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Page "Fines herbes" ¶ 4
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Image and .
Image intensifiers based upon the multipactor principle appear to hold promise as far as obtainable resolution is concerned.
Image: Luanda4. jpg | A view of Luanda
Image: Green almonds. jpg | Green almonds
Image: Mandel Gr 99. jpg | Unshelled ( left ) and shelled
::: Image: Evenandodd. PNG
* Image: Ndslivechart. png The LIVEChart of Nuclides-IAEA with filter on alpha decay
Image: Casa Batllo. jpg | The Casa Batlló by day
Image: Jfader batto roof. jpg | The arched roof and complex chimney detailing
Image: Casa batllo chimney. jpg | Close-up of a chimney
Image: staircase casa batllo. jpg | The unique design of the staircase and ceiling
Image: Close up Casa Batlo. JPG | Close-up of Casa Batlló
Image: CasaBatllo. jpg | Casa Batlló
Image: Casa Batlló Fireplace. jpg | Casa Batlló Fireplace
Image: Casa Batlló Light Well. jpg | Casa Batlló Central Light Well
Image: Casa Batlló Parabolic Arches. jpg | Casa Batlló Catenary Arches
Image: CasaBatllo_0170. JPG | The Casa Batlló by night
Image: View from Park Güell Terrace. jpg | View from the main terrace of the park.
Image: Parc Güell Dragon Restored. jpg | The dragon, as restored after the vandalism of February 2007.
Image: Parc Güell viaduct. jpg | Viaduct
Image: Parc Guell 10. jpg | Colonnaded footpath under the roadway viaduct, with external columns sloping to take the diagonal thrust from the vault supporting the road.
Image: Colonnadeparkguell. jpg | Colonnaded pathway where the road projects out from the hillside, with the vaulting forming a retaining wall which curves over to support the road, and transmits the load onto sloping columns.

Image and jpg
Image: Park_Guell_Tile. jpg | Another of Gaudí's Tiled Mosaics on the ceiling.
Image: Ceiling mosaic, Park Güell, Barcelona. jpg | Ceiling Mosaic in the Hypostyle Room, Park Güell, Barcelona
Image: Park Güell-Pabellón de entrada. jpg | Pavilion at the entrance
Image: Escalinata de entrada del Park Güell. jpg | Third fountain at the entrance with the dragon
Image: Casa Martí Trias i Domènech. jpg | Casa Martí Trias i Domènech
Image: casa mila roof. jpg | Casa Milà roof architecture, chimneys known as espanta bruixes ( witch scarers )
Image: Casa Mila Rooftop. jpg | Casa Milà rooftop in Spring
Image: Casa Milà 01. jpg | Ventilation towers
Image: LaPedreraParabola. jpg | Catenary arches under the terrace of Casa Milà

Image and |
Image: Barcelona 29-04-2006 11-29-38. JPG | One of Gaudí's unique tiles in Parc Güell

Estragon and .
Waiting for Godot ( ) is an absurdist play by Samuel Beckett, in which two characters, Vladimir and Estragon, wait endlessly and in vain for the arrival of someone named Godot.
The play opens with Estragon struggling to remove a boot.
Estragon eventually gives up, muttering, " Nothing to be done.
When Estragon finally succeeds in removing his boot, he looks and feels inside but finds nothing.
" Estragon struggles with this throughout the play, and Vladimir generally takes the lead in dialogue and encounters with others.
Estragon peers out into the audience and comments on the bleakness of his surroundings.
Estragon dozes off, but, after rousing him, Vladimir is not interested in hearing about his dream.
Estragon wants to hear an old joke about a brothel, which Vladimir starts but cannot finish, as he is suddenly compelled to rush off and urinate.
He does not finish the story when he returns, asking Estragon instead what else they might do to pass the time.
Estragon suggests that they hang themselves, but they abandon the idea when it seems that they might not both die: leaving one of them alone, an intolerable notion.
They decide to do nothing: " It's safer ," explains Estragon, before asking what Godot is going to do for them when he arrives.
When Estragon declares that he is hungry, Vladimir provides a carrot, most of which, and without much relish, the former eats.
The diversion ends as Estragon announces that they still have nothing to do.
Finished, he casts the bones aside, and Estragon jumps at the chance to ask for them, much to Vladimir's embarrassment, but is told that they belong to the carrier.
Estragon tries, but Lucky only hangs his head, refusing to answer.
Taking this as a " no ", Estragon claims the bones.
Pozzo provides a handkerchief, but, when Estragon tries to wipe his tears away, Lucky kicks him.
Estragon tries to ask for some money, but Vladimir cuts him short, explaining that they are not beggars.
Once again Estragon maintains he spent the night in a ditch and was beaten – by " ten of them " this time – though he shows no sign of injury.
Vladimir tries to get Estragon to remember Pozzo and Lucky, but all he can call to mind are the bones and getting kicked.
With some difficulty he gets Estragon to show him his leg.
Only then Vladimir notices that Estragon is not wearing any boots.
He discovers the pair of boots, which Estragon insists are not his but nevertheless fit when he tries them on.
With no carrots left, Vladimir offers Estragon the choice between a turnip and a radish.
They play at imitating Pozzo and Lucky, but Estragon can barely remember having met them and simply does what Vladimir asks.

0.593 seconds.