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Hans Talhoffer ( c. 1420-c. 1490 ) was a Fechtmeister ( literally ' fencing master ' or ' fight master '), employed as ' master of arms ' to the Swabian knight Leutold von Konigsegg, a feudatory of Count Eberhardt the Bearded of Württemberg in southern Germany.
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Hans and Talhoffer
A German manuscript page teaching use of Arabic numerals ( Hans Talhoffer | Talhoffer Thott, 1459 ).
Depiction of combat with the dagger ( degen ) in Hans Talhoffer ( 1467 )
Hans Talhoffer, a mid-15th century German fightmaster, is probably the most prominent, using a wide variety of moves, most resulting in wrestling.
Unarmoured longsword fencers ( plate 25 of the 1467 manual of Hans Talhoffer )
Fechtbücher of Hans Talhoffer and other fifteenth century masters give rules for judicial duels and " tournament rules " with varying degrees of detail.
However, in 1459 ( MS Thott 290 2 ) Hans Talhoffer reported that in spite of Church disapproval, there were nevertheless seven capital crimes that were still commonly accepted as resolvable by means of a judicial duel.
Notably Hans Talhoffer depicts techniques to be applied in such duels, separately for the Swabian ( sword and shield ) and Franconian ( mace and shield ) variants, but other Fechtbücher such as that of Paulus Kal and the Codex Wallerstein show similar material.
Hans Talhoffer in his 1459 Thott codex names seven offences that in the absence of witnesses were considered grave enough to warrant a judicial duel, viz.
Talhoffer was a contemporary of fencing master Paulus Kal, an exponent of the German school of fencing, and ' probably a follower of the Grand Fechtmeister Hans Liechtenauer.
A list of the Fechtbücher by Hans Talhoffer:
Hans Talhoffer in his combat manuals of the 1440s to 1460s includes numerous examples of techniques for fighting with the roundel dagger, both in unarmed combat and in single combat in armour.
The German school of swordsmanship can trace itself most closely to Johannes Liechtenauer and his students, who later became the German masters of the 15th century, including Sigmund Ringeck, Hans Talhoffer, Peter von Danzig and Paulus Kal.
Important 15th century German fencing masters include Sigmund Ringeck, Peter von Danzig, Hans Talhoffer and Paulus Kal, all of whom taught the teachings of Liechtenhauer.
* Fechtbücher of Hans Talhoffer ( several surviving manuscripts dating 1443 – 1467 ).
Kal's contemporary Hans Talhoffer was possibly involved with the foundation of the Brotherhood of St. Mark who enjoyed a quasi-monopoly on teaching martial arts for the best part of a century, from 1487 until 1570.
Sigmund Ringeck and Hans Talhoffer have a treatise in pollaxe on their Medieval fighting manuals.
Hans Talhoffer may have been an early member, or even one of the founders ( the lion of St Mark appears in his coat of arms in a manuscript of 1459 ).
Longsword wasters are the most common type of waster today, largely because many of the fundamentals taught by Johannes Lichtenauer and his students Sigmund Ringeck and Hans Talhoffer frequently involve the longsword.
No treatise from Ott's own hand has survived, but his system is taught by several fencing masters of the later 15th century, including Hans Talhoffer ( 1443 ), Peter von Danzig and Jud Lew.
First plate of the mounted grappling ( ringen zu ross ) section in Hans Talhoffer ( 1467 )
A National Geographic show on the fight book of German fight master Hans Talhoffer
Hans and c
Hans Baldung Grien ( c. 1484 – 1545 ) is a German artist in painting and printmaking who was considered the most gifted student of Albrecht Dürer.
File: Aachen Le jugement de Paris. jpg | Hans von Aachen, c. 1588
File: Hans von Aachen 037. jpg | Hans von Aachen, c. 1593.
After Schlick, a string of composers developed German lute music: Hans Judenkünig ( c. 1445 – 50 – 1526 ), the Neusidler family ( particularly Hans Neusidler ( c. 1508 / 9 – 1563 )) and others.
Study for a portrait of Thomas More's family, c. 1527, by Hans Holbein the Younger
Rowland Lockey after Hans Holbein the Younger, The Family of Sir Thomas More, c. 1594
Hans Holbein the Younger, c. 1536.
* January – Hans Folz, author ( b. c. 1437 )
** Hans Seyffer, sculptor and woodcarver ( b. c. 1460 )
Portrait by Hans Holbein the Younger, c. 1530 – 35
* August 11 – Hans Memling, Flemish painter ( b. c. 1430 )
* Hans Holbein the Younger ( c. 1497 – 1543 ), better known of the two, court artist to King Henry VIII of England
Hans Holbein ( c. 1460 – 1524 ) was a German painter.
Hans Holbein the Younger ( c. 1497 – between 7 October and 29 November 1543 ) was a German artist and printmaker who worked in a Northern Renaissance style.
His use of Aelius Aristides ' Panathenicus ( Panegyric to Athens ) to buttress his republican theses in the Panegyric to the City of Florence ( c. 1401 ) was instrumental in bringing the Greek historian to the attention of Renaissance political philosophers ( see Hans Baron's The Crisis of the Early Italian Renaissance for details ).
Hans Holbein the Younger | Hans Holbein, Henry Howard, Earl of Surrey, c. 1542
Frances Howard, by Hans Holbein the Younger, c. 1535
* Hans Holbein the Younger ( c. 1497 – 1543 ), son of Hans Holbein the Elder, court artist to King Henry VIII of England
Centre panel from Hans Memling | Memling's triptych The Last Judgment ( Memling ) | Last Judgment ( c. 1467 – 1471 )
Hans and .
His next major work, completed in 1892, was a long fantastic epic in prose, entitled Hans Alienus, which Professor Book describes as a monument on the grave of his carefree and indolent youth.
The Bathyrans ran a check on Globocnik and had only to conclude that he was in a tug of war with Hans Frank and the civilian administrators.
I decided I hated the Pedersen kid too, dying in our kitchen while I was away where I couldn't watch, dying just to entertain Hans and making me go up snapping steps and down a drafty hall, Pa lumped under the covers at the end like dung covered with snow, snoring and whistling.
`` Big Hans sent me.
`` A fat hell on Big Hans.
Hans is rubbing him with snow.
Hans found him froze.
That's where he was when Hans found him ''.
Both you and Hans.
`` Big Hans made me come.
`` A fat hell on Big Hans.
Once he went after Hans and dumped his pot over the banister.
Hans got an axe.
Hans had laid steaming towels over the kid's chest and stomach.
`` He said a fat hell on Big Hans ''.
`` He said a fat hell on Big Hans ''.
I'd wound Big Hans up tight.
It should have been nearly as easy for her to remember that as it was for Big Hans to remember going after the axe while he was still spattered with Pa's yellow sick insides.
`` No you won't '', Big Hans said.
`` Yes, Hans, if they're needed '', Ma said.
Hans shook his head but neither of us tried to stop her.
Hans rubbed the kid with more snow rubbed rubbed.
She had surprised Hans like she had surprised me when she said she'd go, and then she surprised him again when she came back so quick like she must have, because when I came in with the snow she was there with a bottle with three white feathers on its label and Hans was holding it angrily by the throat.
Hans cut the foil off finally and unscrewed the cap.
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