylish productions under the artistic directorship of Tyrone Guthrie during the 1930s.
Between the world wars productions included Musical Chairs with John Gielgud and in 1936, French Without Tears which ran for 1, 039 performances and launched the writing career of Terence Rattigan.
At the time of his death, Toone was one of the last survivors of the Old Vic theatre company of the 1930s, having appeared alongside the likes of John Gielgud and Laurence Olivier in productions of Shakespeare.
He spent his youth in New York City, working on Broadway in theater productions with actors such as Richard Burton, John Gielgud, Laurence Olivier and Anthony Quinn.
In the 1930s, Saint-Denis had moved to London, England, where he became one of the most highly regarded stage directors of the decade, being responsible for a series of landmark productions featuring such stars of the British stage as John Gielgud, Laurence Olivier and Alec Guinness.

Gielgud and directed
Shakespeare experts Sir John Gielgud and Kenneth Branagh consider the definitive rendition of the Bard's tragic tale to be the 1964 Russian film Gamlet () based on a translation by Boris Pasternak and directed by Grigori Kozintsev, with a score by Dmitri Shostakovich.
John Gielgud directed Richard Burton in a Broadway production at the Lunt-Fontanne Theatre in 1964 – 5, the longest-running Hamlet in the U. S. to date.
John Gielgud directed Twelfth Night and wrote, "... perhaps I will still make a good thing of that divine play, especially if he will let me pull her little ladyship ( who is brainier than he but not a born actress ) out of her timidity and safeness.
* Secret Agent ( 1936 ) with John Gielgud, Peter Lorre, Madeleine Carroll, and Robert Young, directed by Alfred Hitchcock.
In 1980 he directed Lion of the Desert, in which Quinn and Irene Papas were joined by Oliver Reed, Rod Steiger, and John Gielgud.
* Beckett's Catastrophe – dedicated to then-imprisoned Czech dissident playwright Václav Havel, who became president of Czechoslovakia after the 1989 Velvet Revolution – was first performed at the Avignon Festival on July 21, 1982 ; the film version ( in Beckett on Film ) was directed by David Mamet and performed by Harold Pinter, Sir John Gielgud, and Rebecca Pidgeon.
After touring Britain as Viola in Twelfth Night ( 1943 ) she returned to the West End to be directed by John Gielgud as Sister Joanna in The Cradle Song ( Apollo, 1944 ).
After leaving the Rank Organisation in the early 1960s, Bogarde abandoned his heart-throb image for more challenging parts, such as barrister Melville Farr in Victim ( 1961 ), directed by Basil Dearden ; decadent valet Hugo Barrett in The Servant ( 1963 ), which garnered him a BAFTA Award, directed by Joseph Losey and written by Harold Pinter ; The Mind Benders ( 1963 ), a film ahead of its times in which Bogarde plays an Oxford professor conducting sensory deprivation experiments at Oxford University ( precursor to Altered States ( 1980 )); the anti-war film King & Country ( 1964 ), playing an army lawyer reluctantly defending deserter Tom Courtenay, directed by Joseph Losey ; a television broadcaster-writer Robert Gold in Darling ( 1965 ), for which Bogarde won a second BAFTA Award, directed by John Schlesinger ; Stephen, a bored Oxford University professor, in Losey's Accident, ( 1967 ) also written by Pinter ; Our Mother's House ( 1967 ), an off-beat film-noir directed by Jack Clayton in which Bogarde plays an n ' er do well father who descends upon " his " seven children on the death of their mother, British entry at the Venice Film Festival ; German industrialist Frederick Bruckmann in Luchino Visconti's La Caduta degli dei, The Damned ( 1969 ) co-starring Ingrid Thulin ; as ex-Nazi, Max Aldorfer, in the chilling and controversial Il Portiere di notte, The Night Porter ( 1974 ), co-starring Charlotte Rampling, directed by Liliana Cavani ; and most notably, as Gustav von Aschenbach in Morte a Venezia, Death in Venice ( 1971 ), also directed by Visconti ; as Claude, the lawyer son of a dying, drunken writer ( John Gielgud ) in the well-received, multi-dimensional French film Providence ( 1977 ), directed by Alain Resnais ; as industrialist Hermann Hermann who descends into madness in Despair ( 1978 ) directed by Rainer Werner Fassbinder ; and as Daddy in Bertrand Tavernier's Daddy Nostalgie, ( aka These Foolish Things ) ( 1991 ), co-starring Jane Birkin as his daughter, Bogarde's final film role.
) ( 1962 ), playing sadistic Lieutenant Scott-Padget, co-starring Sir Alec Guinness ; I Could Go On Singing ( 1963 ), co-starring Judy Garland in her final screen role ; Hot Enough for June, ( aka " Agent 8¾ ") ( 1964 ), a James Bond-type spy spoof co-starring Robert Morley ; Modesty Blaise ( 1966 ), a campy spy send-up playing archvillain Gabriel opposite Monica Vitti and Terence Stamp and directed by Joseph Losey ; The Fixer ( 1968 ), based on Bernard Malamud's novel, co-starring Alan Bates ; Sebastian ( 1968 ), as Sebastian, a mathematician working on code decryption, who falls in love with Susannah York, a decrypter in the all-female decoding office he heads for British Intelligence, also co-starring Sir John Gielgud, and Lilli Palmer, co-produced by Michael Powell ; Oh!
What a Lovely War ( 1969 ), co-starring Sir John Gielgud and Sir Laurence Olivier and directed by Richard Attenborough ; Justine ( 1969 ), directed by George Cukor ; Le Serpent ( 1973 ), co-starring Henry Fonda and Yul Brynner ; A Bridge Too Far ( 1977 ), in a controversial performance as Lieutenant General Frederick " Boy " Browning, also starring Sean Connery and an all-star cast and again directed by Richard Attenborough.
In 1952 he appeared at the Stratford-upon-Avon Festival at the Shakespeare Memorial Theatre ( forerunner of the Royal Shakespeare Company ) but had mixed reviews: his Prospero in The Tempest was judged too prosaic, and his Macbeth, directed by Gielgud, was thought unconvincingly villainous (" Richardson's playing of Macbeth suggests a fatal disparity between his temperament and the part ").
* Oedipus by Seneca translated by Ted Hughes, directed by Peter Brook, with John Gielgud as Oedipus, Irene Worth as Jocasta ( 1968 ).
* The Tempest with John Gielgud as Prospero, directed by Peter Hall ( 1974 ).
* No Man's Land by Harold Pinter, directed by Peter Hall, with Ralph Richardson and John Gielgud ( 1975 )

Gielgud and two
He continued his long stage association with John Gielgud, appearing together in two new works, David Storey's Home and Harold Pinter's No Man's Land.
As he aged, Gielgud sought out distinctive new voices in the theatre, appearing in plays by Edward Albee ( Tiny Alice ), Alan Bennett ( Forty Years On ), Charles Wood ( Veterans ), Edward Bond ( Bingo, in which Gielgud played William Shakespeare ), David Storey ( Home ), and Harold Pinter ( No Man's Land ), the latter two in partnership with his old friend Ralph Richardson, but he drew the line at being offered the role of Hamm in Beckett's Endgame, saying that the play offered " nothing but loneliness and despair ".
It also won two BAFTA awards for Best British Actor ( John Gielgud ) and Best Foreign Actor

Gielgud and Shakespeare
* 1950: John Gielgud played Cassius at the Shakespeare Memorial Theatre under the direction of Michael Langham and Anthony Quayle.
Their Shakespeare adaptations included a one-hour Macbeth starring Maurice Evans and Judith Anderson, and a ninety-minute Hamlet, starring John Gielgud.
In 1978 he played in the BBC Television Shakespeare production of Richard II, with Sir John Gielgud and Dame Wendy Hiller.
** John Gielgud for Ages of Man-Readings From Shakespeare
* 1950 Measure for Measure with John Gielgud ( Shakespeare Memorial Theatre )
* 1952 The Winter's Tale with John Gielgud ( Shakespeare Memorial Theatre )
Benson's at the Shakespeare Memorial Theatre in 1910, Robert Atkins ' 1926 production at the Apollo Theatre, starring John Gielgud, or Ben Iden Payne's 1938 production at Stratford-upon-Avon.
** John Gielgud for Ages of Man-Readings From Shakespeare
Notable actors who have portrayed Shylock include Richard Burbage in the 16th century, Charles Macklin in 1741, Edmund Kean in 1814, William Charles Macready in 1840, Edwin Booth in 1861, Henry Irving in 1880, George Arliss in 1928, John Gielgud in 1937, Laurence Olivier at the Royal National Theatre in 1972 and on TV in 1973, Patrick Stewart in 1965 at the Theatre Royal, Bristol and 1978, plus ( as Shylock ) in a one-man stage show Mr. Stewart developed entitled " Shylock: Shakespeare's Alien " in 1987 and 2001, Al Pacino in a 2004 feature film version as well as in Central Park in 2010, and F. Murray Abraham at the Royal Shakespeare Company in 2006.
Gielgud directed a production at the Shakespeare Memorial Theatre with Laurence Olivier as Malvolio and Vivien Leigh playing both Viola and Sebastian in 1955.
The Royal Shakespeare Company / BBC TV, black and white, Peggy Ashcroft plays Ranevskaya, Ian Holm plays Trofimov, John Gielgud Gaev, Judi Dench Anya, Dorothy Tutin Varya, production by Michel Saint-Denis, directed by Michael Elliott, 1962, released on DVD by BBC Worldwide Ltd 2009.
In 1925, Baylis began a campaign to re-open the derelict Sadler's Wells Theatre, something she finally achieved with a gala opening, on 6 January 1931, of a production of Shakespeare ’ s Twelfth Night starring John Gielgud as Malvolio and Ralph Richardson as Toby Belch.
Pacino also features other actors famous for performing Shakespeare, such as Vanessa Redgrave, Kenneth Branagh, John Gielgud, Derek Jacobi, James Earl Jones, and Kevin Kline.
His theatre roles included Yasha in The Cherry Orchard and Henry Percy ( Hotspur ) in Richard II both for John Gielgud, Exton in Richard II and Volscian Senator in Coriolanus ( Almeida Theatre ), Marley's Ghost in A Christmas Carol ( Royal Shakespeare Company ) and Uncle in Inner Voices ( Royal National Theatre ), as well as working extensively at the Royal Exchange Theatre, Manchester.
The declaration named 20 prominent doubters of the past, including Mark Twain, Orson Welles, John Gielgud and Charlie Chaplin and was made by Shakespeare Authorship Coalition duly signed online by 300 people to begin a new research.
John Gielgud had played Mark Antony at the Old Vic Theatre in 1930 and Cassius at the Shakespeare Memorial Theatre in Stratford-upon-Avon in 1950, James Mason had played Brutus at the Abbey Theatre in Dublin in the 1940s, and John Hoyt, who plays Decius Brutus, also played him in the 1937 stage version.

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