Othello then misses Desdemona greatly, and comes to loathe the sight of Iago.

Iago then seeks revenge by disclosing to Cassio Othello's involvement in Desdemona's death.

Iago then leads Othello to believe that a bawdy conversation about Cassio's mistress, Bianca, is in fact about Desdemona.

Elsewhere, he is charismatic and friendly, and the advice he offers to both Cassio and Othello is superficially sound ; as Iago himself remarks: " And what's he then, that says I play the villain, when this advice is free I give, and honest ...?

The Spanish settlement on Jamaica island was in 1509, named then Isla de Santiago ( by Sant Iago Apostol ), in Sevilla la Nueva.

In 1887, Maurel created the role of Iago in Otello at La Scala, Milan, and then, in 1893, he created the title role in Falstaff, again at La Scala.

After Iago engineers a drunken brawl to ensure Cassio ’ s demotion ( in Act 2 ), he sets to work on his second scheme: leading Othello to believe that Desdemona is having an affair with Cassio.

Iago schemes to use Cassio to ruin Othello and takes the opportunity of Othello's absence at the celebration to persuade Roderigo to engage Cassio in a fight.

Sora must fight Jafar in Genie form, surrounded by a lava pit with raising and lowering levels, while Iago flies above with Jafar's lamp.

The play opens with Roderigo, a rich and dissolute gentleman, complaining to Iago, a high-ranking soldier, that Iago has not told him about the secret marriage between Desdemona, the daughter of a Senator named Brabantio, and Othello, a Moorish general in the Venetian army.

Cassio is distraught, but Iago persuades him to importune Desdemona to act as an intermediary between himself and Othello, and persuade her husband to reinstate him.

The name was selected as a reference to the Shakespearean play Othello, the Moor of Venice, referencing the conflict between the Moor Othello and Iago, who describes himself as " two faced " and more controversially, to the unfolding drama between Othello, who is black, and Desdemona, who is white.

The location of his early exile as a child is not known, but late traditions, reported by Reginald of Durham and Geoffrey of Monmouth, place Edwin in the kingdom of Gwynedd, fostered by king Cadfan ap Iago, so allowing biblical parallels to be drawn from the struggle between Edwin and his supposed foster-brother Cadwallon.

The play features an interrogation between Kaston Iago and Firstmaster Landerchild, whereby Iago attempts to convince his interrogator that they are both figments of something else's imagination.

The play takes the form of a dialogue between Kaston Iago and Justina, who is interviewing him about his background on the orders of Uvanov.

Fighting continued between the two dynasties, with Iago and Ieuaf raiding as far south as Dyfed in 952 and the sons of Howell raiding as far north as the Conwy valley in 954 before being defeated in battle at Llanrwst and chased back to Ceredigion.

Fighting continued between the two dynasties, with Iago and Ieuaf raiding as far south as Dyfed in 952 and the sons of Howell raiding as far north as the Conwy valley in 954 before being defeated in battle at Llanrwst and chased back to Ceredigion.

The work revolves around four central characters: Othello, a Moorish general in the Venetian army ; his wife, Desdemona ; his lieutenant, Cassio ; and his trusted ensign, Iago.

Iago hates Othello for promoting a younger man named Michael Cassio above him, and tells Roderigo that he plans to use Othello for his own advantage.

Iago denounces Cassio as a scholarly tactician with no real battle experience ; in contrast, Iago is a battle-tested soldier.

By order of the Duke, Othello leaves Venice to command the Venetian armies against invading Turks on the island of Cyprus, accompanied by his new wife, his new lieutenant Cassio, his ensign Iago, and Emilia as Desdemona's attendant.

Iago now persuades Othello to be suspicious of Cassio and Desdemona.

Iago plants it in Cassio's lodgings as evidence of Cassio and Desdemona's affair.

Iago goads Cassio on to talk about his affair with Bianca, but speaks her name so quietly that Othello believes the two other men are talking about Desdemona when Cassio is really speaking of Bianca.

Othello sees this, and Iago convinces him that Cassio received the handkerchief from Desdemona.

Enraged and hurt, Othello resolves to kill his wife and asks Iago to kill Cassio as a duty to their intimacy.

Roderigo complains that he has received nothing for his efforts and threatens to abandon his pursuit of Desdemona, but Iago convinces him to kill Cassio instead, because Cassio has just been appointed governor of Cyprus, and — Iago argues — if Cassio lives to take office, Othello and Desdemona will leave Cyprus, thwarting Roderigo's plans to win Desdemona.

Passers-by arrive to help ; Iago joins them, pretending to help Cassio.

When Cassio identifies Roderigo as one of his attackers, Iago secretly stabs Roderigo to stop him from confessing.

The Governor arrives, with Iago, Cassio, and others, and Emilia begins to explain the situation.

At the end, it can be assumed, Iago is taken off to be tortured, and Cassio becomes governor of Cyprus.

Desdemona is the only named character in Cinthio's tale, with his few other characters identified only as " the Moor " ( Othello ), " the squadron leader " ( Cassio ), " the ensign " ( Iago ), and " the ensign's wife " ( Emilia ).

By emphasizing Roderigo's failed bid for Desdemona, and his own dissatisfaction with serving under Othello, Iago convinces Roderigo to wake Brabantio, Desdemona's father, and tell him about his daughter's elopement.

He has an ally, Roderigo, who assists him in his plans in the mistaken belief that after Othello is gone, Iago will help Roderigo earn the affection of Othello's wife, Desdemona.

Brabantio makes his first appearance in 1. 1 when Iago and Roderigo rouse him with the news that Desdemona has eloped.

In addition to Orson Welles, the cast consisted of Micheál MacLiammóir as Iago, Robert Coote as Roderigo, Suzanne Cloutier as Desdemona, Michael Laurence as Cassio, Fay Compton as Emilia and Doris Dowling as Bianca.

Finally, production began on the opera, which Verdi initially referred to as Iago.

He played Iago in Margaret Webster's Broadway production of Othello ( 1943 ), which starred Paul Robeson in the title role, Webster as Emilia, and Ferrer's wife, Uta Hagen, as Desdemona.

In his early days at the Old Vic, Richardson was the target of the sometimes waspish reviews of leading critic, James Agate, who thought that Richardson could not play villains ; Agate said of Richardson's Iago, " he could not hurt a fly, which was very good Richardson, but indifferent Shakespeare ".

He also played some Shakespearean roles which he never essayed on stage, such as Iago in a 1932 broadcast of Othello opposite Henry Ainley as the Moor, Buckingham ( 1954 ) and Cranmer ( 1977 ) in Henry VIII, and Friar Laurence in Romeo & Juliet for the first time when he was eighty-nine.

In eastern Spain, Jacobus became " Jacome " or " Jaime "; in Catalunya, it became Jaume, in western Iberia it became " Iago ", from Hebrew י ַ ע ֲ ק ֹ ב, which when prefixed with " Sant " became " Santiago " in Portugal and Galicia ; " Tiago " is also spelled " Diego ", which is also the Spanish name of Saint Didacus of Alcalá.

This was followed by Othello, in which he played alternately the Moor and Iago.

Iago is one of Shakespeare's most sinister villains, often considered such because of the unique trust that Othello places in him, which he betrays while maintaining his reputation of honesty and dedication.

Nicole Galland's novel I, Iago, published in April 2012, speculates an elaborate backstory in which Iago invents intricate moral justifications for his ambition and vengeance.

Through the mouths of the dark characters of Hamlet, Timon, Lear, and Iago, he craftily says, or sometimes insinuates the things, which we feel to be so terrifically true, that it were all but madness for any good man, in his own proper character, to utter, or even hint of them.

After the production of Tennyson's The Cup and revivals of Othello ( in which Irving played Iago to Edwin Booth's title character ) and Romeo and Juliet, there began a period at the Lyceum which had a potent effect on the English stage.

As in the film, Iago escapes from Jafar and does his best to make amends with Aladdin and Jasmine, as well as with Sora, Donald and Goofy, although Jafar coerces him into aiding him in his revenge, almost damaging Iago's friendship with Aladdin and Sora, but he redeems himself after taking a blow for Aladdin which almost claims his life.

She played George Bernard Shaw's Saint Joan ( 1951 ) on Broadway, and Desdemona in a production which toured and played Broadway, featuring Paul Robeson as Shakespeare's Othello and her then-husband Jose Ferrer as Iago.

Known as the " Voce del leone " (" voice of the lion "), he was greatly admired, even by rival baritones, such as Giuseppe De Luca, who said of Ruffo: " His was not a voice, it was a miracle " ( although not often published is the second part of De Luca's conclusion "... which he bawled away ..."), and Victor Maurel, the creator of Verdi's Iago and Falstaff.

In it, Poirot reveals that he wore a false moustache as well as a wig and explains that X was Norton, a man who had perfected the technique of which Iago in Othello ( like a character in Ervine's play ) is master: applying just such psychological pressure as is needed to provoke someone to commit murder, where normally they would let the other live and dismiss their desires as simply the heat of the moment, without anyone ever truly realising what he is doing.

Apart from Iago, the baritone parts which he performed included Telramund, Bartolo, Falstaff and Scarpia.