a New York poet whose early work was also influenced by Imagism.

Winters's early poetry, which appeared in small avant-garde magazines alongside work by writers like James Joyce and Gertrude Stein, was written in the modernist idiom, and was heavily influenced both by Native American poetry and by Imagism.

The term modernism covers a number of related, and overlapping, artistic and literary movements, including Imagism, Symbolism, Futurism, Vorticism, Cubism, Surrealism, Expressionism, and Dada.

His contribution to poetry began with his promotion of Imagism, a movement that derived its technique from classical Chinese and Japanese poetry, stressing clarity, precision and economy of language.

Imagism was a movement in early 20th-century Anglo-American poetry that favored precision of imagery and clear, sharp language and was described as the most influential movement in English poetry since the activity of the Pre-Raphaelites.

At the time Imagism emerged, Longfellow and Tennyson were considered the paragons of poetry, and the public valued the sometimes moralising tone of their writings.

These three volumes featured most of the original poets, ( also including imagist poetry by the American poet John Gould Fletcher ), with the exception of Pound, who had tried to persuade her to drop the Imagist name from her publications and who sardonically dubbed this phase of Imagism " Amy-gism.

Despite the movement's short life, Imagism would deeply influence the course of modernist poetry in English.

Schools of poetry may be self-identified by the poets that form them ( such as Imagism ), or defined by critics who see unifying characteristics of a body of work by more than one poet ( for example The Movement ).

" The book was intended as satire directed at the Imagism poetry movement.

His " Hugh Selwyn Mauberley " ( 1921 ) represents his farewell to Imagism and lyric poetry in general.

The period 1909 to 1913 saw the emergence of Imagism, the first consciously avant garde movement in 20th century English-language poetry.

Starting in 1963, with the founding of the journal American Haiku, poets such as Cor van den Heuvel, Nick Virgilio, Raymond Roseliep, John Wills, Anita Virgil, Gary Hotham, Marlene Mountain, Wally Swist, Peggy Willis Lyles, George Swede, vincent tripi, Jim Kacian, and others have created significant oeuvres of haiku poetry, evincing continuities with both Transcendentalism and Imagism and often maintaining an anti-anthropocentric environmental focus on nature during an unparalleled age of habitat destruction and human alienation.

The self-definition of movements, dating back at least to Ezra Pound's efforts on behalf of Imagism, could be linked on one front to the production of an anthology of the like-minded.

In an article in La France, 1915, the French critic, Remy de Gourmont described the Imagists as descendants of the French Symbolistes and in a 1928 letter to the French critic and translator René Taupin, Pound was keen to emphasise another ancestry for Imagism, pointing out that Hulme was indebted to a Symbolist tradition, linking back via William Butler Yeats, Arthur Symons and the Rhymers ' Club generation of British poets to Mallarmé.

It also meant that Imagism was available as a model for American Modernist poets of the next generation.

Akhmatova joined the Acmeist group of poets in 1910 with poets such as Osip Mandelstam and Sergey Gorodetsky, working in response to the Symbolist school, concurrent with the growth of Imagism in Europe and America.

Eliot was one of these poets, although it has also been said that ' Imagism ' was the style to which both Pound and Eliot subscribed ( see Pound's Des Imagistes ).

The influence of Imagism can be seen clearly in the work of the Objectivist poets, who came to prominence in the 1930s under the auspices of Pound and Williams.

His work, which shows the influence of Imagism and of the Metaphysical poets, was mainly in free verse.

# It is an historically significant photograph of a well-known American poet, who was a key figure in the Imagism movement with Ezra Pound and other poets.

# It is an historically significant photograph of a well-known American poet, who was a key figure in the Imagism movement with Ezra Pound and other poets.

William Carlos Williams ( September 17, 1883 – March 4, 1963 ) was an American poet closely associated with modernism and Imagism.

Over time, they developed the influential Acmeist anti-symbolist school, concurrent with the growth of Imagism in Europe and America.

In contrast, Imagism called for a return to what were seen as more Classical values, such as directness of presentation and economy of language, as well as a willingness to experiment with non-traditional verse forms.

Imagism as a movement was launched with H. D.

Pound ’ s process of deletion from thirty lines to only fourteen words typifies Imagism ’ s focus on economy of language, precision of imagery and experimenting with non-traditional verse forms.

# It is an historically significant photograph of a well-known American poet, who was a key figure in the Imagism movement with Ezra Pound.

Bynner became more of a modernist in consequence, where previously he had been inclined to parody Imagism, and dismiss the orientalist pronouncements with which Ezra Pound was free.

The first shows a strong influence of Imagism and its accumulative method ; the second, however, shifts drastically towards stylism and artifice with dense and obscure metaphors and elaborate syntax.

Between 1908 and 1914, it was instrumental in pioneering the British avant-garde from Vorticism to Imagism.

Imagism is also significant historically as the first organised Modernist English language literary movement or group.

Although Imagism isolates objects through the use of what Ezra Pound called " luminous details ", Pound's Ideogrammic Method of juxtaposing concrete instances to express an abstraction is similar to Cubism's manner of synthesizing multiple perspectives into a single image.

The origins of Imagism are to be found in two poems, Autumn and A City Sunset by T. E. Hulme.

's, Hermes of the Ways, Orchard, and Epigram, appeared in the January 1913 issue ; Imagism as a movement was launched.

The preface to Some Imagist Poets in 1916 comments Imagism does not merely mean the presentation of pictures.

Imagism refers to the manner of presentation, not to the subject.

The following year, Pound and Flint fell out over their different interpretations of the history and goals of the group arising from an article on the history of Imagism written by Flint and published in The Egoist in May 1915.

Most of the other members of the group are largely forgotten outside the context of the history of Imagism.

was born in Pennsylvania in 1886, and moved to London in 1911 where her publications earned her a central role within the then emerging Imagism movement.

Glenn Hughes, the authority on Imagism, said of her ' her loneliness cries out from her poems.