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jazz and career
Jazz had always been a strong love of his, and often in his career he was criticized by " pure " country musicians for his jazz influences.
Peggy Lee ( May 26, 1920 January 21, 2002 ) was an American jazz and popular music singer, songwriter, composer, and actress in a career spanning six decades.
Lacy began his career at sixteen playing Dixieland music with much older musicians such as Henry " Red " Allen, Pee Wee Russell, George " Pops " Foster and Zutty Singleton and then with Kansas City jazz players like Buck Clayton, Dicky Wells, and Jimmy Rushing.
The concert made international headlines, led to a Time cover story ( Dave Brubeck and Thelonious Monk are the only other jazz musicians featured on the cover the magazine ), and resulted in an album that would become the best-selling long-playing recording of Ellington's career.
Vince Guaraldi at the Piano, by author and noted Guaraldi archivist Derrick Bang, chronicles Guaraldi's career and role in the Northern California jazz scene, and also includes a complete discography and filmography, as well as an appendix of quotations from Guaraldi's former sidemen.
Fitzgerald had a number of famous jazz musicians and soloists as sidemen over her long career.
The DVD Lionel Hampton: Jazz Legend King of the Vibes chronicles the 73-year career of Lionel Hampton, the original jazz vibraphonist.
Over the course of their career, Incubus has utilized elements from a variety of genres and styles, including alternative rock, heavy metal, electro, funk, funk metal, jazz, hip hop, nu metal, rap metal, techno and trip hop.
Occasionally Emerson has quoted from classical and jazz works without giving credit, particularly early in his career, from the late 1960s until 1972.
In 1924, he went to Harlem, where his performing career expanded ; he toured with groups to the major jazz cities of Chicago, St. Louis and Kansas City.
As his career progressed, Patchen continued to push himself into more and more experimental styles and forms, developing, along with writers such as Langston Hughes and Kenneth Rexroth, what came to be known as jazz poetry.
Sting has varied his musical style throughout his career, incorporating distinct elements of jazz, reggae, classical, New Age, and worldbeat into his music.
During this same period, Tito Puente changed to performing and recording primarily Latin jazz for the remainder of his career.
Whiteman recorded many jazz and pop standards during his career, including " Wang Wang Blues ", " Mississippi Mud ", " Rhapsody in Blue ", " Wonderful One ", " Hot Lips ", " Mississippi Suite ", and " Grand Canyon Suite ".
Along with being among the earliest punk rock groups to incorporate elements and the influence of heavy metal melodies and rhythm, there were often overt freestyles, free jazz, breakbeat and contemporary classical elements in their sound, especially in Ginn's guitar playing, and the band interspersed records and performances with instrumentals throughout their career.
His mother, who died when he was nine years old, taught him valuable lessons about persistence and putting one ’ s whole effort into endeavors, and he carried these with him through his career as a jazz drummer.
Haas, who began his career as a solo timpanist in 1980, is notable for performing music from many genres including jazz, rock, and classical.
This blossomed into an active musical career as he went on to play jazz and rock with a number of bands in New York and New Jersey throughout the 1960s.
at the Seattle jazz club " The Rocking Chair ," where Ray begins his career as the pianist / singer of the trio " The McSons.
The jazz influence was particularly important for Johansen, whose subsequent career included work with jazz man Big Jay McNeely and blues man Hubert Sumlin.
Difficulties arose inside the group between its pop-rock and jazz factions, with Clayton-Thomas refusing to pick sides and eventually choosing to leave in early January 1972 ( after playing a final show at Anaheim Convention Center with the group on December 27, 1971 in Anaheim, California ) to continue the solo career he had begun concurrently with his role in BS & T.
In mid-1973, Katz, who was growing increasingly uncomfortable with the group's leaning towards jazz fusion, decided to leave to pursue a career as a producer ( for Lou Reed and others ).
This version of Rollins Band had some of the most overt jazz leanings of the band's history: Gibbs had begun his career with the jazz fusion group of drummer Ronald Shannon Jackson, and worked with Sonny Sharrock on albums like 1987's Seize The Rainbow, which along with Rollins ' obsession with the late ' 60s / early ' 70s era of iconic trumpeter Miles Davis, shaped this version of the band's music.

jazz and began
The immense amount of interest that the new jazz had for the younger generation must have impressed him, and he began working toward the merger of jazz and poetry, as he had previously attempted the union of graphic art and poetry.
And this was before he began to play his startlingly beautiful jazz.
As new genres of music, such as ragtime, blues and jazz, began to emerge in the early 20th century the popularity of the genre faded, but the association with sentimentality led to the term ballad being used for a slow love song from the 1950s onwards.
What began as a special archive, consisting of the personal document collection of the Brubecks, has since expanded to provide fellowships and educational opportunities in jazz for students, also leading to having one of the main streets the school resides on named in his honor, Dave Brubeck Way .< ref >
While the electric bass guitar was used intermittently in jazz as early as 1951, beginning in the 1970s bassist Bob Cranshaw, playing with saxophonist Sonny Rollins, and fusion pioneers Jaco Pastorius and Stanley Clarke began to commonly substitute the bass guitar for the upright bass.
In the 1980s and 1990s, colleges and universities began to introduce diplomas and degrees in jazz performance.
However, by the 1950s, jazz musicians such as Jimmy Smith began to use the organ's distinctive sound.
By 1960, having been influenced more by jazz music than blues, Brown began incorporating jazz styled arrangements in his music, with Brown naming the Famous Flames hits " I'll Go Crazy " and " Think " as examples of his changing style away from more traditional forms of R & B and rock ' n ' roll.
Admirers of Brown's music, including Miles Davis and other jazz musicians, began to cite Brown as a major influence on their own styles.
By the 1930s, the guitar began to displace the banjo as the primary chordal rhythm instrument in jazz music, because the guitar could be used to voice chords of greater harmonic complexity, and it had a somewhat more muted tone that blended well with the upright bass, which, by this time, had almost completely replaced the tuba as the dominant bass instrument in jazz music.
In the hands of Kenny Burrell, Herb Ellis, Barney Kessel, Jimmy Raney, and Tal Farlow, who had absorbed the language of bebop, the guitar began to be seen as a “ serious ” jazz instrument.
" Along with other improvisers, such as saxes and piano players, bebop-era jazz guitarists began to improvise over the chord changes using scales ( whole tone scale, chromatic scale, etc.
Musically restless, Mitchell switched labels and began moving toward jazz rhythms by way of lush pop textures on 1974's Court and Spark, her best-selling LP, featuring her radio hits " Help Me " and " Free Man in Paris.
In the late 1970s, she began working closely with noted jazz musicians, among them Jaco Pastorius, Wayne Shorter, Herbie Hancock, Pat Metheny and Charles Mingus, the last of whom asked her to collaborate on his final recordings.
Atlantic were a label with a catalogue of mainly blues, soul and jazz artists, but in the late 1960s it began to take an interest in progressive British rock acts.
There had long been a culture of drug use among jazz and blues musicians, and, in the early 1960s, use of drugs ( including cannabis, peyote, mescaline and LSD ) had begun to grow among folk and rock musicians, who also began to include drug references in their songs.
First in the early 1940s many jazz bands began to include ragtime in their repertoire and put out ragtime recordings on 78 rpm records.
In the early 1940s many jazz bands began to include ragtime in their repertoire, and as early as 1936 78 rpm records of Joplin's compositions were produced.
The notice appeared in October 1931 and began with a bit of hyperbole and an incorrect fact, two hallmarks of much of the subsequent writing about Beiderbecke: " The announcement of Bix Beiderbecke's death plunged all jazz musicians into despair.
She later began performing in jazz clubs where her masterful skill at the piano brought her popularity among other musicians.
With Decca's Milt Gabler as her manager, she began working regularly for the jazz impresario Norman Granz and appeared regularly in his Jazz at the Philharmonic ( JATP ) concerts.

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