Alumni was the most successful team in the amateur era of Argentine football, winning 10 of the 14 league championships contested, being considered the first great football team.

* 1952 – Ricardo Lavolpe, Argentine football coach

* 1958 – Daniel Brailovsky, Argentine football manager

* 1941 – Alfio Basile, Argentine football coach

* March 16 – Carlos Bilardo, Argentine football player and manager

** Ariel Ortega, Argentine football player

* December 27 – Guillermo Stabile, Argentine football player and Manager ( b. 1905 )

** Juan Roman Riquelme, Argentine football player

** Diego Milito, Argentine football player

** Marcelo Bielsa, Argentine football player and manager

Osvaldo César Ardiles ( born 3 August 1952 in Bell Ville, Córdoba Province ), often referred to in Britain as Ossie Ardiles, is a football coach, pundit and former midfielder who won the 1978 World Cup as part of the Argentine national team.

* Club Ferrocarril Midland, Argentine football club

* Colón de Santa Fe ( Club Atlético Colón ), an Argentine football ( soccer ) team.

* Gimnasia y Esgrima de Santa Fe, an Argentine football club.

* Unión de Santa Fe, an Argentine football club.

* Unión de Santa Fe, an Argentine football ( soccer ) club

* Club Atlético Unión de Sunchales, an Argentine football ( soccer ) club

* Cristian Tula ( born 1978 ), Argentine football player

** Marcelo Bielsa ( born 1955 ), Argentine football coach

* Club Atlético Nueva Chicago, Argentine football club

* Bernardo Romeo ( born 1977 ), Argentine football player

* The Big Five of Argentine football, the leading teams of Argentine football

Nevertheless a strong finish, assisted in large measure by the late-season acquisition of Argentine midfielder Christian Gómez, propelled United into the playoffs as the second seed.

This title allowed San Lorenzo to dispute the playoffs in order to promote to the Argentine Primera División, which finally obtained after beating Club Honor y Patria by a score of 3-0.

As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences.

Guastavino's musical style marked a stark contrast with the works of his 20th-century Argentine contemporaries such as Alberto Ginastera and reveals the influence of European composers such as Albéniz, Granados, Rachmaninoff, Chabrier, Falla, Debussy, and Ravel, but also is clearly inherited from the luminaries of 19th-century Argentine nationalist composers, such as Alberto Williams, Ernesto Drangosch, Francisco Hargreaves, Eduardo García Mansilla and Julián Aguirre.

Other regional variations are based on the Argentine style as well.

Casual, unchoreographed Argentine social style at an outdoor tango party

This gives the town some distinctive urban character compared with other Argentine cities, despite the fact that the growing mass of tourists in the ' 60s imposed the construction of large apartment buildings and skyscrapers as the predominant architectural style downtown.

Although the word " tango " to describe a music / dance style had been printed as early as 1823 in Havana, Cuba, the first Argentinian written reference is from a 1866 newspaper, that quotes the song " La Coqueta " ( an Argentine tango ).

The poem, written in a Spanish that evokes rural Argentina, is widely seen as the pinnacle of the genre of " gauchesque " poetry ( poems centered around the life of the gaucho, written in a style that evokes the rural Argentine ballads known as payadas ) and a touchstone of Argentine national identity.

Finnish popular music also includes various kinds of dance music ; tango, a style of Argentine music, is also popular.

It was during his time at Inter where he picked up the nickname " Maradona of the Bosphorus ", after comparisons of playing style to the Argentine legend.

Critics of what some call the tango nuevo style claim that with all the emphasis being on the physics of the dance, that the connection to the music, the feeling, and the traditions of Argentine Tango have been lost to the newer generations of tango dancers.

Becoming a naturalized Argentine citizen in 1940, much of his recorded music is in the classic salon style of that decade, but he is also considered a member of the old guard, and some of his later recordings contributed to the transition to concert tango.

When tango became popular again after the end of the Argentine military dictatorships in 1983, this style was resurrected by dancers from the Golden Era:

The lead singer Adrián " Dárgelos " Rodríguez and the keyboardist Diego " Uma-T " Tuñón initially decided to create a New Wave style, which wouldn't follow the established Argentine music.

This team, coached by Américo Gallego, had an offensive style featuring Federico Insúa, Daniel Montenegro, Andrés Silvera, among other important Argentine players.

The moment when Argentine rock began as a distinct musical style can be traced to the middle 1960s, when several garage groups and aspiring musicians began composing songs and lyrics that related to local social and musical themes.

And for the first time in Argentine rock history there was a " revival " of an earlier style, with Acoustic rock making a comeback on the back of reunions by Almendra and Manal.

In heavy metal, the already mentioned Rata Blanca dominated popular tastes, specially in other Latin American countries, along with Hermética, JAF, and Horcas ( the last two more domestic ), in a very healthy scene for a style that never was overwhelmingly crowded in Argentine rock.

Eventually rolinga became a style: cheesy 1970s sneakers, tight t-shirts with the logo of the Stones or a local ' stone ' band, and a disdain for other Argentine rock sub-genres they consider part of the establishment.

The rise of the suburban style of rootsy-rock was a catalyst to bring the until then obscure bands of Argentine blues to the light.

Some have called this demiurgic style ( infused with Argentine folk, psychedelia, and space rock ) " Patagonian doom ", and this brand of metal has been ranked with the best heard in the new millennium.

Due to those extraordinary campaigns and its style of playing, the squad was nicknamed " The Academy of Argentine football ", which has been adopted by its supporters as a mark of identity, still used nowadays.

In ballroom Tango, International Style, head snaps or head flicks are a characteristic element of its staccato style, as distinguished from, e. g., Argentine tango.