Her untimely death, combined with Ramius ' long-standing dissatisfaction with the callousness of Soviet rule and his fear of the Red Octobers destabilizing effect on world affairs, ultimately exhausts his tolerance for the failings of the Soviet system.

Her increasing fear of Catholics led her to make a speech regarding her belief that a Catholic conspiracy was subverting the foreign office.

Her reticence and fear of strangers perpetuated the mystery and mystique that she projected both on screen and in real life.

Her mother, Sarah Bow ( née Gordon, 1880 – 1923 ), was told by a doctor not to become pregnant again for fear the next baby might die as well.

Her fear of being left alone makes her hysterical, culminating in her first direct experience of the Fourth World, perceiving it as a land where all is beautiful and she is safe.

Her fear of blood is established when she faints at the sight of the gunshot wound made by Morley

Her worst fear seems to be of dying alone, but she seems totally inept at relationships due to her frequent paranoia which tends to make her out as a very mean spirited woman.

Geoffrey Robertson, QC, the barrister for Gay News in the case, described Whitehouse as homophobic in The Times in 2008, saying: " Her fear of homosexuals was visceral ".

Her thoughts and fear about SpongeBob cause her to think that she was giving SpongeBob a driving test even though they are not at school.

Her most quoted poem is probably Dagen svalnar ... (" The Day Cools ...") which deals with feelings such as longing, fear, closeness and distance.

Her friend Sammy ( Steve Zahn ) is gay ; he remains celibate, not because of a fear of AIDS, but because forming a relationship would force him to come out to his conservative parents.

Her empathic powers made her vulnerable to the superstitions of her people and their fear of her powers caused her to shapeshift into an increasingly hideous form.

Her third column, " The darkness that all actors fear ", was a more personal column and dealt with her stardom, fans, insecurity and fears as an actor.

Her parallel in the Decameron also finds the night enjoyable after some initial fear and is eager for future meetings with the clerk.

Her fear over the entity causes her to contemplate suicide.

Her confusion represents her lack of self-confidence, her fear that she still does not fit in or have a place in the world, unlike those around her, who are competent and know what is going on.

Her siblings travel with her throughout most of the story, protecting her from the numerous attempts on her life by people who fear the outcome of the prophecy.

Her fear is to become old.

Her distrust and fear of Dix are becoming too much for her.

Her ambition is eventually to be a broadcasting executive, but though intelligent and talented, she was held back early on by her extreme shyness and fear of speaking up.

Her boyfriend once again dumped her in fear of being killed by the missile.

In Junie B. Jones Has a Monster Under Her Bed, he tells her about the monster that lives under the bed which rekindles her fear of monsters.

Her death is depicted in a more dramatic fashion than in reality, with her refusing to lie down in fear that she would not stand again.

Her conscious mind had heard the words, " I promise I won't hurt you, while her subconscious mind was calculating the situation much faster than the conscious mind could make sense out of WHY the fear was there.

Her Journal reveals her growing sophistication as a critic as well as the influence of her father ’ s friend the artist Sir John Everett Millais who recognised Beatrix ’ s talent of observation.

He sings " Treat Your Mother Right ( Treat Her Right )," in which he enumerates the reasons why it is important to treat your mother right, and also raps a song about growing up in the ghetto and praising God.

Her daughter, Tania Szabo, wrote a reconstruction of her two missions in 1944 into the then most dangerous areas in France with flashbacks to her growing up.

Her racial views were increasingly out of touch with cultural changes, and she expressed a growing paranoia regarding ethnic minorities.

Her lifetime inheritance of Wilder's growing Little House royalties put an end to Lane's self-enforced modest lifestyle ; she began to travel extensively again, and thoroughly renovated and remodeled her Connecticut home.

Her influence kept growing and expanding beyond the artistic scene: the reigning royal family would request private concerts and even attend her public performances.

Her pride and joy is growing violets in her garden.

Her eighty-year old grandmother told her Japanese stories when she was growing up.

Her publisher Riverhead Books canceled the publication of Seltzer's book, Love and Consequences, when it was revealed that Seltzer's story of her alleged experiences growing up as a half-white, half-Native American foster child and Bloods gang member in South Central Los Angeles were fictitious.

Her depiction in photographs also drew criticism from then-President of the United States Bill Clinton, who spoke out against the growing heroin chic trend.

Her style of humor was influenced most by the Dean Martin roasts that televised when she was growing up ; she didn't start watching other stand-up comedians until she became one herself.

Her elemental powers also cause Meggan to change in response to her surroundings, growing fur in extreme cold, or gills when she is submerged or swimming underwater.

Her best known novel, My Brilliant Career, tells the story of an irrepressible teenage feminist growing to womanhood in rural New South Wales.

Her growing popularity has since relied heavily on community coffeehouses, public radio, and an extensive fan base on the Internet.

Her parents divorced when she was two years old, and growing up she saw her father infrequently.

Her debut collaboration with Diane Keaton, who appeared in her first commercial vehicle with the film, the catalyst for the project was a series of situations that Meyers and Shyer and their friends had experienced while managing a life with a successful career and a growing family.

Her most recent book is Unfamiliar Fishes ( 2011 ), which traces the growing influence of American missionaries in Hawaii in the 1800s and the subsequent takeover of Hawaii's property and politics by American sugar plantation owners, eventually resulting in a coup d ' état, restricted voting rights for nonwhites, and annexation by the United States.

Her responses are never less than opaque, though, and when she finally does complete the marriage ceremony in Knife of Dreams, just before her return to Ebou Dar to reassert control over the Seanchan, it is entirely for political reasons, though Tuon expresses interest in the idea of affection growing between them.

Her magic creates urban variations on the Kalidahs ( evil growing dolls sent by the Subway Peddler ), Fighting Trees, ( mobile pillars ) and the wolves ( living and carnivorus trash cans ), all in the Subway system.

Her sister Ermengard, in the foreword to the 1956 selection, suggests " one can trace the putting off of Bloomsbury, the putting on of Catholicism, the growing ardour of her love for animals, her deepening fears ".

Her department has also set up a growing number of marketing centres around the world.

Her work has been the focus of a growing number of recent studies, a trend which seems set to continue.

Her sister, meanwhile, Sarah Scott, was growing extremely devout.

Her growing fame meant there was no shortage of suitors.