* the White Elephant-Afyon is twinned with the town of Hamm in Germany, and now has a large statue of Hamm's symbolic white elephant.

The Hamm's Bear is immortalized in David Frizzell's " I'm Gonna Hire a Wino " whose lyrics include " When the Hamm's Bear says its closing time, you won't have far to crawl.

Ruby Cohn, in her book Back to Beckett, writes that " Beckett's favorite line in the play is Hamm's deduction from Clov's observation that Nagg is crying: Then he's living.

Hamm's is the name of a former American brewery in St. Paul, Minnesota.

While Hamm's is no longer an independent brewing company, it is still sold in select markets under the Hamm's brand and label.

The name is most famous not for the company's beverages, but for its advertising jingle and its mascot, the Hamm's Beer bear.

Foudy and Hamm's induction is the first all-female class of the U. S. National Soccer Hall of Fame.

In this light, Nagg and Nell, taken together, may suggest the German Nagel ( nail ); vague references in the text to Hamm's neighbor, Mother Pegg, are also relevant.

In Minnesota after WWII and into the mid-century, " Hamm's " was a common synonym for beer, as in " It's been a long day-let's get a Hamm's ", or packing for a summer picnic, " Don't forget to put in the Hamm's!

Also, during John Hamm's minority government fomed after the 2003 election the Tories collaborated with the NDP, largely leaving the Liberals out of policy making decisions.

In his 20s he attended barber school, got married, and moved first to Roy, New Mexico then returned to Turkey in Hall County ( now considered his home town ) to work as a barber at Hamm's Barber Shop.

The Miller Brewery complex in Milwaukee, WIMiller bought the rights to the Hamm's Brewery brands.

It was playing live on tour with Satriani that brought Hamm's skills to national attention.

Hamm's first solo album, Radio Free Albemuth, inspired by the Philip K. Dick novel of the same name, was released in 1988.

Hamm's slapping, popping and two-handed tapping techniques are demonstrated on his solo recordings as well as in his instructional videos Slap, Pop & Tap For The Bass and Deeper Inside the Bass.

Prominent recent studies of American music include Charles Hamm's Music in the New World from 1983, and Richard Crawford's America's Musical Life from 2001.

The name derives from the description of the Hamm's location in the corner of the Lippe river and the narrow Ahse affluent, where it was founded on Ash Wednesday in March 1226 by Count Adolf I of the Mark.

Hamm's Tories defeated the Liberal minority government on a budget vote on June 17, 1999, and in the subsequent election on July 27, 1999, Hamm was elected Premier, winning 30 of the 52 seats in the provincial legislature.

In the 2003 election, Hamm's Progressive Conservatives were reduced to a minority government.

Despite the minority government, Hamm's government was able to drop an NDP plan for government automobile insurance issue, and put the Sunday shopping issue to a province-wide plebiscite.

The Hamm's Beer bear was a cartoon mascot used in television production and print advertisements for Hamm's beer.

The Hamm's Beer bear was created by Patrick DesJarlait, an Ojibwa, in 1952 for an advertising campaign produced by the Campbell-Mithun advertising agency.

Ray drew many scenes and situations for Hamm's advertising and ultimately was asked to create a book on " How to draw the Hamm's Bear " since so many artists would need to draw the Hamm's Bear due to demand.

The Hamm's Beer bear was featured on endless array of signs, glassware, and merchandise such as clocks, ceramic miniatures, and ashtrays.

In 2002, to commemorate the bear's 50th anniversary, a St. Paul, Minnesota-based group of Hamm's memorabilia collectors called the Hamm's Club proposed erecting a six-foot granite statue of the bear.

He thought of the jungles below him, and of the wild, strange, untracked beauty there and he promised himself that someday he would return, on foot perhaps, to hunt in this last corner of the world where man is sometimes himself the hunted, and animals the lords.

Most of them sincerely believe that the Anglo-Saxon is the best race in the world and that it should remain pure.

It became the sole `` subject '' of `` international law '' ( a term which, it is pertinent to remember, was coined by Bentham ), a body of legal principle which by and large was made up of what Western nations could do in the world arena.

The enormous changes in world politics have, however, thrown it into confusion, so much so that it is safe to say that all international law is now in need of reexamination and clarification in light of the social conditions of the present era.

A third, one of at least equal and perhaps even greater importance, is now being traversed: American immersion and involvement in world affairs.

The content is not the same, however: rather than individual security, it is the security and continuing existence of an `` ideological group '' -- those in the `` free world '' -- that is basic.

Today, as new nations rise from the former colonial empires, nationalism is one of the hurricane forces loose in the world.

Obviously, such a Northern tourist's purpose is somewhat akin to a child's experience with Disneyland: he wants to see a world of make-believe.

If his dancers are sometimes made to look as if they might be creatures from Mars, this is consistent with his intention of placing them in the orbit of another world, a world in which they are freed of their pedestrian identities.

For one thing, the world that Beckett sees is already shattered.

In addition, they have been converted to Zen Buddhism, with its glorification of all that is `` natural '' and mysteriously alive, the sense that everything in the world is flowing.

that is, on the basis of his own sinfulness and abject wretchedness, Piepsam becomes a prophet who in his ecstasy and in the name of God imprecates doom on Life -- not only the cyclist now, but the audience, the world, as well: `` all you light-headed breed ''.

as Piepsam says to the crowd in his last moments: `` His justice is not of this world ''.

The `` reality '' to which they respond is rationally empty and their art is an imitation of the inescapable powerfulness of this unknown and empty world.

All such imitations of negative quality have given rise to a compensatory response in the form of a heroic and highly individualistic humanism: if man can neither know nor love reality as it is, he can at least invent an artistic `` reality '' which is its own world and which can speak to man of purely personal and subjective qualities capable of being known and worthy of being loved.

he is questioning, also, every epistemology which stems from Hume's presupposition that experience is merely sense data in abstraction from causal efficacy, and that causal efficacy is something intellectually imputed to the world, not directly perceived.