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His Marvel Comics work includes the one-shot Killraven # 1 ( Feb. 2001 ), several covers for the company's mid-2000s Mystique series, and painted covers and interior penciling and inking for the Wolverine-Black Cat three-issue miniseries Claws ( Oct .- Dec. 2006 ).
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Marvel and Comics
* Atlas Comics ( 1950s ), the company that evolved into Marvel Comics
** Agents of Atlas, a Marvel Comics mini-series that included a foundation named Atlas
* Atlas, a fictional character from Marvel Comics, also known as Erik Josten ( formerly a member of the Thunderbolts )
Athena is an active character in Marvel Comics ' main continuity, the Marvel Universe, most recently in the Incredible Hercules series.
* Ajak, a Marvel Comics character, a member of the Eternals, sometimes known as " Ajax the Greater "
From 1994 to 1996, Marvel Comics published a monthly Beavis and Butt-Head comic under the Marvel Absurd imprint by a variety of writers, but with each issue drawn by artist Rick Parker.
Instead of reviewing music videos, they reviewed ( custom-made ) pages from other Marvel Comics — in one with Ghost Rider, Beavis tries to avoid using the word " fire " to describe the character's fiery skull.
Category: Marvel Comics titles
* Captain Britain, a Marvel Comics superhero
* Bob Diamond ( comics ), a Marvel Comics character
* Tabitha Smith, a Marvel Comics comic book superhero, formerly called Boomer
* Bloody Mary ( Marvel Comics ), a fictional telekinetic supervillain
Such games are also created to capitalize on the popularity of other forms of entertainment, such as Pokémon and Marvel Comics which both have had CCGs created around them.
* Capricorn ( comics ), Marvel Comics character
* Charon ( Marvel Comics ), a villainous wizard
The Silver Age lasted through the late 1960s or early 1970s, during which time Marvel Comics revolutionized the medium with such naturalistic superheroes as Stan Lee and Jack Kirby's Fantastic Four and Stan Lee and Steve Ditko's Spider-Man.
In 1974, Marvel Comics writer Rich Buckler introduced the cyborg Deathlok the Demolisher, and a dystopian post-apocalyptic future, in Astonishing Tales # 25.
* Omega Red from Marvel Comics
* Deathlok, the Demolisher, a series of military cyborgs in Marvel Comics.
* Death's Head II, MINION, Marvel Comics
* Supremor, the Kree Supreme Intelligence, of Marvel Comics
* Cable, a mutant from the future in Marvel Comics.
Marvel and work
In this simian version of the Marvel Universe, Shang-Chi and his father work as a subversive organization, trying to get the local sentients to work in peace and not in animalistic domination.
He went on to contribute much significant work to Marvel, including co-creating Spider-Man, who would become the company's flagship character.
" Robinson, who invited artists and editors to speak with his class, once brought in Stan Lee, then editor of Marvel Comics ' 1950s precursor, Atlas Comics, and, " I think that was when Stan first saw Steve's work.
Many of these have since moved on to work for American publishers such as DC Comics ( especially the Vertigo and Wildstorm imprints ) and Marvel Comics.
* In Marvel: Ultimate Alliance, the titular Alliance refers to a coalition of heroes that normally work independently of one another, or in separate units.
and his first work for Marvel Comics, penciling the 17-page story " The Master Assassin of Mars, Part 3 " in John Carter, Warlord of Mars No. 18 ( Nov. 1978 ).
He started professionally in the medium at the age of 14, and he is most notable for his successful and controversial run as Marvel Comics ' ninth editor-in-chief, and his work as editor in chief of Valiant Comics.
Charles Clarence Beck ( June 8, 1910 – November 22, 1989 ) was an American cartoonist and comic book artist, best known for his work on Captain Marvel at Fawcett Comics and DC Comics.
The Captain Marvel stories boasted a clean style which facilitated Beck's assistants and other Fawcett artists emulating Beck's style ( one exception was Mac Raboy whose work on Captain Marvel, Jr. was more in the style of Alex Raymond ).
In the late 1980s and early 1990s, McFarlane became a comic book superstar due to his work on Marvel Comics ' Spider-Man franchise.
He soon began drawing for both DC Comics and Marvel, with his first major body of work being a two-year run ( 1985 – 1987 ) on DC's Infinity, Inc.
* Todd McFarlane's work on Marvel. com
Brubaker subsequently took his Vertigo / crime sensibility to work from WildStorm, Icon and the mainstream DC and Marvel universes.
Since then Corben has done more work for Marvel, DC, IDW, and most notably Dark Horse, drawing the Eisner Award – winning Hellboy.
Adams penciled and colored, paired for the first time with inker Tom Palmer, with whom he would collaborate on several acclaimed Marvel comics ; the duo's work here netted them 1969 Alley Awards for Best Pencil Artist and Best Inking Artist, respectively.
*" World's Biggest Stage Is a Marvel Of Mechanics ", February 1933, Popular Science article on major work on Radio City Hall in the early 1930s
The major comic book publishers ( such as Marvel or DC ) utilize teams of cartoonists to produce the art ( typically separating pencil work, inking and lettering while the color is added digitally by colorists ).
He was particularly enamored with the work that Jack Kirby and Steve Ditko produced for Marvel Comics, as well as Hank Ketcham's Dennis the Menace and the Archie comics line.
Hernandez has said that, at a young age, he was particularly enamored with superhero comics — particularly 1960s Marvel Comics artists such as Jack Kirby's work on Fantastic Four and Steve Ditko, and the cartoony art of DC Comics artists such as Carmine Infantino and Dick Sprang.
In the early 1990s, several freelance illustrators doing popular work for Marvel Comics grew frustrated with the company's policies and practices.
In December 1991, a group of these illustrators approached Marvel president Terry Stewart and demanded that the company give them ownership and creative control over their work.
Lee, Williams, and Portacio had gained notoriety from their work on various X-Men titles at Marvel Comics.
Ann Nocenti, an editor at Marvel Comics in 1985, wrote Longshot at a time when, according to Arthur Adams, Marvel expected its editors to have written at least one work.
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