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compositions and predominantly
A unique album with predominantly Murat Ses compositions and arrangements ( Danses et Rythmes de la Turquie d ' hier à aujourd ' hui ) with this style and was awarded the Grand Prix du Disque of the Charles Cros Academy in Paris ( 1971 ).
He received several grants from Canada, Italy and France for his innovative work as composer-performer of period music and as founding-director of the Festivals: Rendez-vous con Hendrik Bouman ( Italy ) 1992, Halifax 1749 Baroque ( Canada ) 1999, Baroque by the Sea ( Maritimes Canada ) 1999 & 2005, the Baroque SaMuse Concert Series ( Montréal, Canada ) 2006-2007, as well as a sponsorship from Berkeley Homes, United Kingdom for his Baroque by the Sea Concert Series ( Sussex, United Kingdom ) 2009 ; concert series predominantly dedicated to the performance of his baroque and classical compositions, period improvisations, as well as historical repertoire and his transcriptions thereof.
It consisted predominantly of arrangements of classical compositions and was marketed under the slogan " Genius Past, Genius Forthcoming ".
The musical trinity consists of Dikshitar, Thyagaraja ( 1767 – 1847 ), and Syama Sastri ( 1762 – 1827 ) although, unlike the Telugu compositions of the others, his compositions are predominantly in Sanskrit.
Its namesake refers to the explosive, predominantly unmetered section marking the introduction and some transitions of kebyar compositions.
Their compositions are predominantly instrumental, save for the one-time spoken word by Dick Smothers, Jr. on the fifth track of Universe.
Different Inconels have widely varying compositions, but all are predominantly nickel, with chromium as the second element.
Expansion of the Regiment of Artillery and other arms and services which have predominantly all India class compositions have created vacancies for recruitment for all classes to be represented.
Pianist Amina Claudine Myers ' debut album Poems for Piano: The Piano Music of Marion Brown ( Sweet Earth, 1979 ) featured Brown's compositions predominantly.

compositions and motets
Among the musical compositions of Allegri were two volumes of concerti for five voices, published in 1618 and 1619 ; two volumes of motets for six voices, published in 1621 ; an edition of four-part sinfonia ; five masses, two settings of the Lamentations of Jeremiah, as well as numerous motets which were not published in his lifetime.
Palestrina left hundreds of compositions, including 105 masses, 68 offertories, at least 140 madrigals and more than 300 motets.
His attitude toward madrigals was somewhat enigmatic: whereas in the preface to his collection of Canticum canticorum ( Song of Songs ) motets ( 1584 ) he renounced the setting of profane texts, only two years later he was back in print with Book II of his secular madrigals ( some of these being among the finest compositions in the medium ).
The relationship between the two forms is most obvious in the composers who concentrated on sacred music, especially Giovanni Pierluigi da Palestrina, whose " motets " setting texts from the Canticum Canticorum, the biblical " Song of Solomon ," are among the most lush and madrigal-like of Palestrina's compositions, while his " madrigals " that set poems of Petrarch in praise of the Blessed Virgin Mary would not be out of place in church.
The name " motet " was preserved in Baroque music, especially in France, where the word was applied to two distinct, and very different, genres: petits motets, sacred choral or chamber compositions whose only accompaniment was a basso continuo ; and grands motets, which included massed choirs and instruments up to and including a full orchestra.
Similar compositions in the English language are called anthems, but some later English composers, such as Charles Villiers Stanford, wrote motets in Latin.
The majority of these compositions are a cappella, but some are accompanied by organ, for example Edward Elgar's three motets Op.
Byrd's contribution to the Cantiones also includes compositions in a more forward-looking manner which point the way forwards to his motets of the 1580s.
Some of Ferdinand's own compositions survive in manuscripts: masses, motets, hymns and other sacred music, as well as a few secular pieces.
He was extremely prolific, with some 325 masses, 800 Psalm settings and 235 motets among the 3500 compositions listed by his pupil and biographer, Girolamo Chiti.
Fueling the cry for reform from many ecclesial figures was the compositional technique popular in the 15th and 16th centuries of using musical material and even the accompanying texts from other compositions such as motets, madrigals, and chansons.
His compositions within the larger genres ( masses, motets and chansons ) are mostly similar to each other ; his renown is largely due to what was perceived as his perfect control of the forms in which he worked, as well as his gift for memorable and singable melody.
Willaert left a large number of compositions — 8 masses, over 50 hymns and psalms, over 150 motets, about 60 French chansons, over 70 Italian madrigals and several instrumental ( ricercares ).
Rore wrote 107 madrigals that are securely attributed to him ; 16 secular Latin compositions, similar in form to madrigals ; at least seven chansons ; 53 motets, of which 51 survive ; a Passion according to Saint John ; five settings of the mass ; some Magnificats ; and a handful of other works.
Most of his compositions are sacred music, of which motets of the early Baroque variety ( for two or three voices with instruments ) predominate.
The term was coined in 1904 by Friedrich Ludwig ( 1903 – 04, 223 ) to describe this practice in 13th century polyphonic motets, but it later became more widely applied, especially to periodic repetition or rhythmic recurrence in tenors and other parts of 14th-and early 15th-century compositions, motets in particular ( Bent 2001 ).
The modern musical innovation of integral serialism sprang from a study of the 12 tone compositions of Anton Webern and the isothythmic organization within motets of Guillaume de Machaut.
His secular compositions – mostly chansons – are less contrapuntally complex than his motets and masses, but nonetheless more so than the majority of contemporary secular pieces, especially the ' Parisian ' chanson.
Most of his early compositions are motets in the concertato style: some are duets and trios, an innovation in motet writing, which usually involved larger groups.
He wrote motets, psalm settings, madrigals, as well as some of the earliest compositions to be called " cantata.
La Rue wrote masses, motets, Magnificats, settings of the Lamentations, and chansons, a diverse range of compositions reflective of his status as the primary composer at one of Europe's most renowned musical institutions, surrounded by other similarly creative people.

compositions and collected
Some of his compositions have been collected in the album " European Music at the Ottoman Court " by the London Academy of Ottoman Court Music.
As well as making original compositions, Burns also collected folk songs from across Scotland, often revising or adapting them.
During 1996 – 1997 water samples were collected at various points throughout the caves and showed different chemical compositions.
Dr Burney and Sir John Hawkins published specimens of his compositions in their works on the history of music ; and Dr Aldrich collected an almost complete set of his compositions, at present in the library of Christ Church, Oxford.
* The collected compositions of His Royal Highness the Prince Consort.
As well as making original compositions, Burns also collected folk songs from across Scotland, often revising or adapting them.
Guru Arjan called Bhai Gurdas to his presence and expressed to him the wish that the compositions of the Gurus as well as those of some of the saints and sufis be collected.
Rashid al-Din also collected all of his compositions into a single volume, entitled Jami ' al-Tasanif al-Rashidi (" The Collected Works of Rashid "), complete with maps and illustrations.
Since 1825, the Strauss Orchestra Archives collected the compositions of not only Eduard, but of Johann II and the rest of the Strauss family.
Composers such as Ralph Vaughan Williams, Aaron Copland, Carlos Chávez, and Heitor Villa-Lobos used folk themes collected by themselves or others in many of their major compositions.
Along with Tromboncino, he was the most famous composer of frottole, and his compositions continued to be collected and published after his death.
On Billy Talent II, the band altered their sound yet again, based on more mid-tempo and emotional compositions ; a bit more collected than their previous work.
The 126 pieces are distributed between 68 poets, and the work represents a gathering from the compositions of those who were called al-Muqillun, ( authors of whom little has survived ), in contrast to the famous poets whose works had been collected into diwans.

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