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Hergé and died
He returned to Europe for a reunion with Hergé in 1981, and settled in Paris in 1985, where he died in 1998.
It was modeled after parts from the comic book Tintin in Tibet ( 1960 ) by Belgian artist Hergé who died in 1983.

Hergé and on
The long-awaited Hergé Museum was opened in Louvain-La-Neuve on 2 June 2009.
They had been married on 18 January 1905, and moved into a house at 25, de la rue Cranz ( now 33, rue Philippe Baucq ), where Hergé would later be born, although a year later they moved to a house at 34, rue de Theux.
In 2007, an old " strip " by Hergé was found on a wall of the school.
Tintin in the Land of the Soviets, by " Hergé ", appeared in the pages of Le Petit Vingtième on 10 January 1929, and ran until 8 May 1930.
In these stories Hergé placed more emphasis on characters than plot, and indeed Tintin's most memorable companions, Captain Haddock and Cuthbert Calculus ( in French Professeur Tryphon Tournesol ), were introduced at this time.
Jacob also began collaborating with Hergé on a new Tintin adventure, The Seven Crystal Balls ( see above ).
After the war Hergé admitted that: " I recognize that I myself believed that the future of the West could depend on the New Order.
The increased demands which Tintin magazine placed on Hergé began to take their toll.
In 1949, while working on the new version of Land of Black Gold ( the first version had been left unfinished by the outbreak of World War II ), Hergé suffered a nervous breakdown and was forced to take an abrupt four month-long break.
In order to lighten Hergé's workload Hergé Studios was set up on 6 April 1950.
Foremost among these was artist Bob de Moor, who collaborated with Hergé on the remaining Tintin adventures, filling in details and backgrounds such as the spectacular lunar landscapes in Explorers on the Moon.
Lichtenstein made paintings based on fragments from Tintin's comics, whilst Warhol utilised the ligne claire and even made a series of paintings with Hergé as subject.
Hergé has been lauded as " creating in art a powerful graphic record of the 20th century's tortured history " through his work on Tintin.
Hergé obviously had a strong contempt for slavery, as evidenced by strongly negative emphasis placed on the villainy of slave traders ( supplemented by the scene in which Captain Haddock hurls his peculiar brand of expletives at a slaver leaving their ship ).
He, as most others, managed to clear his name and went on to create Studio Hergé in 1950, where he acted as a sort of mentor for the students and assistants that it attracted.
Hergé worked on the book until his death in 1983, and it was published posthumously ( despite its unfinished status ) in 1986 by Casterman in association with La Fondation Hergé, and was republished in 2004 with further material.
It was not such a surprising request ; de Moor had worked with Hergé since 1951, was responsible for running the Studios Hergé in his absence, adapted the animated film Tintin and the Lake of Sharks into comic-strip form, and worked on the previous book Tintin and the Picaros with Hergé alone.
Soon, Franquin was considered an undisputed master of the art form, on par with the likes of Hergé ( who on interview said he thought Franquin an artist while he was just a cartoonist, and his influence can be seen in the work of nearly every cartoonist hired by Spirou up until the end of the 1990s.
Nonetheless, Hergé worked willingly: " I was sincerely convinced of being on the right path ", he said later.

Hergé and 3
Georges Prosper Remi ( 22 May 1907 – 3 March 1983 ), known by the pen name Hergé, was a Belgian comics writer and artist.
On 30 May 2010, a life-sized bronze statue of Tintin and Snowy, and more than 200 other Tintin items, including many original panels by Hergé, sold for 1. 08 million euros ($ 1. 3 million USD ) at a Paris auction.
It was suspended on 3 September 1944, following the liberation of Brussels, when Hergé and many of his colleagues had to answer for working for the collaborationist newspaper.

Hergé and 1983
** Hergé, Belgian comics author ( d. 1983 )
* Georges Rémi a. k. a. Hergé, comics writer and artist, creator of The Adventures of Tintin ( 1907 – 1983 )
After his death in 1983, Hergé's widow, Fanny, led the efforts, undertaken at first by the Hergé Foundation and then by the new Studios Hergé, to catalogue and choose the artwork and elements that would eventually become part of the Museum's exhibitions.
Tintin in the Land of the Soviets ( in the original French, Les Aventures de Tintin, reporter du " Petit Vingtième ", au pays des Soviets ) is the first title in the comic book series The Adventures of Tintin, written and drawn by Belgian cartoonist Hergé ( 1907 – 1983 ).
* French: Le monde d ' Hergé ( 1983 )
* Hergé, comics writer and artist, creator of The Adventures of Tintin ( 1907 – 1983 )
He has written a number of books about the comics medium as well, including Le monde d ' Hergé ( 1983 ), published in English as Tintin and the World of Hergé ( 1988 ), a biography of Hergé, " Hergé, son of Tintin ", a study of comics pioneer Rodolphe Töpffer, and theoretical works such as Lire la bande dessinée ( 1998 )

Hergé and .
Initially producing illustrations for Belgian Scouting magazines, in 1927 he began working for the conservative newspaper Le XXe Siècle, where he adopted the pen name " Hergé ", based upon the French pronunciation of " RG ", his initials reversed.
Hergé has become one of the most famous Belgians worldwide and Tintin is still an international success.
In January 1930 Hergé introduced Quick & Flupke ( Quick et Flupke ), a new comic strip about two street urchins from Brussels, in the pages of Le Petit Vingtième.
For many years, Hergé continued to produce this less well-known series in parallel with his Tintin stories.
Hergé continued to revise these stories in subsequent editions, including a later conversion to colour.
Hergé reached a watershed with The Blue Lotus, the fifth Tintin adventure.
Father Gosset, the chaplain to the Chinese students at the Catholic University of Leuven, wrote to Hergé urging him to be sensitive about what he wrote about China.
Hergé agreed, and in the spring of 1934 Gosset introduced him to Chang Chong-jen ( Zhang Chongren ), a young sculpture student at the Brussels Académie Royale des Beaux-Arts.
The two young artists quickly became close friends, and Chang introduced Hergé to Chinese culture and the techniques of Chinese art.
As a result of this experience, Hergé strove in The Blue Lotus, and in subsequent Tintin adventures, to be meticulously accurate in depicting the places which Tintin visited.
At the end of his studies in Brussels, Chang returned home to China, and Hergé lost contact with him during the invasion of China by Japan and the subsequent civil war.
In the Second World War, Hergé was mobilized as a reserve lieutenant, and had to interrupt Tintin's adventures in the middle of Land of Black Gold.
Prior to the invasion of neutral Belgium by German forces, Hergé published humoristic drawings in L ' Ouest, a paper run by future collaborator Raymond de Becker and which strongly advocated that Belgium not join the war alongside its World War One allies France and Britain.
However, Hergé accepted an offer to produce a new Tintin strip in Le Soir, Brussels ' leading French daily, which had been appropriated as the mouthpiece of the occupation forces.
In order to create tension at the end of each strip rather than the end of each page, Hergé had to introduce more frequent gags and faster-paced action.
Secondly, Hergé had to move the focus of Tintin's adventures away from current affairs, in order to avoid controversy.
Hergé chose a subject that was as fantastic as possible rather than issues related to the crisis of the times to avoid trouble with the censors.
In 1943 Hergé met Edgar P. Jacobs, another comics artist, whom he hired to help revise the early Tintin albums.

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