Her works also include landscapes, portraits, garden settings and boating scenes.

Her painted portraits became less realistic and more a set of enigmatic icons that made her look much younger than she was.

Her later portraits and actions, however, do not indicate that she was physically fragile.

Her first exhibitions, held in the early 1890s, consisted mostly of portraits.

Her portraits of famous people have received critical acclaim.

The hall contains many treasures, including the dagger with which Lord Mayor Walworth killed Wat Tyler in 1381, Pietro Annigoni's first portrait of Her Majesty The Queen, a collection of 17th-and 18th-century silver, an embroidered 15th-century funeral pall, two portraits by George Romney, and river scenes by Samuel Scott.

Her poetry surrounds the themes of Cuba, love and eroticism, poetry itself, neoclassical concepts, historical references, religion, philosophical meditations, personal and public occasions, and poetic portraits.

Her greatest impact was on figural painting, especially portraits and paintings of typical people's lives in rustic or urban places.

Her room at the Berghoff was kept as she had left it, and he hung portraits of her at his own room there and at the Chancellery in Berlin.

Her portraits ( usually of anonymous sitters ) favored seated women in a three-quarter length format, with their hands in their laps.

Her usual medium was scenery and landscape, but she also painted portraits and still lifes.

Her assertive portraits bring queers to a forefront that is normally silenced by societal norms .< ref >

Her interviews for Writers & Company are in-depth portraits of literary figures which over the years have included Saul Bellow, Alice Munro, Michael Ondaatje and Mordecai Richler.

Her style tends towards the expressionistic, with some portraits completed during live sittings and others painted later, partly from memory.

Her portraits are remarkable for excellent character drawing, breadth and vigour of handling and rich quality of pigment.

Among his better novels are Her Two Millions ( 1897 ) because of its autobiographical element and accurate descriptions of how a Swiss newspaper is run ( Westall worked as an editor of Swiss Times ); and Birch Dene ( 1889 ) which contains striking portraits of London and is evocative of the Industrial Revolution.

Her early works are usually portraits, but later after 1920 she painted mainly small compositions showing room interiors, still life and flowers.

Her husband published two memorial volumes after her death containing selections from her work: Rahel, ein Buch des Andenkens für ihre Freunde ( Rahel, a memorial book for her friends ; 3 vols., 1834 ; new ed., 1903 ) and Galerie von Bildnissen aus Rahels Umgang ( Gallery of portraits from Rahel's circle ; 2 vols., 1836 ).

Edward's Great West And Her Commercial Metropolis, Embracing A General View Of The West, And A Complete History Of St. Louis, From The Landing Of Ligueste, In 1764, To The Present Time was a history of St. Louis containing portraits and biographies of some of the old settlers, and many of the most prominent business men.

Her portraits were highly refined and flattering, almost always consisting of a bust-length pose, with the body turned slightly away and the head turned to face the viewer.

Her portraits are often studies of individual heads ( see Laughing Head, 1938, Butler Institute of American Art ); the emphasis securely on the subject's expression – or of solitary nudes.

Her many portraits of women expressed her feminist ideas.

Her paintings at this time were mainly figure paintings in oil on canvas, but she also excelled in pencil portraits and studies, and a pencil nude was her first major exhibited work, at the Royal Academy summer exhibition of 1932, when she was 24.

Her portraits, similar in style to the ones of Angelica Kauffmann, made her the first woman to enter the Academy of Fine Arts Munich.

Her mother Fanny separated from her father Henry in 1840, when Mary was five.

Her first competition was a disappointment, but in her third race, she set a national record in the 800 m. Fanny Koen soon made the Dutch team, although as a sprinter, not a middle distance runner.

Her maternal aunt became her guardian and took Fanny to her home in England.

Her parents were William Edward Nightingale, born William Edward Shore ( 1794 – 1874 ) and Frances (" Fanny ") Nightingale née Smith ( 1789 – 1880 ).

Her theatrical style was ripe for parodies, such as Betty Marsden's ' Fanny Haddock ' radio-sketch in Beyond our Ken.

Her food looked extravagant, but was generally cost-effective, and Fanny seemed to care about her audience.

Her series Fanny Cradock Cooks for Christmas is the only one of several she made to have been repeated in recent years, on the UK digital television channel Good Food, usually in the run-up to Christmas.

Her sisters Amy, Fanny and Sophia also became courtesans.

* Annie Fanny / Give Her Lovin ’ ( Wand 189 ) 1965 (# 47 )

Her sister is the poet Fanny Howe.

Her performance was only overshadowed by that of Fanny Blankers-Koen, who won four gold medals at the same Olympics.

Her 2009 film Bright Star, a biographical drama about poet John Keats ( played by Ben Whishaw ) and his lover Fanny Brawne ( Abbie Cornish ), was shown at the Cannes Film Festival.

Her mother, Fanny June Dunham ( née Taylor ), who was of mixed French-Canadian and Native American heritage, died when Katherine was four years old.

Her detractors familiarly called her by the diminutive Fanny Trollope, considered slightly vulgar, and discounted her prolific production.

Her performances combine musicianship with between-song banter, what The New York Times recently dubbed Sage's " inner Fanny Brice ".

Her debut, a spectacular success, placed her at once among the leading actresses in London, helping to fill the void left by the retirement of Fanny Kemble in 1834.

Her grandfather, William Henry Greene, was an Irish railway engineer ( later one of the three Commissioners of Victorian Railways ) who emigrated to Australia and married Fanny, the fourth of the 10 daughters of George Govett.

Her name likely derives from a combination of Fanny Brawne, the unrequited love of John Keats, and the eponymous creature of his Lamia and Other Poems.

Her longest-running role as an actress was as Madame Fanny La Fan in the British sitcom ' Allo ' Allo !, in which she featured from 1982 to 1992.

Her sister Frances — commonly known as Fanny — had during Elizabeth's pregnancy moved in with the couple, and she remained to take care of the infant and its father.

Her screen roles meanwhile included Judith Bentley in The Girl in the News ( 1940 ), Marcia Royd in Anthony Asquith's comedy Quiet Wedding ( 1940 ), Atlantic Ferry ( 1941 ), Sabotage At Sea ( 1942 ) and Alicia in the Gainsborough Pictures melodrama, Fanny By Gaslight ( 1944 ).

Her mother is the Anglo-American poet and novelist Fanny Howe.

Her pupils included Laure Cinti-Damoreau and Fanny Corri-Paltoni.

Her novels have been adapted for the screen by director Manoel de Oliveira: Fanny Owen (" Francisca "), Abraham's Valley, and The Lands of Risk (" The Convent "), in addition to the Party.