His fellow-countryman, Igor Stravinsky, certainly did not.

* 1948 – Igor Stravinsky conducted the premier of his American ballet, Orpheus, in New York City at New York City Center.

Bartók wrote another ballet, The Miraculous Mandarin influenced by Igor Stravinsky, Arnold Schoenberg, as well as Richard Strauss.

Elfman's classical influences include Béla Bartók, Philip Glass, Lou Harrison, Carl Orff, Harry Partch, Sergei Prokofiev, Maurice Ravel, Erik Satie, Igor Stravinsky and Pyotr Ilyich Tchaikovsky.

Igor Stravinsky composed in 1958 Epitaphium for flute, clarinet and harp.

In Eastern Europe, a larger descendant of the hammered dulcimer called the cimbalom is played and has been used by a number of classical composers, including Zoltán Kodály, Igor Stravinsky and Pierre Boulez, and more recently, in a different musical context, by Blue Man Group.

* 1882 – Igor Stravinsky, Russian composer ( d. 1971 )

* 1927: Oedipus Rex ( music by Igor Stravinsky )

* 1888 – Vera de Bosset, Russian artist, wife of Igor Stravinsky ( d. 1982 )

Bach, the profound expressive irony of Mahler, the neoclassicism of Igor Stravinsky and Paul Hindemith.

Andriessen's mature music combines the influences of jazz, American minimalism, Igor Stravinsky and Claude Vivier.

* Arrangement of Tango by Igor Stravinsky ( 1972 ) for wind ensemble

* Johann Sebastian Bach's Prelude in b minor from the Well-Tempered Clavier BWV 866, arranged for string quartet with the first six bars augmented with a viola part by Igor Stravinsky, completed by Louis Andriessen ( 2006 )

In 1913 — the year of Edmund Husserl's Ideas, Niels Bohr's quantized atom, Ezra Pound's founding of imagism, the Armory Show in New York, and, in Saint Petersburg, the " first futurist opera ," Victory Over the Sun — another Russian composer Igor Stravinsky, working in Paris for Sergei Diaghilev and the Ballets Russes, composed The Rite of Spring for a ballet, choreographed by Vaslav Nijinsky, that depicted human sacrifice.

After the generally primitivistic / irrationalist aspect of pre-World War I Modernism, which for many modernists precluded any attachment to merely political solutions, and the neoclassicism of the 1920s, as represented most famously by T. S. Eliot and Igor Stravinsky — which rejected popular solutions to modern problems — the rise of Fascism, the Great Depression, and the march to war helped to radicalise a generation.

" This sentiment was echoed further in 1930 by Igor Stravinsky, when he stated in the revue Kultur und Schalplatte that " there will be a greater interest in creating music in a way that will be peculiar to the gramophone record.

In the 20th century the traditions of Russian opera were developed by many composers including Sergei Rachmaninoff in his works The Miserly Knight and Francesca da Rimini, Igor Stravinsky in Le Rossignol, Mavra, Oedipus rex, and The Rake's Progress, Sergei Prokofiev in The Gambler, The Love for Three Oranges, The Fiery Angel, Betrothal in a Monastery, and War and Peace ; as well as Dmitri Shostakovich in The Nose and Lady Macbeth of the Mtsensk District, Edison Denisov in L ' écume des jours, and Alfred Schnittke in Life with an Idiot and Historia von D. Johann Fausten.

Also among the vanguard was the Russian Igor Stravinsky.

In the 1920s and 1930s, economic as well as artistic considerations led to the formation of smaller concert societies, particularly those dedicated to the performance of music of the avant-garde, including Igor Stravinsky and Arnold Schoenberg.

In 1934, Igor Stravinsky based his melodrama Perséphone on Persephone's story.

Ragtime influenced classical composers including Erik Satie, Claude Debussy and Igor Stravinsky.

Under Diaghilev's guidance, Prokofiev chose his subject from a collection of folktales by the ethnographer Alexander Afanasyev ; the story, concerning a buffoon and a series of confidence tricks, had been previously suggested to Diaghilev by Igor Stravinsky as a possible subject for a ballet, and Diaghilev and his choreographer Léonide Massine helped Prokofiev to shape this into a ballet scenario.

The ballet's premiere in Paris on 17 May 1921 was a huge success and was greeted with great admiration by an audience that included Jean Cocteau, Igor Stravinsky and Maurice Ravel.

Perhaps Diaghilev's most notable composer-collaborator, however, was Igor Stravinsky.

* May 29 – The ballet The Rite of Spring, with music by Igor Stravinsky conducted by Pierre Monteux, choreography by Vaslav Nijinsky and design by Nicholas Roerich, is premièred by Sergei Diaghilev's Ballets Russes at the Théâtre des Champs-Élysées in Paris ; its modernism provokes one of the most famous classical music riots in history.

Percy Bysshe Shelley composed a " Hymn of Apollo " ( 1820 ), and the god's instruction of the Muses formed the subject of Igor Stravinsky's Apollon musagète ( 1927 – 1928 ).

Of the eight numbers he had composed for Act 4 of Mlada, those that eventually found their way into ( or back into ) Prince Igor included No. 1 ( Prologue: The opening C major chorus ), No. 2 ( material for Yaroslavna's arioso and Igor's aria ), No. 3 ( Prologue: The eclipse ), No. 4 ( Act 3: The trio ), and No. 8 ( Act 4: The closing chorus ).

* The Firebird, ballet for which Igor Stravinsky ( 1882-1971 ) composed the music

Many quintessentially " Russian " works were composed in orientalist style, such as Balakirev's Islamey, Borodin's Prince Igor and Rimsky-Korsakov's Scheherazade.

His best-known designs were for Borodin's Prince Igor ( 1909 and later productions ), and costumes and set for The Rite of Spring ( 1913 ), composed by Igor Stravinsky.

Russian composer Igor Stravinsky composed two different ballets entitled Pulcinella and Petrushka ), inspired by him.

The whole set of songs composed by Fabian with Igor Krutoy is in English, French, Italian, Spanish and also in Russian.

She interpreted contemporary avant-garde music composed, among others, by Luciano Berio, Bruno Maderna, John Cage, Henri Pousseur, Sylvano Bussotti, Darius Milhaud, Roman Haubenstock-Ramati, and Igor Stravinsky.

Sylvano Bussotti, John Cage, Hans Werner Henze, William Walton, Igor Stravinsky, and Anthony Burgess also composed works for her voice.

Igor Stravinsky's first foray into the style began in 1919 – 20 when he composed the ballet Pulcinella, using themes which he believed to be by Giovanni Pergolesi ( it later came out that many of them were not, though they were by contemporaries ).

Petrouchka or Petrushka (; ) is a ballet with music by Russian composer Igor Stravinsky, composed in 1910 – 11 and revised in 1947.

Histoire du soldat ( L ' Histoire du soldat, translated as The Soldier's Tale ), composed by Igor Stravinsky, is a 1918 theatrical work " to be read, played, and danced " (" lue, jouée et dansée ").

The Symphony of Psalms is a three-movement choral symphony and was composed by Igor Stravinsky in 1930 during his neoclassical period.

Igor Stravinsky's cantata Le roi des étoiles was composed in 1911-12 to a text by the Russian poet Konstantin Bal ' mont and published in 1913 by P. Jurgenson.

After the Second World War, Ohzawa taught at the Kobe Jagakuin ; composed light music, jazzy concertos for saxophone and trumpet ; created an orchestra ; and hosted his own radio show featuring the orchestra, which featured popular classics, as well as more modern works by such composers as Igor Stravinsky, Arnold Schoenberg and Dmitri Shostakovich.

In addition, classical composers were influenced by the form with, for example, Igor Stravinsky's solo piano work Piano-Rag-Music from 1919, and Claude Debussy's Golliwogg's Cakewalk ( from the 1908 Piano Suite Children's Corner ), and General Lavine ( from his Preludes ).

* June 25 – The ballet The Firebird ( L ' Oiseau de feu ), the first major work by Russian composer Igor Stravinsky, commissioned by Diaghilev's Ballets Russes, is premièred in Paris, bringing the composer international fame.

Although Dolphy's work is sometimes classified as free jazz, his compositions and solos were often rooted in conventional ( if highly abstracted ) tonal bebop harmony and melodic lines that suggest the influences of modern classical composers Béla Bartók and Igor Stravinsky.

What distinguished these composers from their contemporaries ( such as Maurice Ravel, George Gershwin and Igor Stravinsky ) is that Expressionist composers used atonality self-consciously to free their work from traditional tonality.

In 1868 Borodin became distracted from initial work on the second symphony by preoccupation with the opera Prince Igor, which is seen by some to be his most significant work and one of the most important historical Russian operas.

His early work is sometimes evocative of Igor Stravinsky and Olivier Messiaen ( composers he has acknowledged as influences ) and his technique of juxtaposing blocks of sound is sometimes compared to that of Edgar Varèse.

The Rite of Spring, French title Le Sacre du Printemps () is a ballet and orchestral concert work by the Russian composer Igor Stravinsky.

Igor StravinskyHe spent a year in Berlin, planning to work with Artur Schnabel, and gave concerts in Budapest, Vienna and at the Donaueschingen Festival.

The work incorporates eclectic musical influences, ranging from Johann Sebastian Bach and Igor Stravinsky to the old Netherlands chanson " L ' homme armé " and 20th-century boogie-woogie .< ref > The work opens with 144 iterations of the same chord played fortissimo ( very loud ) and features an extended solo for two large metal boxes played with hammers.

His bebop composition work also started to attract outside attention from other composers, including the interest of neo-classicist Igor Stravinsky, who later wrote " Ebony Concerto " for the band.

Traditionally a three-movement work, the violin concerto has been structured in four movements by a number of 20th Century composers, including Shostakovich, Igor Stravinsky, and Berg ( in the latter, the first two and last two movements are connected, with the only break coming between the second and third ).

His work has been championed by such conductors as Igor Buketoff, who recorded the 3rd and 6th symphonies.

Igor Stravinsky wrote a musical work in 1954 the year after Thomas ' death, " In Memoriam Dylan Thomas ", that included the poem to commemorate him.

Indeed, there was a great variety of opinion among Gershwin's contemporaries ; Igor Stravinsky thought the work was one of genius, whereas Sergei Prokofiev disliked it intensely.

The first ACP Board started its work in 2004 with the following people: the ACP's President French Grandmaster Joël Lautier, secretary Bartłomiej Macieja, Treasurer Almira Skripchenko, Deputy Treasurer Pavel Tregubov, Board members Igor Glek, Anna Hahn, Vladimir Kramnik, Peter Heine Nielsen and Yannick Pelletier.

Other creators whose work appeared in Crisis include Simon Bisley, Glenn Fabry, John Hicklenton, Philip Bond, Si Spencer, Steve Sampson, Chris Standley, Peter Doherty, Igor Goldkind, Tony Allen, James Robinson, Tony Salmons, Oscar Zarate, Paul Neary, Steve Parkhouse and Bernie Jaye.

In 1959, Igor Smirnov began work at the Zlatoust Metallurgical Factory at the age of eighteen.

The club then purchased big stars such as Igor Tudor and Cernat in hopes of boosting the club, but this strategy did not work, and soon coach Ivan Pudar was fired.

Not all teams would work ; for example, Ivan and his nephew Igor, who work well together, are hated by Steroid, the Polish bodybuilder.

She decided to honor his memory by commissioning several works of the young composers of her time, amongst others Igor Stravinsky's Renard, Erik Satie's Socrate ( by her intercession Satie was kept out of jail when he was composing this work ), Darius Milhaud's Les Malheurs d ' Orphée, Francis Poulenc's Concerto for two pianos and Organ Concerto, Jean Françaix's Le Diable boîteux and Sérénade pour douze instruments, Kurt Weill's Second Symphony, and Germaine Tailleferre's First Concerto for Piano and Orchestra.

In 1909 Sergei Diaghilev commissioned Lyadov to orchestrate a number for the Chopin-based ballet Les Sylphides, and on 4 September that year wrote to the composer asking for a new ballet score for the 1910 season of his Ballets Russes ; however, despite the much-repeated story that Lyadov was slow to start composing the work which eventually became The Firebird ( famously fulfilled by the then relatively inexperienced Igor Stravinsky ), there is no evidence that Lyadov ever accepted the commission.