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Her and performances
The West End production opened on February 11, 1953 at Her Majesty's Theatre and ran for 477 performances.
Her episodes featured musical interludes showcasing her singing performances.
Her early performances brought her immediate success in Britain, but she remained largely unknown in other parts of the world until the release of Gone with the Wind.
The 1958 European premiere at the Manchester Opera House transferred to London, where it opened at Her Majesty's Theatre in the West End on Friday December 12, 1958 and ran until June 1961 with a total of 1, 039 performances.
Her live performances of the song throughout the decade began to take on a theatrical intensity not present on the album's single.
It was first performed in England on 24 May 1856 in Italian at Her Majesty's Theatre in London, where it was considered morally questionable, and " the heads of the Church did their best to put an injunction upon performance ; the Queen refrained from visiting the theatre during the performances, though the music, words and all, were not unheard at the palace ".
Next, it had a run of 76 performances at Her Majesty's Theatre, in London, beginning on 26 December 1865, in an adaptation by J. R. Planché.
Her recent public performances have included charitable functions to promote products such as Zamu.
Her occasional acting ventures were limited to theater and included performances on Broadway and in London in The Irregular Verb to Love ( 1963 ); The Kingfisher ( 1978 ) in which she co-starred with Rex Harrison, and Frederick Lonsdale's Aren't We All?
The musical's original West End production opened on April 14, 1949, at Her Majesty's Theatre, running for 685 performances.
Her background and performances earned her the nickname " the Flying Housewife ".
Her performances often featured elaborate show-dance choreography, and she made many appearances on French and Italian TV.
Her revue, with future TV pioneer Danny Thomas as her opening act, included songs from her films, performances on her musical saw ( a skill she had originally acquired for stage appearances in Berlin in the 1920s ), and a pretend " mindreading " act.
Her performances in the Broadway musical Black and Blue earned Brown a Tony Award, and the original cast recording won a Grammy Award.
Her big screen debut was in Hue and Cry, in 1947, followed with performances in Nicholas Nickleby, The Winslow Boy, The History of Mr Polly, Scott of the Antarctic, Mother Riley Meets the Vampire and Dickens ' The Pickwick Papers.
Her late career includes Oscar-nominated performances in the independent films Afterglow ( 1997 ) and Away from Her ( 2006 ).
Her first televised performances were in the mid-and late 1950s with the Drinkard Singers on local television stations in New Jersey and New York City.
Her Royal Shakespeare Company performances are:
Her National Theatre performances have included:
Her stage experience enhanced many of her film performances when the " silents " segued to the " talkies ".
Her productions were plagued by controversy and other problems, although the controversy ensured that West stayed in the news and most of the time this resulted in packed performances.
Her performances were often heralded by the critics, who cited her diction and stage experience as assets to the then-new medium of " talking pictures ".
Her impromptu performances impressed The Beatles and others.

Her and Seventh
Some of his most memorable film roles include knight Antonius Block in Ingmar Bergman's The Seventh Seal ( the first of his eleven films with Bergman, and the film that includes the iconic scenes in which he plays chess with Death ), Jesus in The Greatest Story Ever Told, Oktober in The Quiller Memorandum, Father Merrin in The Exorcist, Karl Oskar in The Emigrants, Joubert the assassin in Three Days of the Condor, Ming the Merciless in the 1980 version of Flash Gordon, the villain Blofeld in Never Say Never Again, Frederick in Hannah and Her Sisters, and Lassefar in Pelle the Conqueror, for which he received his first Academy Award nomination.
Her funeral is attended only by her lover and an unidentified man who-based on the limited description provided-may be either the Second or Seventh Doctor.
Her other roles during the 1940s included The Seventh Cross ( 1944 ), Johnny Angel ( 1945 ), The House on 92nd Street ( 1945 ), A Scandal in Paris ( 1946 ) and A Double Life ( 1947 ).

Her and Heaven
Her autobiography Thank Heaven, was published in 2010 in the UK and US, and in 2011 in a French version.
* In the final episode of the BBC time travel / cop show Ashes to Ashes ( Series 3, Episode 8 ), it is revealed that the world that Alex Drake awoke to after being shot, which Sam Tyler described and that other major characters inhabit, is a kind of Limbo, one seemingly specifically for members of the police force, who had died in violent or sudden ways, with Gene Hunt taking on a role similar to that of a Psychopomp or Charon of Greek mythology, helping " the troubled souls of Her Majesty's Constabulary " accept their deaths and move on to Heaven.
Her highest-charting single was the No. 18 " Streets of Heaven " in 2003.
Her fourth album of country music, titled Streets of Heaven, produced her biggest country hit in its title track.
Her 1971 novel The Lathe of Heaven has been adapted twice: first in 1980 by thirteen / WNET New York, with her own participation, and again in 2002 by the A & E Network.
Her first film role came in 1985's Heaven Help Us.
In the years that followed World War II, shadows darkened the scenery to add psychological complexity to a number of early film noir dramas, like Leave Her to Heaven, while at the same time a secret battle involving blacklisted Broken Arrow screenwriter Albert Maltz, a prominent member of the “ Hollywood Ten ," was being fought on the same dusty ground.
Her song " Heaven Can Wait " was chosen as the Starbucks iTunes Pick of the Week on 2 March 2010.
Fox also specialized in adaptations of best-selling books such as Ben Ames Williams ' Leave Her to Heaven ( 1945 ), starring Gene Tierney, which was the highest-grossing Fox film of the 1940s.
Leave Her to Heaven is a 1945 American 20th Century Fox Technicolor film noir motion picture starring Gene Tierney, Cornel Wilde, Jeanne Crain, with Vincent Price, Darryl Hickman, and Chill Wills.
The staff at Variety magazine gave the film a positive review, writing, " Sumptuous Technicolor mounting and a highly exploitable story lend considerable importance to Leave Her to Heaven that it might not have had otherwise ... Tierney and Wilde use their personalities in interpreting their dramatic assignments.
More recently, Lou Lumenick, film critic for the New York Post, wrote, " John M. Stahl's masterful Leave Her to Heaven ( 1945 ) sounds like a contradiction in terms – a film noir in eye-popping Technicolor, with its most chilling scene taking place not in a dimly lit back alley but on a lake in Maine.
* Leave Her to Heaven film trailer at Reelz Channel
* Martin Scorsese discusses Leave Her to Heaven at 45th New York Film Festival
* Leave Her to Heaven on Lux Radio Theater: March 17, 1947
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in Leave Her to Heaven ( 1945 )
Also in 1945, Crain starred in Leave Her to Heaven with Gene Tierney.
Her last imperial title was given as " Holy Mother in Heaven " in 1839 by the Daoguang Emperor.
Her acceptance into the glory of Heaven is seen by them as the symbol of the promise made by Jesus to all enduring Christians that they too will be received into paradise.
Examples include Brigid O ' Shaughnessy, portrayed by Mary Astor, who murders Sam Spade's partner in The Maltese Falcon ( 1941 ); Gene Tierney as Ellen Brent Harland in Leave Her to Heaven ( 1945 ), and the cabaret singer portrayed by Rita Hayworth in Gilda ( 1946 ), narcissistic wives who manipulate their husbands ; Phyllis Dietrichson ( Barbara Stanwyck ) in Double Indemnity ( 1944 ), Ava Gardner in The Killers and Cora ( Lana Turner ) in The Postman Always Rings Twice, both based on novels by James M. Cain, manipulate men into killing their husbands.
* Leave Her to Heaven ( 1945 )

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