[permalink] [id link]
He is one of the play's most important characters, as he often acts as a narrator.
from
Wikipedia
Some Related Sentences
is and one
But there's one thing I never seen or heard of, one thing I just don't think there is, and that's a sportin' way o' killin' a man ''!!
I seized the rack and made a western-style flying-mount just in time, one of my knees mercifully landing on my duffel bag -- and merely wrecking my camera, I was to discover later -- my other knee landing on the slivery truck floor boards and -- but this is no medical report.
The true artist is like one of those scientists who, from a single bone can reconstruct an animal's entire body.
In fact, one important aspect of their very religion is the annihilation of men ''.
It took thirty of our women almost six moons to build this one, which is higher and stronger than the old one.
I clapped the big man with the bleached hair on his shoulder and said heartily, hoping it would make an impression on the women: `` This one is the maku Frayne.
`` This one is a tender chicken, oui??
but he presents it publicly so enmeshed in hypocrisy that it is not an honest one.
My definition of this much abused adjective is that a reconstructed rebel is one who is glad that the North won the War.
For one thing, this is not a subject often discussed or analyzed.
The general acceptance of the idea of governmental ( i.e., societal ) responsibility for the economic well-being of the American people is surely one of the two most significant watersheds in American constitutional history.
A third, one of at least equal and perhaps even greater importance, is now being traversed: American immersion and involvement in world affairs.
Today, as new nations rise from the former colonial empires, nationalism is one of the hurricane forces loose in the world.
Historically, however, the concept is one that has been of marked benefit to the people of the Western civilizational group.
It is one of the ironic quirks of history that the viability and usefulness of nationalism and the territorial state are rapidly dissipating at precisely the time that the nation-state attained its highest number ( approximately 100 ).
But it is more than irony: one of the main reasons why nationalism is no longer a tenable concept is because it has spread throughout the planet.
Accidental war is so sensitive a subject that most of the people who could become directly involved in one are told just enough so they can perform their portions of incredibly complex tasks.
Only one rule prevailed in my conversations with these men: The more highly placed they are -- that is, the more they know -- the more concerned they have become.
However, the system is designed, ingeniously and hopefully, so that no one man could initiate a thermonuclear war.
is and play's
The purpose of the organization is to further the interest of women students in recreational activities as a means of promoting physical efficiency, sportsmanship, and `` play for play's sake ''.
perhaps that is the Comedie's equivalent for thrusting this play's characters into our own time.
The play's device is to explore society's obsession with disaster and violence through the eyes of a group of artist's models who remain part of someone else's painting rather than just be themselves.
Michael Meyer argues that the play's theme is not women's rights, but rather " the need of every individual to find out the kind of person he or she really is and to strive to become that person.
Banquo is in a third of the play's scenes, as both a human and a ghost.
This and Ophelia's burial ceremony, which is characteristically Catholic, make up most of the play's Catholic connections.
Much of the play's Protestantism derives from its location in Denmark — both then and now a predominantly Protestant country, though it is unclear whether the fictional Denmark of the play is intended to mirror this fact.
Although many of these play's titles are known, only The Uplift of Lucifer is known to survive ( it was published in a limited edition in the 1960s ).
Toward the play's end, he is in a kind of boastful madness.
Macbeth's generally accepted indebtedness to medieval tragedy is often seen as significant in the play's treatment of moral order.
" For example, the play's Verona is situated on a tidal river and has a duke, and none of the characters have distinctly Italian names like in the later plays.
However, the play's principal source, the Spanish Diana Enamorada, would not be translated into French or English until 1578, meaning that someone basing a play on it that early could only have read it in the original Spanish, and there is no evidence that Oxford spoke this language.
The play's king ( never seen ) is only marginally related to the " Old Man of the Sea " and should not be confused with the sea god Proteus.
The play's preface says that while the trial was its " genesis ," it is " not history.
" The theme is hinted at in the play's ironic title, and " earnestness " is repeatedly alluded to in the dialogue, Algernon says in Act II, " one has to be serious about something if one is to have any amusement in life " but goes on to reproach Jack for ' being serious about everything '".
Act II opens with Vladimir singing a recursive round about a dog, which could illustrate the cyclical nature of the play's universe, and also point toward the play's debt to the carnivalesque, music hall traditions, and vaudeville comedy ( this is only one of a number of canine references and allusions in the play ).
The play's title, which alludes to the English novelist Virginia Woolf, is a parody of the song " Who's Afraid of the Big Bad Wolf?
The film is described, by scholar Tony Howard, as the first adaptation to confront the play's disturbing sexual dimensions.
The play's set features a large table, which is used by the characters in both past and present.
The play's single set is the dingy Press Room of Chicago's Criminal Courts Building, overlooking the gallows behind the Cook County Jail.
is and most
I want the room in the attic prepared for him He is a most unusual lad, quite precocious in many ways.
In fact it has caused us to give serious thought to moving our residence south, because it is not easy for the most objective Southerner to sit calmly by when his host is telling a roomful of people that the only way to deal with Southerners who oppose integration is to send in troops and shoot the bastards down.
but for this discussion the most important division is between those who have been reconstructed and those who haven't.
But apart from racial problems, the old unreconstructed South -- to use the moderate words favored by Mr. Thomas Griffith -- finds itself unsympathetic to most of what is different about the civilization of the North.
Even though in most cases the completion of the definitive editions of their writings is still years off, enough documentation has already been assembled to warrant drawing a new composite profile of the leadership which performed the heroic dual feats of winning American independence and founding a new nation.
It is clear that, while most writers enjoy picturing the Negro as a woolly-headed, humble old agrarian who mutters `` yassuhs '' and `` sho' nufs '' with blissful deference to his white employer ( or, in Old South terms, `` massuh '' ), this stereotype is doomed to become in reality as obsolete as Caldwell's Lester.
Presenting an individualized Negro character, it would seem, is one of the most difficult assignments a Southern writer could tackle ; ;
All but the most rabid of Confederate flag wavers admit that the Old Southern tradition is defunct in actuality and sigh that its passing was accompanied by the disappearance of many genteel and aristocratic traditions of the reputedly languid ante-bellum way of life.
Yet often fear persists because, even with the most rigid ritual, one is never quite free from the uneasy feeling that one might make some mistake or that in every previous execution one had been unaware of the really decisive act.
Perhaps the most illuminating example of the reduction of fear through understanding is derived from our increased knowledge of the nature of disease.
The consciousness it mirrors may have come earlier to Europe than to America, but it is the consciousness that most `` mature '' societies arrive at when their successes in technological and economic systematization propel them into a time of examining the not-strictly-practical ends of culture.
And the life they lead is undisciplined and for the most part unproductive, even though they make a fetish of devoting themselves to some creative pursuit -- writing, painting, music.
The music which Lautner has composed for this episode is for the most part `` rather pretty and perfectly banal ''.
Presupposed in Plato's system is a doctrine of levels of insight, in which a certain kind of detached understanding is alone capable of penetrating to the most sublime wisdom.
As long as perception is seen as composed only of isolated sense data, most of the quality and interconnectedness of existence loses its objectivity, becomes an invention of consciousness, and the result is a philosophical scepticism.
And it is precisely in this poorer economic class that one finds, and has always found, the most racial friction.
It is something which most of us try to get out from under.
We assume for this illustration that the size of the land plots is so great that the distance between dwellings is greater than the voice can carry and that most of the communication is between nearest neighbors only, as shown in Figure 2.
0.231 seconds.