' Her face, with its glamour-gorgon makeup, softens, as Madame Armfeldt seems to melt into memory itself, and the wan stage light briefly appears to borrow radiance from her.

Her first appearance on the stage was at Haymarket in 1755 as Miranda in Mrs Centlivre's play, Busybody.

Her stage name derives from Mitch Ryder, a soul and rock singer her father happened to be listening to when her agent called and asked how she wanted to appear on the credits of her first film.

Her house on Mustique, designed by her husband's uncle the stage designer Oliver Messel, was her favourite holiday destination.

Her early acting pursuits led her to the stage, most notably a Broadway debut in Strindberg's The Father alongside Raymond Massey.

Her physical condition may have limited her mobility on the stage, but the charm of her voice, which had altered little with age, ensured her triumphs.

Her performance was kept secret from former Czech Republic President Havel until the moment she appeared on stage.

Her older sister, Amber, sings cabaret under the stage name Maude Maggart.

Her benefactors gone, and her own health in decline, she made her last appearance on the stage in Edinburgh in 1785.

Her final stage performance came in 1966 when she played Mrs Malaprop in The Rivals at the Haymarket Theatre, alongside Sir Ralph Richardson.

Her mother Georgette, from whom she acquired her stage name, was a French Catholic.

Her stage work in the late 1950s laid the foundation for her film career in the 1960s.

Her stage name is derived from her obsession with fluids.

Her father was a cattle baron and orange farmer, and her mother was a well-known opera singer who gave up the stage to marry and raise a family.

Her performance as Ulrica in Giuseppe Verdi's Un ballo in maschera at the Met was the only time she sang an opera role on stage.

Her story was also put to the stage in the verse tragedy Canace ( 1588 ), by Italian playwright Sperone Speroni.

Howard is reported to have had an affair with Tallulah Bankhead when they appeared on stage ( in the UK ) in Her Cardboard Lover ( 1927 ); Merle Oberon, while filming The Scarlet Pimpernel ( 1934 ) and Conchita Montenegro, with whom he had appeared in the film Never the Twain Shall Meet ( 1931 ).

Her mother uses the stage name " Catrine Dominique " for the music videos in which she has appeared.

Her stage work remained a priority and continued with Ann Veronica ( Piccadilly, 1949 ), which was another collaboration with Gow, who wrote the play with his wife as leading lady.

Her father, Walter Augustus de Havilland ( 31 August 1872 – 23 May 1968 ; aged 95 ), was a patent attorney with a practice in Japan, and her mother, Lilian Augusta ( née Ruse ; 11 June 1886 – 20 February 1975 ; aged 88 ) was a stage actress who had left her career after going to Tokyo with her husband – she would return to work after her daughters had already won fame in the 40s, with the stage name of Lillian Fontaine.

Her first stage appearance was when her mother brought her on stage in costume for the curtain call of the short-lived Broadway play The Leaf People.

Her earliest professional stage appearances were as a chorus girl on tour with Guido Thielscher's Girl-Kabarett, vaudeville-style entertainments, and in Rudolf Nelson revues in Berlin.

Her revue, with future TV pioneer Danny Thomas as her opening act, included songs from her films, performances on her musical saw ( a skill she had originally acquired for stage appearances in Berlin in the 1920s ), and a pretend " mindreading " act.

Her clothes, her hair, everything about her is both graceful and simple.

-- Her choice of one color means she is simply enjoying the motor act of coloring, without having reached the point of selecting suitable colors for different objects.

Her mother wrote Kate of her grief at the death of Kate's baby and at Jonathan's decision to go with the South `` And, dear Kate '', she wrote, `` poor Dr. Breckenridge's son Robert is now organizing a militia company to go South, to his good father's sorrow.

Her best time to date is about 2:30.

Her conclusion has been borne out in the experience of many practitioners: `` short-contact interviewing is neither a truncated nor a telescoped experience but is of the same essential quality as the so-called intensive case work ''.

Her pride is as much at stake as her virtue ; ;

Her fiance, who is with a publishing firm, translates many books from English into Italian.

Her day starts early, but no matter how many pressing letters there are to be written ( and during May, which is National Salvation Army Week, there are plenty ), schedules to be made or problems to be solved, Mrs. Marr's office is always open and the welcome mat is out.

Her husband, who is the son of Alton John Mason of Shreveport, La., and the late Mrs. Henry Cater Parmer, was president of Alpha Tau Omega and a member of Delta Sigma Pi at Lamar Tech, and did graduate work at Rhodes University in Grahamstown, South Africa, on a Rotary Fellowship.

Her mother is the former Miss Stella Hayward.

Her favorite cocktail dress is a Norell, a black and white organdy and silk jersey.

Her invitation from Premier Joseph Smallwood is reported to be the only one extended to a woman.

Her hair was the color of those blooms which in seed catalogues are referred to as `` black '', but since no flower is actually without color contain always a hint of grape or purple or blue -- he wanted to draw the broad patina of hair through his fingers, searching it slowly for a trace of veining which might reveal its true shade beneath the darkness.

Her whole body is made of highly advanced synthetic jelly silicon and with 60 artificial joints in her face, neck, and lower body ; she is able to demonstrate realistic facial expressions and sing while simultaneously dancing.

Her time spent at the many locations featured in her books is very apparent by the extreme detail in which she describes them.

Her Roman equivalent is the goddess.

Her daughter, born from her head as she was from Zeus's, demigod Annabeth Chase is one of the principal characters.

Her name is the Latinized form of the Greek ( Androméda ) or ( Andromédē ): " ruler of men ", from ( anēr, andrós ) " man ", and medon, " ruler ".

Her second and last novel, The Tenant of Wildfell Hall, which is considered to be one of the first sustained feminist novels, appeared in 1848.

Her feast day, December 16, is still kept in many German dioceses.

Her medism in 491 is to be explained by her commercial relations with the Persian Empire.